2022 was the perfect hybrid of classy and concise; it was brief, bright, and served its purpose without dragging out the time in between songs too much. I was so impressed by Yerevan this year!
2014: Okay, okay, an effect like that in space, okay. I give it a 7/10 2015: It's a bit boring, at first it was lousy but little by little it got better. I give it a 6.5/10 2016: AWFUL! In that show you could see all the cameras, the children, the team, everything! If it wasn't for the screen, I'd give it a 6/10. For that mistake, I give it a 2/10 2017: Gives a good vibe, as if you were in the desert I don't know, I give it a 7/10 2018: Aver, that shot is a bit strange, first of all, it's very quiet and it doesn't attract much, it's very strange. I give it a 5/10, just barely. 2019: WOW! I just say WOW, I think it's the best shot in this video, it's like it's very childish. The second thing, WOW for the positions of the cameras, the one that recorded this shot, is tremendously far away and little by little, the zoom goes up, a bit abrupt but well, one of the cable-cams was a bit visible, but it's normal. I give it a 10/10. He deserves it. 2020: A lot of the idea of 2019 was copied, the truth is, the sound is the same but edited and cut. At least the light show saves him. I give it a 7/10. 2021: Meh, it's really boring, I'm not going to comment too much, it's long, it doesn't have a vibe or attract viewers. A 6/10. 2022: The first shot of this beginning of the stage rises very sharply, I didn't like that shot, the second one well, if I was watching exactly when the lights go out and they slowly move the camera to the right and a bit of zoom would have been better. But the floor and ceiling light show saved it, again. A 7.5/10
