Inkpulp Podcast  

He really is!

AHAHAHAHAHAHAH!

Thank you!

Thanks for listening!

Awesome!

Im glad you enjoyed it!

He's great!

Thank you!

I would love that!

That man keeps his knowledge close to the chest. Despite learning from some of the best, he does not share that knowledge with a wider audience.

I love it! Thanks for listening!

Thank you so much! Welcome aboard!

He's amazing!

Thats awesome! Youre making us oiut to be WAY too important lol!

@@inkpulp lol not from my prospective. Ive been drawing for 35 years and i refuse to stop trying to learn new things. I learn every interview. that will and should never change. But as a aspiring artist to reach that point means the respect of those you respect. tis all

I guess they like us lol!

Thank yoU!

As log as your not using perspective grids, filter, and fancy brushes lol

@@inkpulp The funny thing is all that helps if you use it and understand the fundamentals. Every single thing mentioned there can help you understand something that can translate to traditional work. Digital grids for example immediately made me understand Sean's approach to drawing vehicles and hardware. I had done it with grids and ellipses digitally, so watching him made me realize I could do the same with rulers and templates. Similarly with your inking lessons, you make some transition marks with the tip of your brush. If you learn pixel art they actually spend a lot of time focusing on those sort of transitions and how to apply them. I really think digital stuff teaches you a lot of fundamental theory and allows you to try it out with minimum time waste and hassle, so the hurdles between learning or receiving info and applying it is minimal in digital. While learning that's a fantastic thing imo. The beauty is once people get comfortable they want to move to traditional. Loads of established digital artists have switched to traditional and their work is far from weak because they were digital first. It allows more people into art and I think that's worth a lot. This outlook on digital seems to be a uniquely western comics industry thing. I don't really see people from other creative industries speak about digital in this way. The strangest thing about it is as someone who is moving into traditional work more now and thoroughly enjoying it, there is one key merit of traditional work which I have yet to see anyone talk about. Anyways this is just something I've been thinking about a lot since doing the inkpulp lessons to learn traditional stuff, makes me cognizant of the relationship between the digital and traditional. In the end like with most things it boils down to being a set of tools. How people approach it or utilize this stuff and what they get out of it is up to them. As a learning tool, I think its massively under valued.

I agree!