Jeremy Jordan recently drove The Great Gatsby musical to Broadway in not one but two vintage cars. 

If only a bit more of the vintage book's tone had been left in one of the glove boxes.
Two On The Aisle's (ToTA) (some-times) contentious critics, Charles Gross and Leslie (Hoban) Blake, argue the play's merits in part, based on who did and who did not read the book.
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