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I mean, I feel that way already having missed all of Woodstock, being born two decades too late... Seems like a silly thing to be depressed about, I swear I devote too much energy to feeling sorry for myself just for being born into this era of music.
matthew burgner Just look at Greta Van Fleet dude. I personally don’t care for them but thousands of people like the fact that they are young and playing in a style from almost 50 years ago. And they play it really well. Just be you. The hardest part is actually doing it.
@@ricksanchezito8972 honestly try to use as few as possible to hone your technique and not rely on them but I'd say use as many as you need to get the right tone
I looked up the Dr Robert pedal, and god damn for that price you could buy an actual Vox tube amp, so it seems a bit pointless to me. What exactly justifies it costing so much?
Nah it turns out it was possibly all in Bateman's head and may or may not have actually happened. The book is even better for this, the focus of it isn't even really the murders, it's about how everybody looked exactly the same
How about Legendary Licks you think are hard because they're played badly? Make it about licks that are either recorded with an out-of-tune guitar, malfunctioning gear, or some kind of technique that any teacher would discourage.
You made some mistakes regarding The Beatles and Taxman. First of all, it was George's guitar, it wasn't shared contrary to what the Hey Bulldog promo may have you believe. Second of all, it was only used in 1966 for the Revolver sessions and brought back in February 1968 for Lady Madonna, Hey Bulldog, Across The Universe, and was used during the White Album sessions until Eric gave him a Les Paul in early August 1968. Finally, while George uses his SG for most of Revolver, he uses Rocky, his 1961 Fender Stratocaster, on Taxman. Besides that, great video although i would've listed the average price of the model of guitar instead of the price of that specific guitar. For example, listing the price of an early-CBS Strat instead of the specific guitar Hendrix used.
Also George didn't play the guitar solo on Taxman, that was a McCartney solo. Once you listen to all his guitar solos it's easy to see why, he had a very chaotic soloing style back then, like listen to Taxman and then Good Morning Good Morning, both McCartney solos, and it's clear why
Very good video. You´re such a good player. The Beatles used the Hendrix chord you mentioned, in different tonalities in various songs and years. I remember “Till there was you”, 1963, F# shape, “I don´t want to spoil the party”, 1965, D shape, “Michelle”, 1966, B# shape and “Taxman” as you covered. As I recall, Paul McCartney mentioned that they learned this particular chord from a jazz musician in the early sixties at a Liverpool music shop.
Ngl, you’re seriously one of the only people to cover his style of the anthem and do the sound affects almost as clear and convincing as Jimi. You heard the planes fighting the bombs crashing the ambulances everything it was nuts
Damn, I wanted to share that fun fact! George was having trouble coming up with a good lead so the producer suggested Paul try and step in. He added an Indian-esk vibe as a bit of a tribute to George’s Indian musical influence.
Lenny was actually a red Fender strat. The one you are talking about is called No.1. Stevie was always playing around with his amps and tuning techniques most notably tuning a half step down. On the outside No1 looks like a regular stratocaster but had double wound single coil pickups to help with sustain and produced a richer sound. I have these in my strat as Fender capitalized on the sound and made reproductions called Texas Specials. Stevie and Jimi are so alike because they were always fidling around with sounds especially in live settings.
SRV had one of the most interesting and simple-sounding Strat tones of all time, yet he actually got there in a very complex way. Aside from the Dumble amps, he also used modded Fender and Marshall amps, and a ton of different fuzz, overdrive, rotovibe, wah, and boost pedals.
It's the hendrix chord because it was used on the chitlin circuit. It emulates horns. He was playing that chord growing up and the Beatles probably got it from listening to American soul bands.
Don't know if this has been commented yet, but the guitar you showed for SRV was his main guitar, but was not the one named Lenny. He called his main guitar Number 1. The one called Lenny actually looked more like the one you used. He used it to play songs like "Lenny" and "Riviera Paradise".
Hey there your lessons are great, it is a great show we love it !!! What you show people is great. For those who just do it with just an acoustic, I have a Neighbor who plays most anything he wants on one cheap Martin OM “CLONE” From Korea, his ability is beyond myself & many others with out the use of a nine volt What ever pedal or amplifier, weather a person has the cash or not you can still rock_ We should probably just play the best that you can with what you got, With or with out all the gear.
How about "Legendary Licks you think are kinda weird (because they weren't actually written by guitarists)"? As a drummer who writes songs, and sometimes even guitar licks/riffs, but doesn't know a lot about writing for guitar, that would be really interesting to me, because oftentimes I've heard by my guitar playing bandmates something like "A guitarist wouldn't have written it that way". I'm still unsure whether that's a good or a bad thing, but it sure produced some interesting guitar parts!
that cover of star spangled was absolutely dope. well done man. i was hoping for riffs that actually cost lots of money to make - for example, muse's map of the problematique, the routed and sequenced effect that reportedly cost several thousand GBP in equipment - as opposed to artists who used their existing instruments that sold later for many monies owing to popularity. and my contribution - legendary licks you think are dumb (but they're actually brilliant)
john and george didn’t share the SG, it was george’s guitar only. and it also wasn’t used as often as you’d think, really just for some of revolver and a little later on. and paul plays the solo not george so it wasn’t played on the sg.
The strat jimi used in 1969 was a normal 1968 fender strat lol Probably costed about 300$ at the time... Just a wah, uni vibe, and a fuzz face, a white strat and a stack of marshall amps is all jimi used for pretty much every one of his performances jimi was an alien..
I mean, Dom#9 is just a common jazz chord. It was all over the place in bebop in the 40's (I mean, the bebop scale literally has the #9 in it, as a #2 to fit into the 12-tone scale). I never got why people call it "the Hendrix chord," because Diz and Bird were using it frequently over 20 years before Hendrix did, and classical music even in the 10's (Debussy used it in his 2nd book of preludes back in 1913).
Amazing tone. You nailed it. Also, great call on the #9 chord. Never thought of that. It was actually released in Aug 66, 10 months before Are You Experienced. Great channel.
Actually he used a TS-9, and Arbitor Fuzz face, a Vox Wah, and a compressor on the floor before his '65 Fender Reverb deluxe and his Marshall JTM 45 Head and the Dumble. There was also a Fender Vibroverb and a couple of Bassmans in there for good measure. Don't forget the ungodly size and mix of string gauges on the '63 Strat.
James Bond Renee said that he used a ts10 or a modded ts8, but never a compressor. Didn’t use a JTM45 either he liked Marshall’s for their cleans instead of dirties so he would use ones with much more wattage like super leads and Marshall Majors. The dumbles just eventually replaced the fender’s for his dirties but he was always circulating what amps he used.
@@gonzovlogs2505 I was mistaken. I am not a Marshall guy so I misidentified the amp head he was using. It may have been a plexi or something like that. The 4 input head. I have a photo of his pedal setup but I can not post it here. I can definitely make out the Fuzzface, the green Ibanez TS-9, and the Vox wah. But the pedal in the middle of the photo has no markings whatsoever.
James Bond Yeah he used a plexi from time to time. The pedal you’re probably seeing is just a switch box. He used to literally use two different amps for his dirty/clean so he had this crudely made switch box that he would use to quickly switch. The Fenders were always made to be highly driven and he would just use his tube screamers for extra power on the leads.
@@gonzovlogs2505 This pedal isn't an A/B switcher nor is it a channel selector for the amp. You don't have a volume knob and a tone control for a switch. Most switches also don't have an input and an output then get placed after the TS-9 before the Fuzzface.
If you don't have a lot of money that Keeley Monterey has a Fuzz in it. And I love how this is a stealth takedown of people who are obsessed with magical gear
No. He was actually moved in the Woodstock lineup. He was never supposed to close the show. He played before "The Who", and he also opened for "The Monkeys". The Who were pissed, and The Monkeys found a "more suitable" opening act after the 3rd show;.
The Clapton lick you did first was the first thing that I played on a guitar from a video but people said I was playing it wrong. Now I know I was right so suck it you know who you are!
What do you think Clapton used for the sound(s) on "Let it Rain"? Also, to your point about his sort of "point/counterpoint" style, I read an interview of Eddie Van Halen in a magazine in the mid 80s. He was asked what his influences were. He said Clapton was and said he had learned every song on Layla and Assorted Love Songs "note for note". He described Clapton's playing on that record as a "question and answer" style. It really was.
Hey bro, a couple days ago (4th of July) I opened all the windows in my apartment, cranked my 100W amp and played the Star Spangled Banner on repeat, I live in a city so I hope someone heard my Hendrix cover🤣 it was dope... I think
Great video and always enjoy MIW! A note about Layla, this was 2 iconic players and another iconic guitar. Duane Allman recorded/co-wote the riff and played the famous Layla Les Paul on the recording. Another unique quality, Clapton and Allman were plugged into the same fender amp playing together. No Plexi involved.
the FIRST thing that came to my mind - and I was shocked not to find in the comment section, was John Mayer - Bigger Than My Body. No one can replicate that Adrenalinn effect sound with the pedal.
the reason the microsoft guy bought those guitars is so they could be put into the MoPop museum in seattle, im pretty sure he also bought SRV's broadcaster "Jimbo"
