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John Riley: The Art of Bop Drumming 04: Transition from Swing to Bebop 

Zildjian Learning Zone
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In this lesson series, Zildjian artist John Riley provides a deep dive into many of the topics in his best selling book, "The Art of Bop Drumming".
In this video, John Riley demonstrates the swing playing style of the early swing era and how it evolved in the bebop era.
From discussions on creating the appropriate sounds to musical phrasing and song structure, this series will cover a wide range of topics that is sure to enlighten any student or teacher who is interested in improving his or her jazz playing.
In this particular lesson John demonstrates the swing playing style of the early swing era and how it evolved in the bebop era.
For more lessons on The Art of Bop Drumming from John Riley, visit: zildjian.com/education/john-r...
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Опубликовано:

 

9 дек 2021

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Комментарии : 25   
@ryancox5097
@ryancox5097 Год назад
John has really figured out how to make his money. By talking slowly and intentionally, he makes his information accessible to a wide variety of people. So everybody walks away feeling like they were actually taught something, versus being thrown a bunch of technical terms at a rapid pace. Anyone hoping to be a clinician or an instructor would do well to follow Mr. Riley's lead and train themselves to speak slowly and clearly.
@lukealberti5094
@lukealberti5094 10 месяцев назад
And no jump cuts.
@CharlesTPrimm
@CharlesTPrimm 6 месяцев назад
John Riley is not only an extraordinary drummer and musician but a superb educator as well. He's done so much for the drum community.
@MrBarryhutch
@MrBarryhutch Год назад
Love all John Riley’s books and video demonstrations👍
@TheHallomand
@TheHallomand 6 дней назад
Great video:) I learnt a lot of coordination skills based on John's books along withn a lot of other concept books. But I would recommend to listen to a lot of bigband music Duke and Count B. Because if you listen to a good piano players left hand or a guitarist syncopated combing style it would somehow relate to the horns and brass of a big band. And then you just need to have a fast responds time to make your comping sound together with the pianoplayer´s left hand as a condensed bigbiand. - Thereby taking the secrets out of comping and what to play:)
@Teabonesteak
@Teabonesteak 4 месяца назад
Love John Riley. Loved his old columns in Moderm Drummer.
2 года назад
Great lesson and wonderful sounds !!
@Bigsbeee
@Bigsbeee 10 месяцев назад
Sorry to echo what others have said but this series is absolutely awesome John - Thank you Sir.
@AkouriAmmar
@AkouriAmmar 2 года назад
Beautiful sound
@jimfraher2166
@jimfraher2166 Год назад
I think he's wrong about bass players. I think the heavy four on the floor was because the bass was often drowned out by the brass sections and was needed to keep the tempo together.
@colinbrown3314
@colinbrown3314 Год назад
Was taught the same in college
@drowdaba
@drowdaba 9 месяцев назад
so glad this guy's still alive ngl
@bluezurich
@bluezurich 2 года назад
GOAT of Bop EDU
@A.ChristopherJohnson
@A.ChristopherJohnson 7 месяцев назад
TY
@lukealberti5094
@lukealberti5094 10 месяцев назад
What ride cymbal is that?
@dhmtbr2551
@dhmtbr2551 2 года назад
Can you tell me what your cymbal set up is here…?
@farshimelt
@farshimelt Год назад
They sound like Ks with no definition.
@Twoholesofman
@Twoholesofman 9 месяцев назад
I'd guess 20 and 22 K. Con Renaissance rides or Philly Joe Jones, hi hats look like some unlathed Ks, maybe some dry variation, or potentially prototypes.
@sublime4984
@sublime4984 8 месяцев назад
huh I allways thought it was just lack of amplification but stand up bass being a new instrument from jazz and people being new to it makes sense like they could play but wouldn't have been able to master it like piano or the wind instruments
@scott6344
@scott6344 Год назад
Jim Riley
@QuueenGalaxy
@QuueenGalaxy Год назад
Jim Lahey
@drowdaba
@drowdaba 9 месяцев назад
John lohanne ​@@QuueenGalaxy
@drumtwo4seven
@drumtwo4seven 8 месяцев назад
TALK MYSTIFY TALK MAKE MORE OUT OF IT THAN THERE IS KEEP TALKING NO MYSTERY TO JAZZ DRUMMING USE FOUR BAR PHRASES
@chuckc7375
@chuckc7375 Год назад
If bass players were that bad, why did the band leaders use them at all if the bass drum drove the band so much
@Bigsbeee
@Bigsbeee 10 месяцев назад
John wasn't saying they 'all' not great time keeper's.. I've played bass all my life - 60 now and play drum's. I think my bass playing has taught me to keep great time.
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