Having got used to the possibility of adding any processing when mastering stereo recordings, for many sound engineers it comes as a surprise that with immersive formats like Dolby Atmos it is not so easy - there is no master channel and there is simply nowhere to add master processing. So what to do in this situation? Let's talk about that in this video, and at the same time let's check some nuances of 7.1.2 audio mastering in Steinberg WaveLab Pro 11.
Learn more about WaveLab Pro 11: www.steinberg.net/wavelab/new...
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00:00 What is immersive mastering?
01:38 Why is WaveLab Pro good for mastering 7.1.2?
03:22 How to fix the situation when not enough power goes into Rears?
04:41 How to work with the LFE channel?
08:41 What tools can be used for mastering an entire mix in 7.1.2?
11:01 Let's work with dynamic processing of the mix.
15:15 A look at SuperVision and LUFS levels
16:30 How to playback a multichannel mix in stereo?
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3 авг 2024
