James Chirillo on Electric Guitar Techniques 

Yes. Only tube amps allowed.

Wouldn't it be funny if he started blasting some black metal riffs instead?

And when u have ur legs crossed like a chick lol

Agreed

Or blues

@Ricardo Hernández Indeed! Blasphemous.

🤣🤣🤣

Those devil-worshipping don't know a lick about real music! I'll stick with Sinatra, thanks.

Them Beatles. Don’t they know electric guitar groups are on the way out?

Hahahaha

I agree with Paul even though this video is 9 years old it increases me wanting a hollow body guitar.

@@phillipholt6005 I'm with you, I'm happy i got this vid in my feed.

Big band music ? What you listen to Ed sheeran ?

Respect man, that's awesome

Mr Chrillo is not a big human those models are about the size of a Gibson J200

@@marktestoni6483 Ok thanks. That's what I thought. I'm a small guy myself (5,7 feet) and I sometimes refuse to buy some guitars because of their size (or mine 😂)

Tony Lombardo : I'm using a vintage Fender Ultimate Chorus, which is the solid state cousin to Fender's Twin Reverb, and I do alright as well. Tubes are ok, but if you don't have the cash, solid state can work just as well.

yeah transistors sing really well@@robsgirl6465

Hey hey Charles!!! Thanks mate👍

I too get a rich sound from Roland Cube 30 on the clean channel.

I use a Fender Champion 40. I'm pleased with the sound and the fact it weighs 19 lbs. I can leave a Super Reverb at home.

Only closed back amps/cabs are. Open back have a wider projection.

Using your guitar's volume, your amplifier's volume, left and right hand volume, and using reverb as it was designed to use, you will musically defuse that focused sound your ears are telling you are bad.

I’ve had a v22 since they came out. I love it!

yep

😀

It also helps to not mute any sound coming from the back guitar from putting your stomach to it if I’m correct

It’s amazing how universally applicable Bach is.

He means instead of being in a key,say c,thinking c d e f g a b,you think do re mi fa sol la ti ,I think it is better to think 1 2 3 4 5 6 7 because it is more logical and for me easier.Because when you are thinking of all notes as in relation to the 1 or Root it always applies to the next key and the next.

thank you.

It's solfège. You (french people) have a great solfège school, as I know. We have too. Our is Kodály method, maybe you heard about it. I've read a story, when somebody went to Kodály and ask him: 'Master we finished your solfage method, all books. Kodály: And the french one??! :)) So, my french friend, you're lucky, because it's easy to find a good teacher, if you want :)

The bear went over the mountain. The bear is a major third. Some where over the rainbow. Some where is an octave. Do, a deer, a female deer. You know.

Thank you ... Ate a "terrine of deer" three days ago ... Very good. And we went over the mountain.

Twin Reverb has tilt-back legs

I think it depends on the style you want. Some players use a darker sound, some prefer a much sharper tone, like this guy.

I was looking for that...

solfege

Music majors will study solfege (pronounced like SOUL fudge, except with an e instead of a u in fudge: fedge). We learn to sing Bach chorales in solfege, for example, or Gregorian chants, etc. Meaning, we set our instrument aside and use our voice, sounding syllables with the different syllables having different pitches. Do re mi fa so la ti (and do again, etc.) are sung as syllables of the major scale. You can try it yourself: try singing a major scale using the solfege syllables. You might next take a familiar simple nursery rhyme, find do (the root of the key it's in), study the pitches of the first 3 notes and match the solfege syllables to their intervals, then move on to the next few notes of the melody, etc. Minor tones have different syllables. (I used to know the chromatic scale in solfege.) The point of singing in solfege is that it teaches you the (pitch) intervals. "Do la" has the sound of the root and (major) 6th - a particular pitch interval. Once you learn that interval (and all the other intervals) by learning to sing melodies in solfege, you learn to hear and recognize those intervals very quickly. It's ear training. Although it is typically studied by classical musicians, it works very well for jazz musicians as well since jazz has a lot of improvisation, which is essentially spontaneous composition - hearing something in your mind and expressing it on your instrument instantly. So the solfege ear training helps your "inner ear" - and knowing the intervals, allows you to play that/those interval/s on your instrument immediately, without delay, without thinking - helping to make your instrument transparent to the musical idea in your mind. The creation of music is rather magical. Solfege is merely a technique, "one of the tools in the tool box," to help that magic along.

Yeah, many rock and blues players probably would just call it "playing by ear". You're not using music sheet, just your instinct. If you practice let's say the pentatonic scale over blues progressions, you eventually develop that skills, the other user above is talking about - you.begin to hear the intervals, and you know where these intervals are on the nect, on each string and each fret... It's not just using your ears, but most people will simplify the whole approach by calling it like that. It's actually using your ears, and many more things like: muscle memory, thinking about chord changes, and knowing right scales, knowing music theory well enough to use right scale/arpeggio/triad or whatever in a right context, etc.

No. It will explode.

Thats very true i think they just need them to carry the piano