Theresa Rudolph, viola & Rachel Mercer, cello
KAREN SUNABACKA Ripples for viola & cello
LIVE from 5 at the First, Hamilton: May 18, 2024
www.5atthefirst...
"Written for Ames Asbell (viola) and Karla Hamelin (cello) Ripples is a celebration of women. It specifically explores our connections and the beautiful and life-giving waterways around which we live and thrive. Karla and I met at the University of Manitoba as fellow cello students with the same teacher. She was in her last year and I in my first. She now teaches at Texas State University with Ames Asbell. Karla and Ames enjoy working and performing together and decided to put together a recording and performance project consisting of new and old works written by women composers. I was honoured to be asked to write a piece for them and have thoroughly enjoyed working on this project with them."
-- Karen Sunabacka
Sheet music available at: cmccanada.org/
Composer Karen Sunabacka often finds inspiration from puzzles, stories and her Métis and mixed European heritage. She has deep roots in the Red River Settlement (what is now known as Manitoba, Canada) and feels a strong connection to the Métis, Scottish, Swedish and Finnish cultures. This mix of cultural connections sometimes creates conflicts and new perspectives which she finds both interesting and challenging. Her music reflects this cultural mix through the exploration of the sounds and stories of the Canadian prairies.
She often collaborates with her Métis mother, Joyce Clouston, who is a writer, an Indigenous Cultural Carrier, and social worker. Together they have completed numerous works that explore family stories and the intersections of Indigenous -Settler relations and philosophies. Recent pieces include: Jack the Fiddler (2023) commissioned and premiered by Elation Pauls for her Sustenance album, The Place Where the Creator Rests (2022) commissioned and premiered by the Andromeda Trio, …our inner lives were entwined…embroidered with the same pattern… for solo piano (2021) and commissioned and premiered by Naomi Woo and Virtuosi Concerts, I Wasn’t Meant for This for viola d’amore and percussion (2019) commissioned and premiered by Park Sounds and Mama’s Painting: Louis Riel’s Dream for piano quintet (2015) commissioned and premiered by the Agassiz Chamber Music Festival.
In September 2022 she released her first album titled Curlicue with pianist Darryl Friesen which includes all her solo piano music to date. The album was released by Ravello Records and full program notes and links to stream or purchase and download can be found here: www.ravellorec....
Inspired by the natural beauty of Manitoba winters she wrote # DryColdConversations (2018) which was commissioned and premiered for the Winnipeg Symphony Orchestra. The Montreal Metropolitan Orchestra premiered her work “The Prairies” which was part of a bigger piece called De Natura Sonorum (2017), a commissioned work with four other composers to celebrate 150 years of Confederation. De Natura Sonorum was nominated in Québec’s 21st Prix Opus in the category Création de l’année (composition of the year). In 2009 she won the CMC Prairie Region Emerging Composers’ Competition with her work And There Was a Great Calm about a Prairie storm, which was premiered by the Winnipeg Symphony Orchestra.
In demand as a composer, Karen enjoys the challenge of finding a balance between teaching, composing, performing, and keeping up with her favourite science fiction and fantasy series. Karen is an Associate Professor of Music at Conrad Grebel University College at the University of Waterloo.
www.sunabacka....
21 окт 2024
