Johann Sebastian Bach: Sonata E-flat Major BWV 1031 - Petri/Perl/Esfahani 

You can say that again!

Nice everything!

For a long time I suspected maybe her hands were too small for the tenor or bass. Of course women can often deal with a bass easier than a tenor due to the keys. I'm happy to see this amazing player on a tenor! And wow! I just saw her hit a terrific low Eb...she's actually playing this in the original key! I have it flipped into D (music writing software) to make it much "more practical" or easier you might say.

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Pier, I thank you

Miguel, me has emocionado tanto con tus sentimientos que son los míos!!!. Un abrazo.

An extraordinary person--she carries much of the history of western music in her finger tips!

@@basho41 DO YOU ACTUALLY KNOW HER ? COULD YOU SEND HER A MESSAGE FROM ME ? THANK YOU. -BJNG.

Hello Keith ... do you know in the meantime which recorder models Michala plays here. Their sound is truly amazing!

@@Magnus1612 I am certain it's a Moeck Ehlert model

Maybe you have not noticed, she changes instrument for different movements - there are 3 recorders in total. There is a Tenor (possibly Elhert) and then a keyed Alto (Looks like Mollenhauer Modern alto with E foot) and then finally a keyless alto (I think) which looks similar to a Rottenburgh. I expect someone will correct me on the specific models.

@Dònal Brügge I was just answering the initial question about which recroders are being played. As to whether the sonata can be played without switching recorders would depending on the range of each piece. I would not be surprised though, since have come across sonatas (not written for recorder) that are too low for an alto in one movement and too high for a tenor in another.