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Interview with Franz Erhard Walther 

Harbourfront Centre
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Franz Erhard Walther's first major solo exhibition in Canada brings together bodies of work produced between the 1950s to the present. Call to Action offers insight into Walther’s radical ideas about the relationship between space, object and the human body.
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Photo credits:
1) Franz Erhard Walther, Call to Action, 2016.
Installation view: The Power Plant, Toronto, 2016.
Collection of The Franz Erhard Walther Foundation.
Photo: Harbourfront Centre
2, 3, and 4) Franz Erhard Walther, selection of 55 Handlungsbahnen (Action Paths), 1997-2003.
Installation view: Call to Action, The Power Plant, Toronto, 2016.
Collection of the artist; The Franz Erhard Walther Foundation; Galerie Jocelyn Wolff, Paris; and KOW, Berlin.
Photo: Harbourfront Centre
5 and 6) Franz Erhard Walther, selection of 55 Handlungsbahnen (Action Paths), 1997-2003.
Call to Action, The Power Plant, Toronto, 2016.
Collection of the artist; The Franz Erhard Walther Foundation; Galerie Jocelyn Wolff, Paris; and KOW, Berlin.
Photo: Toni Hafkenscheid.
7) Franz Erhard Walther, Activation Copies of 1. Werksatz (First Work Set), 1963-69.
Call to Action, The Power Plant, Toronto, 2016.
Collection of The Franz Erhard Walther Foundation.
Photo: Toni Hafkenscheid.

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4 авг 2016

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Комментарии : 1   
@GeorgeTabori
@GeorgeTabori 7 лет назад
Ich bin als Buehnenbildnerin eingelagert in Berliner Theaterlandschaft, Teil des Formenlagers, das sich im Theater nur entfaltet, wenn Bilderinszenierungen von mir stattfinden koennen. Ersan Montag's Kritik am deutschsprachigen Theater betrifft nicht mein visuelles Archiv als visuelle Kuenstlerin. Bildsprache
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