00:00 - Intro 00:18 - What is the M2 vocal technique 00:27 - Famous singers that use it 01:20 - Quick fix or long term plan? 02:22 - Using this technique as a ‘backup’ 03:33 - Integrating notes 04:57 - Muscle memory 05:22 - Can anyone do it? (actual talk) 05:55 - Can baritones and basses do it? 07:00 - Rating the technique out of 10 07:39 - Am I a scammer?
I need to look into this M2 exercise. Im 40 now and still smoke entirely too much. Lately the G#4 from High and Dry is about the most consistent note I can hit before, weirdly, often popping into a soft falsetto that jumps an octave or just cracking out.
It's very good! I got a very weak body and M1 overall, but with M2 you isolate only air and your singing becomes stupid consistent. I used to get frustrated a lot singing in M1 with voice cracks and all. Not that I don't use it now (in my technique you're switching back and forth between the mechanisms all the time) but only til it's more natural and effortless limit. Does smoking affect your M2 or your M1? Or both or none?
@@M2Singing I'm not entirely sure to be honest. It came naturally to me for most of my life and my range was always on the high side. I just know I didn't have any holes and I'm assuming M2 is how I could hit at least some lines of Shubert's Ave Maria consistently 😄.
IDK but considering the lost his voice on purpose (right?) for Oh! Darling, that sounds like an M1 abuser. Then again he has great effortless '''mixed voice'''' tone so I can see it going both ways. I'm guessing he could do both if necessary- Watchu think?
@@M2Singing it would be amazing if it was a "mixed" tone, because it's so strong , but it's so effortless and it's live, and he kept his voice for many decades, so... It's just incredible
