Absolutely stunning playing from one of the very best tone-shapers in the world today. If every guitarist in the world had a Page, the world would be a better place. Albeit Simon would be knackered.
I’ve just received a Harlot and it is the sound I’ve heard in my head made real. It’s shape and character amaze me. Keeper. The eunuch is next for me, It only makes sense to have no knobs, I do this with fuzzes anyway, dime it and then use your volume. Very intelligent building and design.
Wonderful demo, looks like my Maiden and Page DS are going to have some company soon. And I have to say, *of course* the Eunuch has no knob! That is brilliance right there. Sounds absolutely fantastic, at least under your very talented fingers.
I love the Eunuch idea. A few years ago I bought an old medium format camera with the aim of improving my photography by introducing fixed technical constraints - b/w images, square format, only 12 shots per roll, top down viewfinder and so on. I’ve taken probably my most satisfying shots with that camera. I wonder if your idea with the Eunuch is similar - not really likely to have commercial appeal, but a great creative tool because of its constraints? Sounds great too, of course!
Very inspiring tones and playing… it’s great to hear your thought process on how you’re crafting these presets, and I’m looking forward to hearing/watching more!
Absolutely spectacular playing and tones Simon! I love the concept of the Unick. I take this approach to arranging tunes, or sometimes building solos etc. at the best of times, but never have I thought to seeka pedal out for the sake of simplification. It really makes sense. Being a proud minstrel and Bailey owner for many years now though, I have to say that The tools you create certainly inspire players to use their volume/tone controls, and right hand attack as much as possible. The layers of dynamics and control you have in your own playing is evidenced in the gear you create. Thanks for all my friend!
Superb!I don't really know if takes years or hours to do something like this.I mean , take years to build 🙂 but i really hope doesn't take year to set pedals this way.The tone is super, the quality of the JTM distortion is flawless.
Beautiful playing as usual. I'd swear at the 10:00 mark, I heard you implying just a bit of Pat Metheny playing Polskie Drogi ....if just for a moment. Loved it.
Thanks for sharing this video Simon! All your pedals sound phenomenal and I love your playing too. The Mason going into the Constable is fantastic! I love my Mason and use it all the time. Curious why there is no bypass foot switch on the Eunuch. That one sounds great too.
Is the Eunuch derived from the Artisan? I absolutely LOVE the Artisan for it’s fuzzy nature so any fuzzy overdrive you release now piques my attention. Incredible playing btw 🤘🏻
Such juicy tones coming out of that board. That juggler and constable together are greased lightening. Add some push from the Eunuch or Mason and you've opened up some real rage. Really curious if the name Mason might imply a lineage from pedal mfg only one letter off. Also wondering what ever happened to the Artisan which seemed to go through several variations quite rapidly.
Simon great as always! Enjoy the G3 it so nice that Dan created this masterpiece of options. Loved the new Eunuch. Does that have a tube in it? stupid question I'm sure.
@@PPIMV sign me up for one! Such a great idea as most players have the fuzz dial at 80-100% anyways and if the gain is set to close to 0dB in to out then your done.