Learn the Chord Substitution that all the pros play! 

00:00 - Intro 00:41 - Original Chord Progression 01:58 - With Extensions 04:59 - The Sharp 4 Substitution 09:22 - With Extensions 11:17 - Song Example: They Can't Take That Away From Me 11:59 - Song Example: I Can't Give You Anything But Love 12:46 - Song Example: How About You? 13:17 - 3 Improv Patterns 13:27 - Pattern 1 15:49 - Play with backing track 16:17 - Pattern 2 18:10 - Play with backing track 18:36 - Pattern 3 20:03 - Play with backing track

The breakdown analysis really helps to understand step by step.

Awesome thank you so much!!!

This is excellent practice

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Thanks so much man!!! Really love how u break things down

Great lesson! Thank you

Thank you!

Very cool! Thanks!

This is very helpful ❤

Thank you. you are very detailed.

Interesting. I’ve done #4-7(b5) 4m 3m b3dim 2m, or F#-7(b5) Fm Em Ebdim Dm G7 (or Db7), but not this way, but of course tritone dom7’s are very common, but that 4m chord is so pretty! (the Fm).

I loved it!

1:58 9ths and 13ths 4:58 I - IV - II - VI - II - V changed to #IVm - IV - III - bIII - II - V 9:21 Adding 9ths and 13ths

liked this v much

Eres bueno para enseñar!

Thank you, this progression is beautiful. I am slightly confused about one thing that I'm seeing st 09:13. For your first chord substitution (from C to F#m7b5), you are obviously using a shell of 3 notes (F# in the bass, E and A). Why can we call this a m7b5 if C is not being played? To me, the shell simply implies a m7. I understand that shortly after this, you added a C to complete the m7b5, but at this point, it seemed to me as if it were just Fm7. Looking forward to hearing your explanation.

SubV7/II, mixo#11

love the hair. super neat look bet the girls are wowed even before he plays.

This guy talks too much.

very cool indeed.. thanks so much 🤗🤗