There are many schools... certainly anything this Violinist says is important. It would be nice if our fine Mr. Rachlin could tell us why the thumb should not be positioned touching the bow in the gap between leather grip and frog? This direct contact with wood of the stick might it not give us a tonal advantage? I am open to discussion and please let me acknowledge the fact that Mr. Rachlin's sound is unparalleled.
I've experimented with the conventional thumb position and with this idea of the thumb on the leather a little farther up the bow. For me, Mr Rachlin's approach allows for a more flexible and natural hold. I've noticed a couple of other fine players recommend this. So although it's unconventional, it has some serious adherents.
Julian.... I saw a video of YOU ALONE.. Playing a SOLO Sonata.... By a composer who name begins with LETTER V.... Its one of the lesser known composers. Please provide a link to it... I was admiring you bow strokes... On and Off Strings. Thanks in Anticipation of a response.... I have subscribed to your UTUBE Channel 17th May 2015
Of course. There are, as far as I'm concerned, 3 bowing thecnique schools and this is one of them. I'm a student from this bowing school so I find this video very helpful
