I feel guilty making a video about this sensibly designed system that paints it in a bad light, but we've had a pretty rough time with these units on a show that uses these in mobile risers (podiums) with video floors that the performers stand on, side RGB LED channels, RGB under-glow lighting and three costumes with 150 channels of DMX controlled addressable LEDs.
Even with external aerials on top of the risers positioned away from the metal structure, and many attempts at finding an optimum location for the multiverse transmitters that take a data feed and transmit the required number of lighting control networks, we have had very patchy results. There's a good chance that this is due to the awkward outdoor RF environment with lots of moving bodies to block the RF signal, and a metal stadium structure that doesn't lend itself well to bouncing the signal to improve its reach. But whereas previous systems like the excellent Astera Titan Tubes performed well with nothing more than an occasional delayed response when they struggled to get a solid signal, these units have done very un-showbiz things like crashing or failing to reconnect to the signal. That's resulted in missing the DMX video server trigger signals and sections of lighting either jumping through fades or locking up completely.
There's a good chance that these units will fare much better in an indoor environment with nice RF reflective walls, but they really need to tweak their software to make them reconnect properly in the instance of signal loss.
Hopefully the firmware (which we updated) will evolve with time and the bugs will be ironed out. Most of the lighting crew use City Theatrical test equipment (DMX-cats) and their DMX dimmers perform well, so hopefully this is just an issue that was more visible due to our less than ideal outdoor stadium.
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/ bigclive
#ElectronicsCreators
6 окт 2024