Béla Kovács / Sholem Alekhem, Rov Feidman (Live from China TV) Corrado Giuffredi, clarinet Yuchong Wu, piano Lanzhou clarinet festival 2019 @backunmusical
Ho imparato a suonare questo brano seguendo un po' il mio istinto, un po' l'interpretazione di Kovacs e un po' quella di Carbonare. Ascoltando questa credo che prenderò numerosi spunti e ispirazioni dalla sua resa incredibilmente magnifica e anche a tratti inusuale.
@@alepaoliniGiora Feidman recorded his own version of this piece, and it's a great way to understand the difference between classical musicians playing "klezmer" and klezmer musicians playing klezmer. Feidman took out nearly all the trills, especially in the first section, and he replaces them with additional "hiccups," falls, glisses, and especially growls. He also takes most sections up an octave. Unlike Giuffredi's grace notes, which are pristine and perfect, Feidman's ornaments are fleeting and sometimes barely come out. In terms of phrasing, Giuffredi does a lot of "macro" phrasing where the phrase stretches across many bars, while Feidman has extreme dynamic variation even within a single measure. The end result is that Giuffredi's performance is _amazing,_ it's clean and clear and he plays with great tone. And I don't agree with the original commenter that says it doesn't sound klezmer at all. But it's classically minded. It doesn't have that same vibrancy and life that Feidman does.
@@natekite7532 yes I know Feidman's version and after reading what you told, I can agree with you, but one thing has to be said, that the Giuffredi's interpretation is classical-sounding and unusual but this makes it sound so original and worthy to be listened to.
