In this video, we're going to take a look at Johann Sebastian Bach's Sonata Ⅴ for Violin and Cembalo in F-Moll, BWV1018.
This Sonata is one of Bach's most popular Violin and Cembalo pieces, and is sure to be a favorite of violists and cembalists everywhere. We'll explore the composition, performance techniques, and some of the historical context surrounding this beautiful work. So whether you're a Violin or Cembalo player, be sure to check out this video!
00:00 I. Largo
06:31 II. Allegro
10:50 III. Adagio
14:06 IV. Vivace
演奏者 Corey Cerovsek (violin)
John Gibbons (harpsichord)
公開者情報 Boston: Isabella Stewart Gardner Museum
著作権 Creative Commons Attribution Non-commercial No Derivatives 3.0
The six sonatas for violin and obbligato harpsichord BWV 1014-1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba. Unlike baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, the keyboard part in the sonatas was almost entirely specified by Bach. They were probably mostly composed during Bach's final years in Cöthen between 1720 and 1723, before he moved to Leipzig. The extant sources for the collection span the whole of Bach's period in Leipzig, during which time he continued to make changes to the score.
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29 сен 2024
