Tema utilizado para la película "Call Me By Your Name" realizada en 2017.
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Album: "Call Me By Your Name (Original Motion Picture Soundtrack)"
Track 6: “Zion Hört Die Wächter Singen” From Cantata BWV 140 “Wachet Auf, Ruft Uns Die Stimme” Movement 4
Composer: Johann Sebastian Bach
Piano: Alessio Bax
Piano Transcription: Wilhelm Kempff
Courtesy: Signum Records
Copyright (p): Signum Records LTD.
Label: Masterworks
Phonographic Copyright (p): Sony Pictures Classics Inc.
Phonographic Copyright (p): Madison Gate Records, Inc.
Copyright (c): Madison Gate Records, Inc.
Licensed: Sony Music Entertainment
Production Company: Frenesy Film Company, La Cinéfacture, RT Features, M.Y.R.A. Entertainment, Water's End Productions
Distributed: Sony Pictures Classics
Call Me by Your Name is a 2017 romantic coming-of-age drama film directed by Luca Guadagnino and written by James Ivory, based on the 2007 novel of the same name by André Aciman. It is the third and final installment in Guadagnino's thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015). Set in Northern Italy in 1983, Call Me by Your Name chronicles the romantic relationship between Elio Perlman (Timothée Chalamet), a 17-year-old living in Italy, and his father's American assistant, Oliver (Armie Hammer). The film also stars Michael Stuhlbarg, Amira Casar, Esther Garrel, and Victoire Du Bois.
"Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906) "Wake, Awake, for Night Is Flying" (Catherine Winkworth, 1858) or "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). The hymn is known as the foundation of Johann Sebastian Bach's chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, as well as being the foundation of settings by other composers.
Wachet auf, ruft uns die Stimme (Awake, calls the voice to us), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.
Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the hymn appears unchanged in movements 1, 4 and 7. An unknown author supplied poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second (movement 4) in the style of a chorale prelude, and the third as a four-part chorale.
Bach used movement 4 of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order".
Movements of Wachet auf, ruft uns die Stimme, BWV 140:
1. Wachet auf, ruft uns die Stimme/2. Er kommt/3. Wann kommst du, mein Heil?/4. Zion hört die Wächter singen/5. So geh herein zu mir/6. Mein Freund ist mein!/7. Gloria sei dir gesungen.
The fourth movement, "Zion hört die Wächter singen" (Zion hears the watchmen singing), is based on the second verse of the chorale. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in unison by the violins (without the violino piccolo) and the viola, accompanied by the basso continuo. Bach later transcribed this movement for organ (BWV 645), and it was subsequently published along with five other transcriptions Bach made of his cantata movements as the Schübler Chorales.
Source: Wikipedia
4 окт 2024
