Le Sacre du printemps de Pina Bausch, à retrouver du 25 octobre au 16 novembre 2017 au Palais Garnier. Informations et réservations : www.operadeparis.fr/saison-17... Extrait de la saison 2015/2016.
Grande la regia ideativa del coordinamento del corollario danzante che mette in luce una personalizzazione de balletto che assume caratteri metaforici sottili ma riconoscibili. MOLTO BRAVI TUTTI GLI AGENTI IN PROSCENIO. BIGHIN GIULIO RENZO
Je nai pas vu cette version du Sacre mais celle de Bejart avec Wilfried Piollet-Cyril Atanassoff tellement enthousiasmé que a l'entracte je suis allé la féliciter de sa prestation , soirée réussie 100-100 ; là je nai jamais eu liccadion de voir cette version , dommage
Maurice Béjart and Pina Bausch ? What a sad time for this Ballet of Stravinsky ! To come back to the fundamentals of Vaslav Nijinski will be a well done for purists. With our star dancer Alice Renavand : this is that the spirit of modern ballet for those who have not yet understood anything. Extract : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-0QVV2Nnby8s.html with l'Opéra national de Paris. To meditate ! *Lucien*
Maurice Bejart brought idiosyncratic passion and sincerity to his version. There are some triumphs and flatness. Pina Bausch is one of my favorite versions, in fact my top. I hated it for years, but one day it struck me. It's moving, intense and aligns well with the musical score. There's rage, grit despair, power softness togetherness. What an amazing effort by Pina that still thrills even for conservative viewers like me. I'm sorry that Paris version you reference was too mechanical unlike what Marinksy or the Joffrey Ballet did
