No video :(

Kishori Amonkar - Bilaskhani Todi

Просмотров 118 тыс.

% 0

Gaansaraswati Kishoritai Amonkar sings raag Bilaskhani Todi. Vilambit bandish
In this Bilaskhani todi version, Kishoritai experiments making Gandhar (which is Vaadi for Bilaskhani todi) as Shadja. The raaga is Bilaskhani todi and moves according to traditional chalan.
Her thoughts behind this -- What is the point of making a swara vaadi ; is it only for repetition or making prominence. Since every note has a prominent bhaava; In this rendition she does moorchana from Gandhar on this raaga to see if the feeling of Gandhar (Karuna) is rendered.
Hoping this information makes understanding this rendition more insightful.

Видеоклипы

Опубликовано:

29 янв 2016

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист

Посмотреть позже

Комментарии : 186

@satyajitbedekar5485 2 года назад

All Bilaskhani todis on social media stand together and this stands aside. Legendary, no words absolutely devine. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

@seraphemcherubem6426 5 месяцев назад

U said it i don't have to 👍👍👍👍

@vivekjoshi3004 4 года назад

When I started listening this recording, it sounded like Rageshri.But after some time Bilaskhani appeared clearly.Only a legendary and revolutionary singer like Kishoritai can do such magic. The play of her fertile immagination and esthetics gave delight and new dimensions to this Raga.She is simply amazing, outstanding and out of this world. What a beautiful and artistic rendition.profound thanks for adding this recording on U Tube.

@padmajajoshi4932 3 года назад

very nice

@ronakbhadra6400 2 года назад

You're right...this is because if you make 'komal ga' as 'sa', then the arohan-avarohan of bilaskhani Todi can be written as:- Sa Ga ma Dha ni Sa Sa ni Dha Pa ma Re Sa which is very similar to Rageshree... This composition is sung by taking a murchana on gandhar, that is treating "komal ga" as "Sa". (as given in the description by Aditya)

@escolaabacada7820 6 месяцев назад

What a good hearing you have!!!

@seraphemcherubem6426 5 месяцев назад

@ronakbhadra6400 thanks

@mohandeshpande5761 2 года назад

Immensely enriched Bilaskhani treasures & Raga imagination ecstasy at display. Different destinations , never travelled paths , unexpected jolts of surprise & unimaginable Swar,laya patterns of Himalayan proportions that only The great Kishori ji can command. Unmatched experience.

@SriBhaktiDas Год назад

Absolutely!

@sathyasaibaba1000 Год назад

This is the SOUND OF THE DIVINE 🙏🙏🙏

@shafaatali4597 4 года назад

Internet is a blessing for us people which had made it possible to hear such fantastic ragas. What great voices we lost but have found back. Thanks Aditya Kulkarni.

@bhimraomandlik338 Год назад

To listen Amonkar is not ordinary experience, it is Shanti -Samadhi, bliss and peace!

@pratisthabhandari3350 7 лет назад

Genious? Astonishing .....only Gaana Saraswati can do this .....How she turns the Raaga is beyond expression only Daivic personalities only can do this ........ What a talent? How Genious ! I am mad at her Gaan........ This is really God's Mercy..... Binu Ramakripa it can not be possible ..... she was one of the Gopi ..... Love you Devine Personality! You are sent by Spiritual Master to awaken us and to follow Spiritual Path.....Jai ShreeKrishna!

@poornprakashpande2882 2 года назад

Yes. Only Gaansaraswati can sing like this. Simply divine rendition, way beyond the term "beautiful".

@sandeepr2404 2 года назад

Hello Aditya, this recording has changed my life, thanks a lot.

@madhavasu 2 года назад

Thanks Aditya.. What a beautifull, soothing voice and rendering.

@ashkanet8 7 лет назад

Rest in peace Kishori Tai. What a treasure of fantastic compositions in so many ragas you have left for posterity. Your mellifluous voice with innovative variations and the range in all three septaka's used to keep us spellbound.

@jhaduvala 8 лет назад

Sweet and gentle version of Bilaskhani. Like a daughter saying farewell. Masterful.

@poornprakashpande2882 2 года назад

The finest bilaskhani todi I have ever heard. Just divine rendition, pure bliss. Worth listening hundreds of times.

@nksinghmp 4 года назад

Yes this is an unusual rendering having listened to similar rendering by her earlier Those of us aware of the origin of this Raag will appreciate how beautifully she has brought out it’s true spirit and emotional flavor.

@debashishpradhan340 3 года назад

For someone who read in newspaper about the finance commission committee for exam preparation it's wonderful to see your comment in many videos related to classical music

@SriBhaktiDas Год назад

So true!

@jaimintrivedi2207 6 месяцев назад

can you please elaborate on the specifics? I'm a novice unfamiliar with the whereabouts of traditionally executed bilaskhani todi.

@poornprakashpande2882 2 года назад

Divine rendition by Kishoritai. Just pure nector. The best bilaskhani todi I have ever heard.

@reetampandey8110 8 лет назад

A magical flow of bilaskhani todi by tai

@akashupadhyay4u Год назад

What a treat for ears, one of most justified renderings of this Raag, a very different yet very emotional portrayal of this Raag. Also, the accompanying vocalist has a very beautiful and powerful tonality, see the same here @ 33:00

@aninditabhattacharyya6154 3 года назад

Mai fida ho gaye, pranam Amonkarji.

@manash12342011 2 года назад

ye gyansaraswati hey aur hum sabki MAA hey....MAA ki charano me pranam🙏🙏🙏

@harmanmahi5659 3 года назад

Raag. Bilaskhani very beautiful raaga so sweet heart touching always

@asciiguy1 8 лет назад

Ahh this is priceless!! Thank you for uploading this.

@rattansingh403 Год назад

No human being other than kishori tai has the vision to perceive a raga like this! ❤

@RHStrings 6 лет назад

This version is one of my favorite pieces of music.

@saifuddinabdullah7286 6 лет назад

most unusual bilaskhani todi i have come across. Hauntingly beautiful.

@vivekjoshi3004 4 года назад

Gan Saraswati Kishoritai Mankar was a legendary singer. No doubt about it. But the Rag Bilaskhani Todi she has rendered is very unusual. As she is a revolutionary singer the play of her fertile immagination and esthetics has given new dimensions to this Rag.Really beautiful rendition. Only Kishoritai can do such magic.Salute to her.

@vivekjoshi3004 4 года назад

Kishoritai Amonkar.

@maheshashtankar8983 2 года назад

Speechless Thanks Aditya for uploading such a rare piece.tears are dropping out of my eyes. This is beyond words

@sapnamukherjee4648 5 лет назад

magical and total bliss !!!!

@yatishsinghrajput264 8 лет назад

Omg really i am totally mesmerising.kishori tai was really swaraswati

@latachitre 3 месяца назад

Atishay surel v atishaygoad raag apratim

@MrAbbas5 8 лет назад

Greatest legend in our time.

@SwatiBardhan 6 лет назад

Thank you for uploading one of my favorite raagas ... learnt so many things ...

@prakashbagewadikar7303 4 года назад

Absolutely Divine, acclesial and mesmerising. I listen to it repeatedly but everytime it gives me peace and pleasure .please add Drut. Thanks so much.

@kavindusubash9050 4 года назад

I am listening it as the 1000 th time.

@quelmec 8 лет назад

Thank you, Aditya Kulkarni, for this superb gift of Tai's voice to today's younger generation .....................

@riazainapore8191 9 месяцев назад

As always Fabulous with a capital "F" !!😮😮😮!!!..

@SundeepDougal Год назад

I am sure there are others out there who yearn for a proper documentation of the various bandishes that Kishori Amonkar sang. Perhaps her disciples need to be requested and petitioned for what would be definitely a great service to all music lovers.

@prasenjitduara686 7 лет назад

most unusual and beautiful B Todi I have heard.

@ParminderSingh-md7er Год назад

😌😌😌😌 sukoon milta. Hai,kya rooh hai raag ki

@jagdishparikh8490 6 лет назад

What a performance !

@nksinghmp 7 лет назад

A very unusual rendering of this raag Very pleasing and touching N K Singh

@GeetaSingh-zp6we Год назад

Intoxicating! Pure magic!!

@rituchaudhry1755 Год назад

🙏🙏🕉🕉💐💐

@slaykpop18 3 года назад

Amazing Introspection Aditya!!!!

@shitalAvalkar15 4 года назад

I lov this😍, one of my fav performance by taai 🙏🏻🙏🏻🙏🏻🙏🏻🌷🌷🌷🌷

@bhargeshojha4613 3 года назад

@SriBhaktiDas Год назад

Eternally beautiful...

@khakimo100 3 года назад

An exquisite performance. Thanks for the description- it heightens the appreciation of her rendition. Would you know when and where this performance took place?

@naturesentinel4232 6 лет назад

a highly personalised and sensitive use of notes to create a serene ocean of mystically pleasing charms,

@rupeshshindeofficial7180 6 месяцев назад

Yes

@kallolchowdhury8321 3 года назад

This is beyond our physical perceptions.

@RahulKarwaMusician Год назад

Naman🙏♥️

@jayparashar9402 3 года назад

Jay maa

@jordifalco5609 2 года назад

Beautiful

@maheshandkrishna 8 лет назад

Kishoritai's voice is of course magical. This Bilaskhani Todi rendition is quite interesting. It somehow does not convey the extreme sobriety that the raag is known for. The rendition of another composition in the same Raag by her, Kaahe ho Balma brings out the pathos of the raag in a more evident manner. That context makes this a very interesting and riveting rendition to listen to. I am very fond of Bilaskhani Todi.

@rajeevmarathe9343 8 лет назад

Thanks a lot it is truly splendid. Please upload the drut and other ragas sung in this concert too if you have it.

@nksinghmp 7 лет назад

A new and alluring style of rendering this lovely composition. N. K. Singh

@sumitbasu5313 6 лет назад

it doesnt seem to be Bilaskhani the mood isnt created-

@devkota6678 7 лет назад

Kya khub hai

@tepuibansuri6377 6 лет назад

lovely! so deep, love you kishori💙💚

@suvrat 4 года назад

Divine! :)

@ty_mech_a31_shriramlondhe54 2 года назад

Can anyone give the words of this bandish please🙏🙏 It was very helpful to me

@prof.gangadharjha3233 4 года назад

Very unusual version of Bilaskhani Todi; sounds like Regeswari and khambhawati at places. Nevertheless, it does give flashes of Bilaskhani Todi and presents as a unique melody not heard before.

@user-ro6bd7no9t 2 месяца назад

Is Arati Ankalikar ji performing sangat?

@surajitbose8447 7 лет назад

Pancham is explicitly taken in avaroh many times in this recording, as can be clearly seen in the sargam around 16:00. That makes this sound very different from the usual Bilaskhani Todi. I think this sounds different enough to wonder why Kishori tai calls this Bilaskhani instead of some other name. Adding to the confusion is that the bandish has the same lyrics as a Khambavati standard. Kishori tai's own recording of this Khambavati bandish is available on RU-vid: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-XT051FOBB54.html.

@jaimintrivedi2207 5 месяцев назад

i think that pancham is technically aaroh, as she breaks before it and quickly goes to dha, and then ni dha ma ga .... in avroh.

@jagdishnarayan4785 3 года назад

Thanks jaihoNaman

@santsarwadnyadasopantswamigosw 7 лет назад

👌👌👌💐

@rahulmranade 3 года назад

Very different interpretation of raag.. though I didn't like this interpretation.. but it shows her genius..

@pramodjoshi751 3 года назад

I agree,Vivek... what was artist's response ? I know she is in heaven,now.

@PamalkaKarunanayake 3 года назад

38:38 wah wah ❤️

@shaileshkhadilkar356 Год назад

❤

@ashutoshjoshi2977 8 лет назад

There is another video here by Subrata Choudhary - the audio is bad but it sounds more like Bilaskhani Todi. Viewers may check it out and comment..

@iamblichus5318 7 лет назад

Rest In Peace

@kiyoto123 8 лет назад

wonderful

@pramilanadigir4550 4 года назад

Just wonderful. No one can sing like her.

@prasenjitduara686 8 лет назад

Most unusual rendering of Bilaskhani Todi; one can barely recognize it. Interesting nonetheless, as always.

@varunachar87 6 лет назад

I think the reason it is unrecognizable is that the tanpuras are not very loud, and the swar mandal strongly suggests the ga--dha axis, creating a moorchhana effect away from the actual sa.

@MichelGmusic 6 лет назад

Very interesting. Perhaps the extra use of ma gives a Bhairavi feel to it.

@MrDebsen 5 лет назад

MichelGmusic agreed

@dr.rabindranathmukhopadhya3439 3 года назад

আমি বরাবরই কিশোরী-জীর গানের অনুরক্ত | সুযোগ পেলেই শুনেনি ওঁনার গান |

@purple1815 7 лет назад

When was this recorded?

@anandketkar2191 8 лет назад

Sorry Aditya you have replied that you do not know when this was recorded - I had not read it when I asked you again. I regularly follow what is available on You Tube and I have the standard CD's - that apart you surely are aware that Tai's recordings are not commonly available as I have always been told that she has been averse to her concerts being recorded - WHAT a pity I don't have anything extra but you and a few others here are very fortunate.

@dr.rabindranathmukhopadhya3439 Год назад

Tabla support?

@adityaoak254 8 лет назад

I am looking for Kishori Tai's Rag Lalit (Lalat). It was uploaded on RU-vid, but must have been taken down. Can someone help me out please???

@shoonnya 7 лет назад

Me too! I figured it was removed by SareGaMa - the new name for former HMV - who holds copyright. It is now available in original on their app called Saregama Classical (USD 3.00/mo on Android)

@sachinsaregama 4 года назад

me too in search of the same

@kamupendse1 7 лет назад

I heard the saragam at 14.10 and it is true that she sings sa re ga pa dha.... , however, I still say this is not Bilaskhani Todi. It is something else - I do not know what! It is of course beautiful!

@sdeshpande2010 7 лет назад

She sings with a moorchana on Gandhar i.e. her Ga becomes Sa for most of the duration. That changes the mood of the raga. The moorchana resembles (closely but not exactly) to Rageshree. Sa Re Ga Pa Dha Sa become Dha Ni Sa Ga Ma Dha. One of the reasons that the hardcore todi combinations like SaReGa become really weak and the raag stops sounding like a todi. But then again there are a few traditional Todis that don't sound like a Todi e.g. husseini todi at the surface

@akakirde9452 Год назад

@@sdeshpande2010 let's call it amonkari todi

@Dr.AmrapaliTrivedi Год назад

Agree

@Dr.AmrapaliTrivedi Год назад

@@akakirde9452 ❤

@rupeshshindeofficial7180 6 месяцев назад

😅 My god literally every music concious noting the note's and saying this is not usual and still beautiful. Only she can do such effect.❤

@latachitre 3 месяца назад

@onkaryadav7454 6 лет назад

Ya raagat Tyanni taan vaparleli nahi....he faar mothya kalakaracha lakshan aahe.....taan he jastakarun sharirik pradarshan aahe......te dakhavnyachi tainna garajach nahi.......mhntat na ...."Great people do not do different things,they do things differently"""........its been a year now she is not physically with us ....but her music will be gor ages to come

@mkc_98 3 года назад

It sounds so good that I feel guilty for not being able to understand it...

@kahansudev5937 2 года назад

Who is the vocalist at the back?

@caamolsant 8 лет назад

please upload drut bandish.. _/\_

@jarusangeorge 7 лет назад

Is there have any writings about life and work of Tai.......Please comment

@transcloudsmegh8932 4 года назад

स्वरार्थरमणी is the autobiography.

@reetampandey8110 8 лет назад

best raag of todi's category my favourite raag but kindly request please upload Drut khayal of this raag.......marvellous voice mam. ..

@anandketkar2191 8 лет назад

THANK YOU very much for this wonderful recording. I have been looking for Bilaskhani Todi for so so long - I could not believe my luck - very grateful to you for sharing. And What a magical rendition of Bilaskhani Todi - I have a bad recording of her singing this Rag at NCPA and compared to that this is absolute bliss. Any chance you know when this was recorded and where ? It is quite disturbing not to have the drut after such a lovely preamble - if you have that PLEASE upload it. Looking for Rag Nand and Rag Khem - do you have them by any chance.

@AdityaKulkarni89 8 лет назад

+Anand Ketkar Tai did not sing Drut bandish after this. Tai is a sincere believer that if the raag has said what it has to in the Vilambit, there is no need for drut bandish. I am not sure when this was recorded either. I will keep looking and upload Khem and Nand if I find them. Thankyou and keep sharing if you have any such gems too.

@harishinamdar81 8 лет назад

+Aditya Kulkarni By any chance, Ashwini Bhide Deshpande is one of the vocal support lenders?

@anandketkar2191 8 лет назад

As far as I know Ashvini Bhide did not accompany Kishori - it was her mother Manik Bhide who did for many years

@harishinamdar81 8 лет назад

+Anand Ketkar At 24:46 and 40:11? That lady sounded like Ashwini Bhide Deshpande.

@jitendramandpe6243 8 лет назад

+Harish Inamdar i thought thats Devaki Pandit's voice... and she did accompany Tai, i heard in her interview she mentioning that..

@SundeepDougal Год назад

Kesarbai Kerkar has brilliantly sung a traditional Agra bandish by Mehboob Khan 'Daras Piya' in Khambavati, a slight adaptation of which Kishori Amonkar seems to be singing here: आली री मै तो जागी सगरी रतिया नहि आये पिया। [KK sings: सगरी रैन पिया नहि आये] ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-tOBo2lNrVgQ.html [दरस पिया बिन अंखियां तरस रही का बिध राखूं जिया]

@anandketkar2191 8 лет назад

Thank you Aditya for that - I last heard Kishoritai live in Mumbai over a decade ago and till today am mesmerized by that early morning programme when Raghunandan accompanied her. There is a wonderful Tilak Kamod here on You Tube where he accompanies her . And yes ofcourse the Todi. This recording of Bilaskhani Todi is magic - please let us know where and when it was recorded. You have been truly fortunate to have had it and very nice of you to share it. I can only express my sheer greed for more of Tai's recordings :-)

@hemantghayal7709 7 лет назад

Anand Ketkar

@DebarghaSarkar. 2 года назад

Is Ashwini Bhide Deshpande on supporting vocals?

@kuldeepsapre8353 2 года назад

No it’s Meera Panshikar and one more

@anandketkar2191 8 лет назад

Any concerts of Tai with Raghunandan Panshikar ???????????????

@AdityaKulkarni89 8 лет назад

+Anand Ketkar She has most of her recordings with Raghu dada on the vocals. Not sure which but of the top of my head, widely available Todi recording has Raghudada's voice in the backing vocals.

@harishinamdar81 7 лет назад

Here the vocal support is lent by Manik Bhide.. :-)

@pratisthabhandari3350 7 лет назад

Harish Inamdar z

@sandeepr2404 3 года назад

Checkout madhad sarang

@ashutoshjoshi2977 8 лет назад

This is marvelous! But is it really Bilaskhani Todi? Sounds like a version of Khambavati or a mix of Bageshri with some other raga! Let some expert comment..

@forestswaras 8 лет назад

It is Bilaskhani Todi. The swara that you are thinking to be the shadja is actually the gandhara of Bilaskhani Todi. This is a matter of shruti bheda/ moorchchhanaa. Thus to the inexperienced ear, the "sa re ga pa dha" of Bilaskhani may sound like "dha ni sa ga ma" of Rageshree/Khambavati. But this is clearly Bilaskhani Todi.

@forestswaras 8 лет назад

Please listen to the sargams at 14:10. Then it will become clear that it is Bilaskhani Todi.

@sanjeevramabhadran3612 7 лет назад

Fueling the confusion is the fact that the tabla, for the first 7:45, is tuned to the gandhar, before the tabla accompanist switches over to a "Sa" tabla. VERY unusual. Also happens that a common Khambavati bandish begins "Aali Ri Main Jaagi".

@forestswaras 7 лет назад

That is indeed interesting. However it somehow makes sense, since the entire framework of Bilaskhani Todi is built around the gandhar.

@saifuddinabdullah7286 7 лет назад

Yeah I agree. Its a very unique way of presenting bilaskhani todi.

@smitmehta1545 2 года назад

Bliss on ocean no ssliB

@theacechip 2 года назад

I observed that this interpretation of Bilaskhani Todi has "some" echoes in two other songs: 1) Lata Mangeshkar sung "Tere Jalwe Ab Mujhe har soo" from the album Sajda composed by Jagjit Singh. 2) "Tarun Aahe ratra ajun" sung by Asha Bhosale composed by Hridaynath Mangeshkar.

@neelchatterjee774 2 года назад

Jhute naina from lekin

@AdityaKakade23 Год назад

Tarun ahe ratra ajuni is in bageshree

@theacechip Год назад

@@AdityaKakade23 If you want to disagree with the composer of the song I have nothing more to say !

@AdityaKakade23 Год назад

@@theacechipI feel you need to educate yourself more about Hindustani raga sangeet, before you comment . Where is Komal rishabh and Komal dhaivat in Tarun ahe ratra ajuni. It is nowhere close to bilaskhani

@theacechip Год назад

@@AdityaKakade23 Please do your own research on views of the original composer of the song.

@MichelGmusic 6 лет назад

Definitely unconventional, but whatever she does, it works. Other-wordly, and beyond the rules.

@hemantghayal7709 6 лет назад

As if all grief in the world is concentrated in this.

@satishbabu6940 11 дней назад

Where is Bt? Badly labelled video... apologies

@paprichowdhury8362 6 лет назад

Is it Bilashkhani I doubt...I think its RAGESRI

@punamkandpal6171 Год назад

Ye keval sangeet ya suro tak to nahi ho sakta.. sab bade bade ustaad pandito ko sun rahi hu... sab adbhut gaate hai... lekin inka gaayan .. aawaz ...sadaiv Nih sabd karane wali...ye iis paar ki aawaaz to nahi ho sakti ...koi us paar hai... Kuchh aisa jo keval sur tak nahi ..kuchh aisa jo keval jhar jhar jharte aasu v anubhutiyo ki shrankhala swayam se abhiyvakt kar sake... Dhanyavaad ishwar ka... Maa saraswati ka yadi sangeet hota hoga to aisa hi hoga....

@namanchaware9486 6 лет назад

prawachan ravindra jain

@kirrti82 6 лет назад

the singing is blissful, obviously. She is the Gaan Saraswati. But that one lady from the audience who wanted her "appreciation" to be actually "heard" is very annoying!

@khakimo100 3 года назад

There were more men giving daad. Why do we hold this woman held to a different standard?

@shivanandankolekar9244 2 года назад

This is Rageshri, not vilaskhani Todi

@SoumyadityaNanda 5 лет назад

This is not Bilaskhani Todi ..

@SheshagiriPai 3 года назад

This is not Bilaskhani Todi.

@atharva1305 3 года назад

This is Bilaskhani Todi

@shamganguly8091 6 лет назад

This is definitely not Bilaskhani.

@auralaroma4396 8 лет назад

This is NOT Bilaskhani Todi. Musicmaniac is right. It is Atrauli-Jaipur version of Khambavati. The recording posted by Subrata Chaudhary is Bilaskhani Todi, but the sound is really bad.

@forestswaras 8 лет назад

Please listen to the sargams at 14:10. Then it will become clear that it is Bilaskhani Todi.

@saumil6679 7 лет назад

aural aroma this is bilaskhani todi only. listen it more carefully

@sandippaul100 7 лет назад

Surely It is Bilashkhani todi, all swaras are komal, Whereas in khambavati Swaras are sudha. It's may be because of the tuning of the Surmandal the illusion or confusion is created.