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Königslieder, Walzer, Op. 334 (1869) - Johann Strauss II 

Adamov
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Before their planned departure for Russia on 7 April, Johann Strauss II and Josef Strauss joined forces with brother Eduard Strauss to present a "Farewell Concert" on Sunday 4 April 1869 in the Blumen-Säle der Gartenbaugesellschaft (Floral Halls of the Horticultural Association) on Vienna's Parkring, in close proximity to the Palais Coburg. The event attracted an audience of around 3,000 people, and the Neues Fremden-Blatt (6.04.1869) declared that "this public attendance in such extraordinary numbers is the best yardstick for the widespread popularity enjoyed by the Strausses. Moreover, the public did not stint in its applause, and not only did the waltz 'Königslieder' and the polka-mazurka 'Fata morgana' by Johann Strauss, as well as the waltz 'Huldigungslieder' by Josef Strauss - extremely successful compositions performed for the first time - have to be repeated several times, but also the older pieces by the Strauss brothers enjoyed the most favourable reception".
The two new waltzes - Johann's Königslieder and Josef's Huldigungslieder - were in fact sharing more than just their respective premières: the two works also shared the same royal dedicatee - his Majesty King Luis I of Portugal (1838-89). Luis, who reigned from 1861 until his death in 1889, was a member of the House of Saxe-Coburg-Braganza in Portugal, founded in 1836 by his father, Prince Ferdinand of Saxe-Coburg-Kohary (1816-85), who became Ferdinand II, the titular King of Portugal. Luis Philip thus belonged to that group of regents connected with the House of Coburg for whose far-flung members the Strauss family dedicated numerous compositions, commencing with Strauss Father's waltz Huldigung der Königin Victoria von Grossbritannien op. 103 (1838) and concluding with Johann III's Krönungs-Walzer op. 40 (1902), written for King Edward VII and Queen Alexandra. In 1862 Luis I married Princess Maria Pia of Savoy (1847-1911), a daughter of King Victor Emmanuel II of Italy, and the couple had two sons, Carlos and Manuel.
Quite why the two Strauss brothers chose this specific date on which to honour Luis Philip remains unclear: we may rule out birthday celebrations, since the King was born on 31 October 1838, and he was not visiting Vienna at the time of the concert. Moreover, a renowned authority at Lisbon's Palácio Nacional da Ajuda, Signora Dottora Graça Mendes Pinto, has been unable to determine any contemporary event involving King Luis I which might have given rise either to the dedications or to the particular choice of date for the first performance.
Painting: Bernardo Bellotto -Das kaiserliche Lustschloß Schönbrunn, Ehrenhofseite (1758/61)
Moscow State Symphony Orchestra & Maestro Pavel Kogan

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15 сен 2024

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Комментарии : 8   
@Wolfcrag85
@Wolfcrag85 6 месяцев назад
Our monarch should have felt extremely honored for being the dedicatee of such a beguiling waltz.
@antares7880
@antares7880 2 года назад
This waltz has always been a kind of mystery to me. Composed in the most creative period of Johann's artistic activity as a dance composer, op. 334 did not become as popular as other waltzes from that time. Here we can listen to an excellent performance of that work, which ultimately proves that op. 334 is a true masterpiece.
@Adamov1
@Adamov1 2 года назад
I totally agree. Just like the wonderful Telegramme Op. 318 or Illustrationen Op. 331 it is an underrated masterpiece, as good as many of his more popular works, that should be performed more often.
@ldecardenas
@ldecardenas 2 года назад
One of his finest waltzes, I have always loved it!
@sangerlust2637
@sangerlust2637 2 года назад
One of my favorites waltzes. Great rarity and superb interpretation!
@christianrudat294
@christianrudat294 Год назад
💌
@danielsimon8754
@danielsimon8754 Год назад
A truely great free flowing waltze. 7.30 in a magical memorable waltze them in particular.
@nestorosvaldomargala
@nestorosvaldomargala Год назад
Raro y magnífico vals, monumental interpretación.
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