Drissa Kone is the djembefola i look upon to. I have the feeling of hearing something ancient when i listen to him. His musicalship and knowledge are so inspirational!
Thanks for sharing this video, I think it's the only one that clearly helps to understand the full sandia in traditional khassonke style. The base for the second part (if I have correctly analysed it) (since 2: 20) is on the right side (konkoni): padam pampam...padam pampam. The man in white goes with the konkoni : tada toudou ta... tada toudou ta... The two first slaps (tada) go with the padam of the konkoni. The main djembefola after the padam of konkoni sounds with this accompagnement : taga tougou taga... Pou taga tougou taga... Now the khassonke dundun : when the konkoni has done "padam pampam... padam... " (1 and half of a cycle) dun kha enters " Bim... ton.. toton....... Bim... toto toton.... Bim" etc (bim is the closed strike on the skin). How to start ? Main djembefola (Drissa Kone) : Call : Pra tro tro tro tro Accompagnement (starts with the tones): tougou daga...Pou Taga dougou taga...Pou taga dougou taga... The konkoni enters after the first tougou daga of the main djembe : pampam... Padam pampam... Wich means that the second djembe starts with the konkoni like this : toudou ta... tada toudou ta... Voilà (correct me if I'm wrong)
Ése cambio de ternario a binario me dejó todo loco cuando lo descubrí por primera vez, y desde entonces me lo aprendí, y he intentado de mil maneras convencer a amigos para intentarlo, y nadie se anima... ¡Saludos!
Because I'm a fan and I was learning from these guys. We payed money to get them playing for video recordings. And since I profited myself a lot from other good shares on youtube, I decided to share as well.
