Is this tone worth $1200? 

good tone, but terrible playing you need lessons

Those clean Jazzmaster tones were amazing.

Came for the sound, stayed for the choreography.

LOL! "Who am I kidding? Gentlemen..." Bravo. And the amp sounds great.

It’s a good one boys. A really, really good one.

Love watching you jam. So much more interesting than watching someone sitting in a chair.

11:15 onwards is amazing. The dynamics, feedback and reverb coming together is awesome.

Truly my favorite amp ever. My friend Chuck had a 1965 deluxe reverb sitting in the corner of his music room and said I could borrow it if I could get it working. I retubed it and along with my recently acquired Fender 1975 Starcaster($250) was pure Fender guitar tone heaven. I offered him $500 for it but after hearing it again he denied my request. That was 1987. I would die a happy man if I could have them both back again today.

Sounds great paired with the SG.

I know a lot of people don’t like it… but I LOVE LOVE the feedback a 330 gets. Or I had a 61 Trini Lopez with PAFs that was like that… glorious with gain too

Sounds great! Really been enjoying the channel, keep it coming!

Alright let's hear it! Or rather, you heard it so what do you think? lol. Was channeling my inner Doug/Pat with the SG leads, subconsciously. Never tried diming the trem before on a fender, sounded rad with the Gretsch! Any bit of delay you hear is my 90's DMM. Everything else is just the amp by itself, apart from the Gretsch driven tones which used a tube screamer because I couldn't turn it up enough to breakup without uncontrollable feedback being so close. Is what it is!

Raw is the tone though. My 67 Super Reverb is usually about 7-8' away from me and I keep it right at 6 on the volume. I get in moods where I just need a grill full of power blasting away. Great series with your efforts on this amp by the way. By the way, that Dano Jazzmaster sounds fantastic!

Sounds pretty darn good to me, something to be proud of.

Great playing - great tones!!

Nice work and playing. I could see the joy and fun.

Awesome sounding amp and amazing playing. Thank you!

great sounds man. Love the jazzmaster and the 335/bigsby/feedback was getting that lanois vibe. Nice Job!

MAN, that JM sounds incredible through it. Pretty much perfect sounding amp right there dude. Nice work, and I love your playing!

Sounds amazing! Nice playing… Gibson guitar, Fender amp. Though the Jazzmaster and Gretch sounded great as well. Totally worth the time and care you put into restoring this amp.

Very nice. I love how musical your playing is & the timing/rhythm is fantastic.

Some of my best memories was playing with my band on a fender concert 2 12, but thru a jbl speaker in a floor monitor with the tweeter disconnected. Mid 80s or so

Sounds phenomenal! Killer playing and tones. Outa sight!

Super tones. Sounds great. Loved watching you enjoy your guitars through it too. You played a great variety of styles that really showed off the amp to great effect. Loved the diversity of what you can play. Great video.

Very evocative tonage...thanks for the tasty licks ; )

Man I just passed on a killer drip edge Super last month. Hearing you play through makes me wish I had pulled the trigger. But then you describe how loud it is and I’m glad I didn’t, haha. Awesome stuff, as always. Everything you do is well done. I particularly love your pickup comparisons. Keep it up!!!

Tones to be proud of! Killer amplifier; great examples w/ different guitars. (I've been a guitarist for almost fifty years, fwiw...)

Sounds great!!

Great amp. Well done demo.

Sounded great! ❤

Great amp, great playing, superb rock and roll grimaces!

sho nuff, that's the tone. Lovely test subject selection!

I picked up a 2000 USA 4x10 HotRod Deville from a pawn shop for 75.00. Blown fuse and one bad cap

That SG tone is amazing💥⚡️

For the price, SM57 is no brainer when recording guitars. Excellent microphone. Though it is a microphone with strong own sound signature. One that fits electric guitar amplifiers very well but not necessarily very true to the sound in the room. Sure positioning matters a lot. Avoiding the center of the speaker helps. With budget in my mind and knowing a few things, I went with just a bit more expanded setup. At the amplifier, I use two microphones. SM57 and 906e. 906e complements it very well and has a flatter, more extended line. For the room, I reuse my vocal microphone NT1. Then I go into the 10 channel Yamaha mixer that has 4 microphone inputs. This helps me to mix microphones already in a live environment and make it sound more true to what I hear in the room. Typically, I go from the output into the camera inputs. This saves post-production mixing and editing time. Mixer has its interface as well, and one can use that as well. Or one can use mixer output and go with that into the interface. Sure, one coild use microphone preamps in between and control the signal even more, but that just doesn't fit the investment. If you have money for preamps, go with more expensive microphones first. Anyhow, I also have 609 as an alternative to SM57. They are more alike while 906e is very different, sounding microphone. If your amplifier or cabinet has only one speaker, I plave all 3 in close proximity and play with their position. Then I mix them together. Sometimes, it means that SM57 or 609 will be almost out of the picture because they sound similarly, but positioning them differently gives you another sound. Especially if you are placing one of them at 45 degrees angle or if you pkace ine if them in the rear of the open cabinet and flip its phase. That's only if you have an option to flip the phase because a lot of cheap mixers do not have it. If the amplifier or cabinet has more speakers, then I select the one that sounds best to me and mike that one. If it has different speakers, then 609 is going to the different speaker, and I blend it in the mix until I hear what I hear in the room. Room microphones stay relatively low but adds a bit of the dimension. Good studio headphones are a big help in mixing. That's my process. Nothing unique, though. People have used that kind of setup for a long time. Regarding what's loud and how loud is perceived today, it is very funny to me. Today's PA systems are so much more powerful, but overall spund levels kinda got less loud due to all the laws and rules. When I was a teenager, concerts were so loud that days after it, you would still hear the wall of Marshall amplifiers. If you have played in a band, you would be looking for a place to rehearse. Place was no good if you wouldn't be able to play as loud as possible. The sound level was more important than the quality of performance, almost 😂 Nowadays, a lot of guitar players want 100 Watt Super Lead Plexi full stack. But, they have never been in the same room with a beast. First, what gets them is that it's way to clean and has tons of headroom and will overdrive only at insaine levels. That's plugging straight in. Then what scares everyone is effect if the sound pressure. It literally makes your pants' legs feel like a flag on the pole in hurricane winds. It literally hurts in your chest. Not to mention that hearing protection is really necessary. Even standing a side of it or even behind it is too loud in any room smaller than the middle size venue. First time you can't get over it and start enjoying it. Your guitar vocabulary turns into 3 power chords songs. A lot of people play it and say it's great but piss their pants, actually. It's way too brutal and unpractical way to play your small gigs. Once you try it, you will learn to respect people like Joe Bonnamassa even more. They are beat tamers. You have to learn to work with your guitar knobs and the dynamic of your playing. It is not just something you pick up in 2 minutes. Any Twin with 2x12 and any 4x10 Fender is brutally loud. They are loud at 3 already. No one alows high levels at the stage if you are not a big star in a big venue. That's good for the ears but bad for the guitar lovers. So many people playing have never felt volume levels that aren't as scary as full blast Plexi but are enough to make wind and make power section saturate as well. Mist if the people do not even know how their amplifier sounds. That magic sound level where guitar starts to vibrate before feedback. It feels alive in your hands. It's a great interaction. Nothing can prepare you to play loud but getting there slowly and learning how to deal with it. If more people could feel that and hear guitar at that level and tone more people would be playing guitars and guitar music would be more popular. What you hear on your phone listening to some proper rock concert is nothing like being at the concert yourself.

Plus I love the content

Sounds great to me! 🤘😎🤘

Amp sounds great. Playing was great. And the video looks remarkably great too. Seriously.

It sounds phenomenal. $1200 and a few soldering iron burns later - well worth it, IMO. But man, that thing is a beast in size. These amps are why people gig with modelers. I have a Peavey 6505+ 112 combo that I literally split into a head and cab so I didn't have to try to lift the freaking 75 pounds all in one go!

Sounds absolutely PHENOMENAL! Especially with the Falcon...OMG Glorious! : ) Fantastic job! Also on a side note, whatever you are using for lighting and cameras, really looks great. Overall just an awesome video Like #149 by me, and a new sub. : )

Great vídeos man. Awesome tone. Supers are awesome. I have 2. A 69 and a 74 NM. One with original alnico cts that are killer with drives. And the other with wharehouse g10c, bright and glassy as hell. Wonderfull man. Sugestion ...make some vídeos testing other speakers ! All the best

Sounds Great!! I usually run my 1968 Super on 3-4 then hit it with a Wazza Kraft Fuzz and back my guitar volume back a bit. Gets break up with out ripping your head off for Home Use. Supers have such a great pretty full sound.

What an amp!!! Definitely my favorite sounding fender amp of all time. I wish fender or someone else would make an updated version with attenuation 😊

Just wow..!

thanks for this series, I seriously considered getting a vintage Super watching your voyage --but got my eminence loaded DRRI back after foolishly trading it away a few months back---if I could have a few amps id definitely get one of these--love that 4x10 fender tone!,alas my budget ,back and repair skills aren't conducive to that :P

Nice dude! I looked at the super Reverb long and hard. Once i tested a Roland JC 40, i looked no more.

Incredible tone. Can only imagine how loud that was though.

Wow! Epic tones! Not a bad one there, but that White Falcon, Holy smokes!! Made for that amp, or is it the other way round? Either way, totally epic❤great playing & a job very well done🎉💥

Sounds great. Those P90s sounded great, Chris Buck like. What a fantastic collection of guitars. That's a great amp. Very loud I'm sure.

Every penny! 😎

Sounded great! Loved hearing all the different guitars and your playing. I was laughing that you were wearing it like an 80's hip hop guy with a boom box on his shoulder! Get an A/B Both pedal, and run the DMM in parallel using the normal channel for wet only. It's a great way to keep the main sound intact and add delay, but you might have to do the one wire mod where the normal ch is in phase and get reverb too. I need to finish up servicing the 501 echo and I'll demo so you can see what I mean. The wet/dry mono rig works really well with any delay pedal that can be wet only.

Man that sounds awesome i swear that's one of the best amps anyone could own , I been looking for one for years but when I find one it's messed up and they want big money for it I'm hoping one day I will have one that works and I can afford it.

You've got a terrific amp there. I've owned at least 3 Super Reverbs since my first (67 blackface purchased new in 68. My current and last one is an early 64. I've played Fender amps forever, and consistently find that for the most usable rock and general blues music they work best with the Treble and Mid (if available) on 10 and the Bass around 3-4 (at most), lest the bass just muddle up the sound. This EQ seems to work with nearly all Fenders but is obviously subject to revision for specific genres. I find that this seems to give you the most balanced starting tone, no matter the guitar. Always remember, the tone controls on Fenders are flat at 10, not at 5. Passive tone controls such as found on Fenders and many tube amps are only subtractive. Active tone controls are flat in their center position.

That jazzmaster sounds killer! Exactly the JM tone I have in my head. What pickups do you have in it? And what pot values? Been considering switching pickups and pots in mine to 250k for more balance like yours has

I would like to have heard a Gibson Les Paul and a Fender Strat. The 330 is nice if I were playing on stage with the MB again. PT always played a Strat through his. Great video, I have watched the entire series.

How’s the level of scoop/mids compare to a Twin Reverb of the same vintage?

They're so huge , heavy, impractical and louder than anyone needs these days . I need one .....and one day I'll have one and I'll finally be whole 😊 thanks Mr gateway drug dealer

Looks like I’m buying a 68

That.. Tone.. Amp.. Yes.

What speakers you running in this beast? I think the original CTS alnicos in my 67 are ready to be retired haha. Sounds great!

LOL..."ladies and gentlemen".

What speaker did you mic? Sure sounded great.

was hoping for a strat nice amp tho

Did he use an overdrive box in front of it?