This video is remastered by a friend of ours, he is a sound engineer and musician. It's the most powerful remastered version in You Tube. You can hear all the instruments clearly, and you can hear Jeff's articulation when he sings, his vowels and technique, and of course, the feeling of the performance! He removed talks and claps for having a clearer option of the song . I think he has done great job!
Meltdown Festival, July 1st 1995.
Lyrics:
Thy hand, Belinda, darkness shades me.
On thy bosom let me rest.
More I would, but death invades me.
Death is now a welcome guest.
When I am laid in earth, may my wrongs create
No trouble in thy breast.
Remember me, but ah! forget my fate.
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Here is a text by Philip Sheppard, the cellist who played with Jeff that night. He posted it to his blog and also made a radio program talking about this. Must listen and read. Find the links at the end of the page.
PLAYING WITH JEFF BUCKLEY
by Philip Sheppard
"I’ve just found something on youtube that I’ve been searching for for years - literally…
Jeff Buckley singing, with pianist Catherine Edwards, violinist Ian Bolton and me on cello, in Elvis Costello’s Meltdown Festival, July 1st 1995.
Listen to this. I mean, no-one can sing like that. No-one should be physically able to sing like that.
I remember, this singer arrived really late, just before the show, disheveled, all cheekbones, cool hair, black jeans and the biggest boots you’ve ever seen supporting a rake thin body.
He apologised - got out his music - a kid’s exercise book with the lyrics of the songs written out in a crazy biro scrawl. - If a word was written high up the page, well then it meant it was a high note.
At one point he asked me what country he was in… he was confused between Germany and the UK that day as I think he’d flown in with little sleep.
And then he sang".
(As Elvis Costello remembers: "When he started singing Dido’s Lament at the rehearsal, there were all these classical musicians who could not believe it. Here’s a guy shuffling up on-stage and singing a piece of music normally thought to be the property of certain types of specifically developed voice, and he’s just singing, not doing it like a party piece, but doing something with it").
That’s an understatement… I remember the lights being pretty bright and the silhouette of his frame as he bent almost double to wrench every ounce of meaning from a song written 300 hundred years ago. Better than any classical musician I’ve ever heard.
I can’t remember anything straight after that, but Elvis Costello wrote in Mojo: "My last memory of him was at the little party in the green room afterwards. There were all these people sitting round Jeff who’d never met before - Fretwork, the viol group, a classical pianist and some jazz player - all talking and laughing about music. He’d charmed everybody. I’d much rather remember that than anything".
I’ve been so lucky to have been able to play the cello with some of the most amazing musicians, but by far the greatest was Jeff Buckley. Of course he’s shot up the charts recently through his beautiful cover of Leonard Cohen’s Hallelujah - surely the antithesis of X-Factor..?
This is Henry Purcell’s Dido’s Lament from Dido and Aeneas. But listen to this - Just. listen. to. it…
Here’s an extract from a Radio 4 Documentary when I talked about it: • Jeff Buckley - Dido's ...
Blog: philipsheppard.com/2009/02/10...
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7 окт 2016
