No lie , about 2 years ago I bought a Tribute Comanche and discovered the wiring harness was a complete mess, resulting in several positions not working…. I emailed G&L and they immediately sent me a shipping label to their Fullerton location and fixed it right up and shipped it back. I don’t know if other companies would do such a thing….. G&L fan for life!
@@MarkRigler At first I really couldn’t tell the difference but I looked at them both under a black light. Didn’t really come through clearly until I brought out the microscope.
Fun Fact: one can purchase G&L parts from electronics to bridges to bodies to necks to fully built B stock guitars and basses...directly from G&L. Name a part on that guitar and you can *just buy it* which if you think about it for a second...nobody else does that, much less down to the screw. Bonus - they're competitive/reasonable in price compared to mainstream aftermarket components or OEM replacements.
I’d really like to buy the little grub screw that holds the tremolo arm in place for my S-500 Tribute. I purchased a floor model and it didn’t come with one.
Fun fact, the pickups on the gnl are the same on the American built ones as the tributes built elsewhere. However, some of the other hardware is different such as tone pots, etc. That said, I haven't had any issues with tone pots on my gnl tribute s-500. Had it for a number of years now and it's a brilliant guitar 🙂 as a dealer friend of mine said the difference between the g&l American guitars and the tribute series is that the American one is twice the price but definitely not twice the guitar 🙂
Awesome to see @GL_Guitars responding. I just got a Fullerton JB in Himalayan blue and I love it. The neck is incredible and the pickups sound great. Watched a lot of factory tour videos in the last week and I like Dave’s love for the brand.
I am fortunate to have both a '03 Fullerton-CLF and a '15 Tribute Comanche. I had both at the same time for awhile and found them both to be awesome guitars. They both sounded great and as Ryan showed, you have a greater ability to shape the sound with the PTB tone knob system. The tribute in my opinion was a greater value because the quality/cost ratio was more favorable, but the Fullerton-CLF was absolutely one of the top 3 finest guitars I have ever owned and played. The neck was sublime and the build quality coming out of G&L USA is second to none in my opinion and it is the only guitar that I regret selling to the extent that I contacted the buyer and offered him a premium to get it back. I still have my G&L Doheny (offset) and love it. My advice is that if you have $700 get a tribute and if you can swing it, get yourself a Fullerton. Also don't be afraid of the used market, they are a "secret bargain" to be had because resale is usually lower than other brands.
@@888jimm The S-500 package with 3 MFD p/u's, Dual Fulcrum vibrato, the 25.5 scale and the PTB system, fixed nearly all issues with the Strat design and created the most wonderfully versatile guitar Leo ever made.
As someone who has played around with wiring for a set of Z coils, I can tell you what the difference is. The Tribute was wired with the individual coils of each pickup in parallel, and the USA G&L was wired with them in series. G&L used to have a model with individual toggles for each side of each pickup called the Comanche Studio VI, and the "both on" setting was in parallel instead of the usual series. Sounded just like that Tribute. I settled on wiring my neck and middle pickups in parallel and the bridge in series. You can also do series/parallel switching with the halves of a P Bass pickup with similar results.
One of the many nice things about G&L is that nobody generally cares about them. As such, you can find deals on them. I recently grabbed a new Fullerton Deluxe Doheny HH for $1299 out the door. A steal. Anyway, Tribute or USA, they’re great guitars. And why other makers don’t offer some similar type of PTB system is a long standing mystery. Thanks, Ryan!
@@sassycat Yes, I see now that they have a new channel. Since 2 weeks, no less. But what I'm saying is that they have a very low presence on YT and don't seem to cooperate with creators to any significant degree. I believe that Ryan has tried to engage with them before, but without result... (Maybe I'm not remembering that correctly.)
@@perekman3570 and Sassycat, G&L's marketing is poor. Since the inception of the company they relied on Leo Fender's reputation to carry them, and it did. Since his passing they have continued to make improvements on their craftsmanship and even some new innovations. But of course Leo isn't around anymore to drive sales. Unfortunately, they also seem to now rely on the old fashioned model of allowing the dealers to promote their brand. Dealers like SW and Anderton's do a decent job, but it could be better. I will say this; The folks who work at and run G&L are lovely people, that I have had the pleasure of dealing with and I am always rooting for their continued success.
Thanks for this thorough close-up comparison on the details that set the two apart. Based on this, I'd be happy with either of them - but I'm sure I'd be even happier with the Fullerton. It's good to know that it offers a superior experience.😉
I directly compared the G&L Asat Classic Blueboy Tribute to a American Fullerton Bluesboy. I gotta say i liked the Tribute and it was beautiful but after a few minutes of playing and feeling the Fullerton, i put the Tribute back on the wall. The difference is subtle in every aspect but all adds up to a lot.
The Tribute tuners are easily upgraded with GraphTech Ratio tuners. They're a drop in replacement. You don't even need to use any of the adapter plates, since the Tribute tuners and the GraphTech Ratios are both two-pin design. I have them on my MIK S-500 and MIK Legacy, and I know they'll also work on the MII Tributes.
Thank you for this video. I own both tribute and fullerton S500s and Legacy's, they are both giggable guitars, but USA versions offer that extra attention to detail that make them worth it. I'll never sell my G&L's
My #1 guitar is a roughly 2008 US Comanche. I swapped the bridge pickup for the hotter Will Ray Z-Coil (which I don't think that they make any more). It takes a little while to get used to the PTB tone system, but once you put a little time in, it's super flexible. It came with a hardshell case, and I got it with locking tuners, a Graftech nut and string tree, and matching headstock color. I also have a US Legacy Special, and a Tribute ASAT Special. All mighty fine guitars, but the Comanche gets almost all the play time.
Ryan, this is spectacular, like it's so in depth there really aren't many videos that go into this much detail. Would you consider doing this with like a Fender player and a American pro, or perhaps a Player plus vs American Ultra
Great comparison video!!! I traded a new American Standard Fender Tele for a new G&L ASAT in the mid 90's... best trade ever! The ASAT was a keeper and I still enjoy it today. I'd be curious to know if the material of the hardware on the Fullerton and Tribute are different metal alloys. If I had to guess, I'd say yes.The quality of the Fullerton may not be close to 3 times the quality, but if you want the extra (premium) quality that's the price you gotta pay. I'd love to get a Comanche... and although I'd prefer the Fullerton, my wallet says Tribute.
Wonderful video, it helped me a lot in making the decision to buy a Comanche. I love how you go into the nitty gritty details and get into the guts too, 10 out of 10
USA G&Ls are among the very best Fenders short of a tip-top custom shop specimen, and have been for decades. A used one is perhaps the best value electric guitar purchase going.
Can't wait to watch this after work. I have Tribute Fallout that I started out making my own recordings on. I recently got a used Fullerton Deluxe Fallout (for the "wiggle stick") and its one of the best made guitars I've ever played. The Tribute is amazing.
I have a Tribute Comanche in Olympic White and I love it! Having large, long fingered hands, I prefer the chunkier Tribute neck to the Fullerton version, but that's a personal preference. Aesthetically, I also. like the push pull better than the little toggle that looks like someone's aftermarket add-on. As for tone, both versions have the same pickups and sound about the same to me, though I did replace the plastic nut on my Tribute with a Zero Glide that's a big help in maintaining tuning stability. All in all, to me the Tribute is a lot more bang for your bucks than the pricey Fullerton version.
Your point about Strat knobs being slippery for pulling up was well taken. I replaced knobs on both my Donner DST-400s for just that reason. I even selected a contrasting color for one guitar, so as to "color code" the knob with the push-pull pot. I tried to find out what the sustain block material is. No joy. Even G&L's own site doesn't tell. It DOES say that the saddles are brass, though, and they are clearly chrome plated, so maybe the block is the same. It seems less than likely to me that the plating would do anything to the tone or sustain, but it would look a trifle better to some. A brass block is usually a good thing, though they can be heavy.
I was lucky enough to pick up an NOS G&L SC-2 a few years ago. Apparently, the music store I got it from bought out an older music store that had stuck it back in the warehouse/back room 20 years before. They had a few other models and I should’ve picked those up while I was at it because I got it at a great price. They even ran it through a FLEK machine. Absolutely a fantastic guitar.
And yah honestly the paint job/finish and the high polished gloss is one of the reasons it's better. The finish on my fullerton Doheny Lake Placid Blue is freaking beautiful, the nicest LPB polished paintjob i've seen in person. I was very close to getting the American Performer with the satin Lake Placid Blue as that looks beautiful in person, but those paintjobs are way easier to mess up and scuff and crack and all sorts of nonsense. I was honestly not that big a fan of thick gloss/clear coating until I saw how they polish it to look like glass basically. It's completely changed my mind on highly glossed finishes. As another commenter mentioned even their gloss necks on g&l are nice so I actually am interested in trying that even though I swore off of gloss necks years ago. If there's one thing they do right over there it's freaking polishing. everything polished. The neck and fret ends I imagine are slightly better too. G&L does clearances on their website of b-stock or messups and the ones that are just the paint jobs miffed are a good value.
The tribute has a ground wire soldered to one of the springs where the Fullerton didn't, won't be able to remove the spring without soldering. Just bought the tribute used yesterday and glad I did after watching your video. Good job thanks.
An interesting thing about the Tributes is that occasionally Cort (the overseas manufacturer) will do limited runs of instruments without being prompted by G&L. I picked up a limited edition Tribute Comanche last year for $850 that had a burl cap on the body with a roasted neck and locking tuners. I love it. The only issue I had was with the 5-way switch (as you noted), which was having problems with the contacts inside, so yeah, the controls are generally lesser quality on the Tributes. To your point about the bridge, I think the major difference between the bridges is the mass. The USA bridge (including the hardtail) are fully chrome-plated brass, while the imports are (I think) plated aluminum.
Managed to nab a Fullerton blue burst Comanche second hand for 850 bucks! It needed a bit of work done but nothing complicated. Now it plays like a dream. What a guitar. Those pickups are really something special
Ryan, I don't recall if you've looked at any MusicMan guitars before. I bring it up because the price difference between US MusicMan and "Sterling by MusicMan" is more drastic. Would that be another good video idea? Good examples are Cutlass HSS or St. Vincent. The price difference is nearly 4:1. That would be a good video!
I did a comparison between a USA and sterling st Vincent last time I was in Germany but it was pretty silly thanks to jet lag. If I get the opportunity I’ll do it again in this style.
I have just bought my first G&L ( Tele asat tribute) and I thought about buying the U.S.A. Made one, but. I am not a virtuoso player and the extra expense and subtle difference in tone are not justified.
I would like to have verified pickup and pole piece adjustment. If these pickups seem that dissimilar then there is an explanation beyond esoteric differences in paint, etc. These sound like two completely different guitars. The abundance of low mids in the USA is a strong clue to the possibilities. I wish more time to investigate the concrete differences had had their due diligence. That said the format of the video was great! Would watch a lot more of this style content.
Generally it's just because of tolerances in making components. No two pickups will produce the exact same signal even under the same circumstances because they're not exactly the same. So it depends on the tolerances in making the pickups. And a big often overlooked factor is the pots. Everyone defaults to CTS potentiometers and the standard CTS line has tolerances of +/- 30% i.e any given 250k pot might actually be anywhere between 175k and 325k, which amounts to wildly different levels of brightness/darkness in output. Even a boutique pickup company like Bare Knuckle, their pots are +/- 10% in tolerance.
Difference in sound sounds very like a difference between full maple neck with more bright tone, and a maple neck covered with rosewood or similar with little less bright and additional middle tone. If that Z-coil pickups in both guitars a same with same resonance peak, than that could be that difference in sound. And btw there is available models with neck pad for cheaper guitar. So in the end they possibly could sound almost identical.
I have the Fullerton Deluxe Comanche. I absolutely love it. When I got it, it was having some issues staying in tune though. Since I actually live in Fullerton right up the road from G&L, no problem. I called them, drove on down and they dialed it in PERFECTLY! They also swapped out the regular tuners for locking tuners...no charge! It plays like an absolute dream now. I can go nuts on the tremolo bar and it just won't go out of tune no matter how hard I might try. They also swapped out the .10's for .09's and re-setup everything...again at no charge. Anyway, great video and as for G&L, they make GREAT instruments and have wonderful customer service!
31:44 I wonder if the smoother tone (vs the jangle that "editor Ryan" mentioned in the pop up) is coming from the pickup height adjustment. Part of me wonders if they tuned it for the same sound regardless of height and by trying to normalize the two by height it may have given the Tribute a disadvantage for tone.
I own a two of those Fullertons, the Orange Metallic and a Clear Ash body. The Ash has a maple neck and is brighter. For me those little upgrades are worth it. I also have a older 2019 American Fender Ultra Strat when Fender rereleased them in Plasma Red. All three has newer stock noise canceling single coils. Those G&L’s really shine under stage cans, no hum, and actually hold tuning better than the Ultra Strat. Thanks for the video
You're probably right about them using a slightly different shaped bit to bevel an round the edges of the two guitars but it could just be that while the Tribute bodies only receive the merest lick of hand sanding after coming off the CNC, with the Fullerton they take more time to hand sand and soften the edges. As for the tonal difference I wonder whether maybe that comes down to Poplar vs. Alder bodies and Maple vs. Rosewood fretboards but it seems quite a big difference for all that. Difference in bridge block material likely comes into play too. For the tone controls, yes, you can put that same wiring scheme in any S style or other guitar with 3 knobs easily. Just look up Reverend or G&L tone control diagram or just copy what you see on these two guitars. I have put the same style controls on my LTD Eclipse 1000
Router took a dump, thanks for the comparo Ryan. We are lucky to have Sweetwater in this country. At almost 3x the price I expect some cool inlay work on the fretboard.
Unlike FMIC USA vs Mexico, the G&L Fullerton and the Tribute pricing are based on the quality of materials and build that you get and not just name brand. Even though, with either G&L you are generally getting the same p/u's and electronics. It's actually hard to explain because one is excellent and the other is glorious. You would have to hold them in your hands to know exactly what I mean, but you wouldn't have to hold them for very long.
As far as I've read, the parts used in the USA and tribute models are the same, save for small details here and there, but what makes the price different is that manufacturing in Indonesia costs less in USD than it does in the US.
I have two G&L guitars, a Fullerton Doheny (JM) and a Tribute Legacy (Strat). I ended up setting up the Legacy with Lollar pickups and electronics more similar to a standard strat setup. The Doheny is still stock. I love them both. I'll never part with the Doheny. If you're in the market for any Fender guitar and the label's not important, try a G&L. Tributes are superior than 99% of MIM Fenders I've played. My Fullerton feels better than any standard American JM, closer to Custom Shop quality. TWO PRINCETONS SLO-MO!
Never understood why people looking for the Fender vibe don’t gravitate to the G&Ls. Better quality and value for the money it most cases. Oh well, at least it gives us G&L devotees more choices on the used market
About the "jangle" vs. "smooth" sound, is it possible the original pickup height adjustment on the Tribute was correct for the pickups? Just a thought.
Ryan, it is pretty simple to do that bass cut mod- although to do it exactly like G&L does it you will need a 1Meg anti-log potentiometer. They are "easy" to find in 16mm diameter sizes, but on 24mm size it's a bit harder (not impossible). The rest is pretty easy to do. I do offer this option on all "strat-type" guitars that drop on my workbench for a setup/electronic service/maintenance. And also the toggle switch option. Because, in my humble opinion, the PTB circuit is a (big) step further the usual strat circuit. Leo knew better.
@@60CycleHumcast Bass cut is awesome on fuzz pedals. Really usefull to tighten the bass response going into the fuzz and overall "mushiness". Works great and gives the fuzz a different, great tonal pallette! I know a thing or two about this ;) Try it!!!
I have a 2019 Tribute with the burl top finish and roasted maple neck. A few months ago I found a CLF USA version for a great price and I took the plunge. G&L was nice enough to run the serial number and tell me the manufacture date, 2001, neck profile and wood type. When I bought the Tribute I had a USA PRS. The tones on the Tribute were so good that it became my #1. Now my CLF is. There's a difference between the two guitars, mostly in the neck. The tribute is a little wider and has a flatter radius. It's also heavier than the American model. My rig is a Helix and I found there was no need to change tones on any of my presets. I've owned Strats, Les Pauls (I have one now) and other premium guitars. This guitar gives me all the sound, output and tones I need. My LP is for heavier, chunky rock but if I had only the G&L I'd be happy with that .
As a Fender Fanatic who is very happy with my Strat, I must admit if I was in the market for an S type today, I’d buy the $700.00 Tribute over Fender’s $850.00 Player easy.
I've owned two tributes and two USAs (well, technically three but the third was modded to hell by a previous owner and ruined), all of them second-hand and nowhere near two grand. My very first was a Korean Tribute ASAT Special that was solid and reliable and sounded great (those overwound MFDs are real noisy, though). in 2012, I got a 1999 USA ASAT Classic that I still own and love. Last year, I got an itch for an S-style, so I found a used Tribute Legacy, which was just fine but not exceptional. Then I stumbled upon a stupid cheap custom shop S-500 and fell in love. It played beautifully out of the box. My ultimate conclusion was that Tributes are good guitars and one of the best values out there, but I've never really bonded with them. I instantly bonded with both of the USA ones and will never let go of either. That said, in practical terms, I'm pretty handy and could probably spend a little time and money working on a Tribute on things like frets, upgrading tuners (see previous post), and maybe little things like switches and pots that would get the Tribute close if not on the same level. But my love for those guitars isn't really practical. It's just a feeling of holding an instrument that is perfect down to the last screw and solder. And I also feel like pickups and electronics account for at least 90-95% of the guitar's sound (player notwithstanding), but little things like tonewoods and just generally being well put together makes that last 5-10% significant and where the magic happens. Worth $1300 difference? Not to me, but I also know you can get great deals on used USA G&Ls if you have a little patience (just a little patience).
I got a Comanche Tribute from Amazon (2019). Knowing what I know now I would have immediately returned it. The spread of the pole-pieces were identical on all 3 pickups, consequently the strings were mis-aligned with the pole-pieces except for the neck pickup. (Pole-piece spread should be different on each pickup to accommodate string spread). The high-E string was completely mis-aligned with the corresponding pole piece (bridge) and very wimpy sounding. I had missed the return window. I could not find any options via G&L to replace with correctly designed pickups. I changed the angles of the middle and bridge pickups so that strings were in much better alignment with pole-pieces. I really butchered the pick-guard to make it happen. I could order a new custom pick-guard but I decided it looks kinda cool with the exposed wiring. I know it very likely was an Indonesian bean-counter's decision to put bad product out but I'm disappointed with G&L in letting that happen. I haven't even considered another G&L product since then.
Thanks for this! It reminded me to pull my white Tribute Comanche out of the closet and mess with tones. It was very nearly in tune after being put away for months. And you're right the wiggle stick works like a dream and mainly stays in tune. I did have to level the frets when I got mine but otherwise it's perfect. And I finally got that Hendrix neck pickup tone I always looked for on this guitar (treble cut 3 and pick over the neck pup).
Best comparison I have seen on RU-vid. I am in the process of humming and harring over putting an offer in on an Indo Comanche as I write this. Talk about a timely stumbling on to your site. If I get it (highly likely now), its all your fault buddy. I'll get back to you. Cheers from Australia, Ken.
Great Video. I have been a customer of Sweetwater since 2014. Great Company to buy from. Have you ever done a comparison on the G&L Fullerton Deluxe S500 & G&L Tribute S500 ?
Ryan G&L makes a big deal about how their MFD pickups are only made in the US and whatever model of Tribute you buy the pickups are the same. I own an ASAT Special (Jumbo MFDs) and Comanche (Z-Coils) in the Tribute versions and love them. They also say the bridges are the same, US made, but you have shown that some of the hardware is cheaper on the Tribute, the bridge body is the same. BTW the MFD pickups and bridges were both designed by Leo Fender, some of his brilliant last designs. The PTB circuit is special and I wish all my guitars had a low-cut. I did change the knobs on my Comanche to a design that is easier to pull up. Love G&L! I own 5 tributes, G&L does not get the love they deserve.
Well I missed this by a few months & I was going to by a new Player series strat since I sold my 79 American one (I know I was soooo stupid) but I saw the G& L on the site have since done a 180 ! Well I want that Fullerton But my budget says Tribute so we’ll see what happens….lol. GREAT video btw! I’m so glad I saw this before I went and bought that Strat. 😊
I have the Tribute G&L ASAT deluxe and I dig it. The neck is wide though so more complex chords can be challenging but for playing leads it is a blast. I'd recommend to anyone looking for a humbucker Tele.
It should have the same 1⅝" nut width as every other G&L Tribute model (slightly narrower than the 1.650" nut width common to Squiers and Mexican Fenders). Can you compare the the width of that neck, even the feeling, to another guitar you own?
Own the tribute for 5 years, the only problem was the switch, it last only for a couple of months, replaced it with a premium one, feels better and last till now
G&L are underrated instruments. I have a 1990s Legacy Special and it feels amazing in my hands, just a joy to play. I never could get the stock Gotoh blade pickups to work for me. However, they didn’t sound bad and I could imagine them being perfect for another player. At any rate, traditional single coil pickups are easy to find and my Legacy Special is now one of the nicest “Strats” I ever played.
I've got two Fullerton G&Ls. A Legacy and an ASAT Deluxe. I love them more than any Fender I've owned - and I own a lot. The Legacy is superb, but the ASAT is sublime. It's such an amazing guitar that, IMO, kills any Tele made.
I'm months late to this video, but I think in the 80s they used to make the Comanche where you could turn on and off individual coils for each Z pickup! maybe that's what those extra cables are for on each pickup, in case you wanted to recreate that. If so, that's crazy.
I was watching some other youtube channel where they had the same guitar and 3 necks all set up to be the same, and they found that even between a "roasted maple" and a "relic'd maple" there was a difference, the big takeaway I got was that the rosewood's definitely had a smoother, darker tone, and the maple had a snappy, bright, immediate sound. I had lost my thoughts of tone woods in the body from watching another youtuber do blind sound tests about body makeup, so listening to these two back to back I'm saying it's the necks. your millage my vary
It’s interesting to hear the differences between the two price points. I think I liked the sound of the Tribute better, but I also think it would come down to the difference between rosewood vs. maple fingerboards. I prefer the sound of a maple board-I can hear the difference-but I like ebony better than either. I have a hollow ASAT Z-3 with a bound ebony fingerboard, and it sounds and feels great. It doesn’t have the PTB setup, though-just a treble-rolloff tone control. I’ve used it for all kinds of gigs; I even played it on a big-band jazz gig once, and it sounded like a big jazz box. I didn’t dare use anything but the neck pickup on that gig!
I have the tribute, and the luithier who set it up had problems with the trem staying in tune. He ended up blocking the trem, im not a huge trem guy so i ok'd it. Wondering if this is a common problem. I trust the guy to know what he's doing, wonder if anyone has had this issue?
This video was a great idea. I’m not an expert on any of this, but maybe these comments will add to the discussion: Yes, you can put the passive treble-bass tone control in another guitar. There are schematics and wiring diagrams online. The original design used a one-meg reverse taper pot for the bass cut. The bass cut knob wiring in the video showed a capacitor on the bass cut pot that is not in the original circuit. The pickups on both guitars are made in G&L’s Fullerton factory. You pointed out the extra wires coming from the pickups. The earliest Comanche models had a toggle switch for each half of each pickup. For example, you could turn on the pole pieces for the lower three strings of the neck pickup and the pole pieces for the higher three strings on the bridge pickup. The pickups are called magnetic field design (MFD) pickups. They are radically different than the pickups used in Fender guitars. Leo Fender decided he had done all he could do with the slug pole pickups used in the Fender guitars. He designed a pickup that used a ceramic magnet. However, the MFD pickups went way beyond the type of ceramic bar magnet pickups found in lower-priced guitars. You might have noticed that the pickups on the Comanche guitars have adjustable pole pieces. This offers an additional way to change the sound. The Fullerton Comanche neck appeared to be thinner than the Tribute neck. At one time, G&L offered a choice of neck profiles for the made-in-USA guitars. They may still do that. That might account for the difference. The differences in the body are puzzling. It would seem that G&L could run the same CNC program in the Indonesia plant as they do in the Fullerton plant. The difference in the guitars, besides the different components, appears to be in the fit and finish. For example: polished frets; the nut is cut better; the metal imparts are smoother and shinier. I suspect that tumors time is spent on quality control in the U.S. factory. Also, many G&L employees have worked there for a long time and have developed a high level of skill. Has anyone ever compared the U.S. PRS guitars to the SE series? Maybe Sweetwater would go for that! All in all, this was a great video.
Great comparison! I'm really interested in this guitar model. But it's clear, a higher quality is more expensive. The sounds of the tribute series are really good. I would like to have the bronze block in the Fullerton version...
The A/B compare is easy to distinguish the difference between the two... until you changed the strings on the Tribute. The Link Wray Jam portion was indistinguishable between the two guitars but you had changed strings by then.
When you compare US and imports, it is very important to also compare things like "string spacing" at the nut and at the bridge, "tremolo bridge posts spacing", and neck radius (at nut and at neck joint if it's a "compound radius") ... to do so you need 2 tools : a good professional vernier caliper, and the "StewMac Understring Radius Gauges Set".
lol I love the ptb circuit from g&l, my uncle has an old g&l that had that circuit and I have since always modded my strats to have that highpass knob, it's fantastic and I am always astounded that its not more common.
Rosewood is always going to sound darker than maple . Personally I prefer a rosewood neck on a Strat & a maple fretboard on a Tele . If you had the Fullerton with the maple neck it would be just as bright as the Tribute .
My son's Tribute has a chrome saddle block and the rubber cap on the pickup selector fits right down on to the shaft, also his nut has no burrs so not sure the Tribute in this video is totally representative
Z does it have the high pitch sounds of a finder I love the sound of the G&L plus they are not so high that they can't be touch . I love the sounds of the bass and the high tenner .
