Karol Józef Lipiński (30 October 1790 - 16 December 1861) was a Polish music composer and virtuoso violinist active during the partitions of Poland. The Karol Lipiński University of Music in Wrocław, Poland is named after him. Lipiński was born in Radzyń Podlaski. In 1810 he became the first violin and two years later the conductor of the opera orchestra at Lwów (now Lviv, Ukraine). In 1817 he went to Italy in the hope of hearing Niccolò Paganini. The two met in Milan, met daily to play, and even performed two concerts together in April 1818, which added immensely to Lipiński's reputation. Paganini dedicated his Burlesque Variations on "La Carnaval de Venise", Op. 10 for unaccompanied violin to Lipiński. Later, in 1827, Lipiński returned the honour by dedicating his "Three Caprices for Violin" to Paganini. In 1818 on his return to Germany he stopped in Trieste to receive instruction from Dr Mazzurana, a very elderly former pupil of Giuseppe Tartini; Mazzurana was ninety years old, and could no longer play himself, but gave his criticism of Lipiński's performance of one of Tartini's sonatas. During that time, he also performed concerts together with the Polish pianist and composer Maria Agata Szymanowska. In 1820 he travelled to Berlin where he met Louis Spohr, and to Russia. In 1829 he went to Warsaw, and played a series of concerts with Paganini that summer that were attended by the nineteen-year-old Frédéric Chopin. However, a rivalry developed between Lipiński and Paganini which destroyed their friendship. Thereafter, whenever Paganini was asked who the greatest violinist was, he would say "I don't know who the greatest is, but Lipiński is certainly the second greatest". In 1835-36 he went on a long tour, during which he met Robert Schumann in Leipzig. Schumann was so impressed that he dedicated Carnaval, Op. 9 to him. In 1836 he visited England and played his Military Concerto with the Royal Philharmonic Orchestra. In June 1839 he received a double appointment in Dresden, as concertmaster of the Royal Oratory and kapellmeister at the court chapel. With his Dresden duties, he ceased touring as a virtuoso, but concentrated on chamber music, with a special devotion to the string quartets of Beethoven. Here he also gave a joint recital with Liszt, performing Beethoven's KreutzerSonata. He developed a great reputation as the only serious rival to Paganini. Wieniawskidedicated his Polonaise Brilliante in D to Lipiński. He retired with a pension in 1861, and died in village Virliv (Ternopil region, Ukraine). He was the owner of two violins, one made in 1715 by Antonio Stradivari and another by Giuseppe Guarneri del Gesù. Both instruments are referred to as "ex-Lipinski". His compositions have been recorded by virtuoso violinist Professor Konstanty Andrzej Kulka of the Fryderyk Chopin University of Music in Warsaw. Among his works are the four violin concertos, as well as studies, polonaises, rondos, variations, capriccios. He wrote three symphonies. His adaptation, with some of his own original music interpolated, of Ferdinand Kauer's Donauweibchen was played every season at Lwow for nearly thirty years from 1814, but the music is now lost. The Karol Lipiński Academy of Music in Wrocław, Poland was named after him. FROM WIKIPEDIA
5 лет назад
Lubię twórczość Karola Lipińskiego, szkoda, że w Polsce jest mało propagowana.
Not only Paganini's contemporarybut also nearly the same style. Only all for that reason good to place this concerto and of course thanks again for this masterpiece!
As the Strad commented upon hearing these recordings: "BREATHTAKING." Breuninger studied with Gitlis so I wonder if that has anything to do with his fearless style of playing.
The introduction and apotheosis of the first movement is stunningly redolent of Bellini; or perhaps more apt, the Italian style of the early Romantic. 2:12 in particular sounds lifted from Il Pirata!! Thank you for the upload 💖
Слушаю со слезами на глазах. Этот композитор мой прапрадед! Мне о нем рассказывал мой дед. Через что прошли мои предки. Моего прадеда расстреляли как польского шпиона далеко от польской земли во Владивостоке! Мира всем и добра! Пусть звучит прекрасная музыка, а не сирены и разрывы снарядов!
Wonderful Romantic music and beautiful painting. However, the painting depicted is not "The Savage State" but the third piece of the five painting Empire series, "The Consummation of Empire." There are lessons for contemporary nations to heed in these Thomas Cole paintings from the 1830s about the inevitable fate of empires that subsist on militarism and abuse of natural resources. The only thing lacking in the above depiction of a martial empire at its most decadent is a Donald Trump golf course! As Caesar, the orange clown would have given Nero and Caligula a run for the money. He would have burned down Rome, displaced its largely immigrant inhabitants and replaced their residences with golf courses and hotels for the potentates of that era.
