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Jean Sibelius: 6 Impromptus, Op. 5 (Gimse) 

Spencer Cha
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Jean Sibelius (8 December 1865 - 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods.
00:00 Impromptu No. 1 in G Minor
02:16 Impromptu No. 2 in G Minor
03:56 Impromptu No. 3 in A Minor
06:11 Impromptu No. 4 in E Minor
08:26 Impromptu No. 5 in B Minor
11:31 Impromptu No. 6 in E Major
Performer: Håvard Gimse
Audio: • Sibelius - 6 Impromptu...

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6 июн 2024

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Комментарии : 37   
@elrichardo1337
@elrichardo1337 3 года назад
no 6 has such a heart-wrenching melancholy to it
@Spyrine
@Spyrine 3 года назад
00:00 Impromptu No. 1 in G Minor 02:16 Impromptu No. 2 in G Minor 03:56 Impromptu No. 3 in A Minor 06:11 Impromptu No. 4 in E Minor 08:26 Impromptu No. 5 in B Minor 11:31 Impromptu No. 6 in E Major Thank you for the scrolling. =D
@noriemeha
@noriemeha 2 года назад
No 6, the E Major, is so right for that special moment alone with some illegal substance to smoke.
@elliottgyll8453
@elliottgyll8453 2 года назад
Bruh facts
@axyon619
@axyon619 6 месяцев назад
Legal now in Ohio but I feels ya man
@johnwestlake208
@johnwestlake208 Год назад
Beautiful music does not need to be complicated!
@burakunsal7499
@burakunsal7499 9 месяцев назад
No.1 feels like finally accepting and coming to peace with something terrible that happened to you.
@LucBoeren
@LucBoeren 8 месяцев назад
Tbh to me it ends kinda sad, but by all means keep interpreting it the way you do haha
@virtuoso1088
@virtuoso1088 2 года назад
No.5, No.6 💜
@simplicitas5113
@simplicitas5113 3 года назад
I just listened to impromptu in b minor for years and now I find out there is a number *4* in E minor too? I love life.
@Martill3
@Martill3 2 года назад
E major*
@simplicitas5113
@simplicitas5113 2 года назад
@@Martill3 yes but I meant the E-minor one. I know it concludes with E-major :)
@Martill3
@Martill3 2 года назад
​@@simplicitas5113 It's the opposite though, it concludes in E minor but starts in E major. The piece is not actually in minor and is listed as "No. 6 in E major". And if you meant the fourth piece in the suite that doesn't conclude in major either so no way you meant that one haha
@simplicitas5113
@simplicitas5113 2 года назад
@@Martill3 I see the confusion. I did write no 6 in E minor. I did however mean PIECE no 4 in E-minor.
@simplicitas5113
@simplicitas5113 2 года назад
@@Martill3 They are all great though, also no 6 in E-major :)
@hectorreynoso6308
@hectorreynoso6308 3 года назад
All beautiful. Thank you for posting
@maxklariczen7320
@maxklariczen7320 3 года назад
Thank you... is wonderfull!!1
@sophiag2113
@sophiag2113 3 года назад
No. 5 in B minor is my favorite!!
@antoniohinojosa8370
@antoniohinojosa8370 3 года назад
Same here!
@vorubergehenddnehegreburov2379
@vorubergehenddnehegreburov2379 3 года назад
I think this is after the Impromptu for strings :D
@elrichardo1337
@elrichardo1337 3 года назад
@@vorubergehenddnehegreburov2379 the outer sections of that piece are based on no 5, while the "meno andantino" middle section is based on no 6
@vorubergehenddnehegreburov2379
@vorubergehenddnehegreburov2379 3 года назад
@@elrichardo1337 ah ok
@MrCoruscante
@MrCoruscante 3 года назад
Thank you for posting this. So helpful.
@teddysbassoon
@teddysbassoon 7 месяцев назад
What a beautiful interpretation
@thebasisti2482
@thebasisti2482 3 года назад
No. 5 is the most beautiful! And No 6. reminds me of Beethoven's Moonlight Sonata!
@williambunter3311
@williambunter3311 4 месяца назад
No.5 for me!
@LucBoeren
@LucBoeren 8 месяцев назад
Beautiful, thanks very much for uploading. One thing though, the second chord of bar 27 seems wrongly notated. I'd say it's just another DADF#? Instead of the DAD#F we see here. So the second chord of the penultimate bar before the theme.
@martinwest2538
@martinwest2538 2 года назад
Well played, nice dynamics! The third is in my taste a bit too fast, a "march on the double", perhaps? I think it would be even more majestic slower, losing the sense of being in a hurry especially in the last section with the arpeggiated chords in the left hand. Number five is a true gem among these otherwise quite rustic pieces, showing suddenly a more virtuoso bubbling, effervescent style. I won't complain about the last one either, it being remarkably slow, but opening a quite new sensation to the singing melody compared to faster interpretations. The only "complaint" I've got is regarding the fermatas throughout the pieces; I'd like to take the time to hear the silence at those moments!
@FueganTV
@FueganTV 6 месяцев назад
Of course the last two desrve all the praise, but I also really like the flavor of alternating natural and raised sevenths in the first one.
@rutgerlarsson
@rutgerlarsson 5 месяцев назад
I feel like its missing the fast part like chopins winterwind, you can almost hear it
@d.o.7784
@d.o.7784 Месяц назад
All seem to be connected with one theme?
@narvaezrojasalejandro8350
@narvaezrojasalejandro8350 8 месяцев назад
Es como si fuera la banda sonora de "Los cantos de Hyperion"
@choijiwonballetclassmusic
@choijiwonballetclassmusic Год назад
6:11 11:31
@dri3s
@dri3s Месяц назад
Big Grieg vibes
@Dbfl1211
@Dbfl1211 3 года назад
14:55
@pianocommatheus5751
@pianocommatheus5751 2 года назад
I have recently recorded Op. 5 No. 6: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-LXcNkExFUmc.html I do like Gimse's version a lot, although I play it quite faster.
@Santi-eg7mq
@Santi-eg7mq Год назад
video unavailable...
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