Program 8501 Diane is joined by cellist Anne Martindale-Williams in live concert at the church. Mrs. William's Biography: www.pittsburghsymphony.org/pso...
The best rendition of Bach's Arioso I've ever heard in my life. So sublime and compassionate playing. I've got goose pimples just listening this. over and over again.
Je ne suis généralement pas un grand fan des interprétations de Mme Diane Bish, mais je suis obligé d'avouer que cette interprétation est d'une très grande pureté. Les deux instruments dialoguent parfaitement dans un échange céleste, l'orgue sait se faire oublier, mais rappelle que c'est lui qui fait l'atmosphère tandis que le violoncelle magnifie le thème de cet arioso.
There are 2 kinds of music. Good and bad. Good music is remembered, bad music is forgotten. Here it is, 271 years after Bach's death, and we're still playing his music. Do you think history will even recall the name of Tupac Shakur in 200 years?
I love this piece. I have played it in recital on Trombone. Anne's performance is just breath taking. I come back from time to time. Over 177,000 views. Several of them were me.
Quando ouço Bach sinto-me na plenitude dos céus..Como é possível que algo que tenha sido escrito no séc.XVIII consiga mexer nos teus sentidos nos dias de hoje? Verdadeiro gênio
Nice to meet you, I am a high school student aiming to become a pianist in Japan. Of the many Arioso performances, I like Anne Martindale Williams and Diane Bish's Arioso the best. I am very grateful to have met these two performers. thank you.
It's a pleasure to encounter in this fine video my old classmate from Aldo Parisot's cello class at Yale, back in the Seventies. (Or at least, I think that that's where our paths crossed.) Having listened to several of her videos over the past few days, I can say that what most strikes me about her playing is the way in which it succeeds in uniting romantic warmth with the utmost restraint and taste. Bravissima! (Added a few days later): Having just viewed her video of the Boccherini Rondò, I must add that she also possesses a very clean and facile virtuoso technique.
Very moving interpretation - brings out the goose-pimples. Thanks for sharing. "SteveinLondon" - Surely by it's very title the speed is in the eyes of the beholder (and the player) and can only be interpreted subjectively. I do not remember Bach using metronome timings - it was patented in 1815. As I said - very movng.
a beautiful and deeply touching rendering of what is anyway already a perfect piece of music... would anyone know from which year this recording is? thank you