It is not the usual repertoire in which we hear her, but with her genius and great interpretive capacity, She communicates truthfully in verista language.
@@alioffe4321 Callas could NOT sing bupkis after 58-59 Verdi or any other, not to mention she started omitting certain things during the time she had rapid decline starting from 55 which was the last year she was able to sing the way that made her famous. That being said the "thrills" you're talking about were one of the first things that had gone and the "all" gone in the following couple of years. She sang without a proper technic because she did not bother to learn it before losing her voice and because she sang without a proper technic, she made the thrills and most things dazzling not by using a technic but forcing her voice to turn and twist and you can only do that so many times before it catches up with you which it did with her. Callas was a soprano who was trained to be a Wagnerian soprano which established her a rather large voice and she had, as French puts it, the Je ne sais quoi, so her voice fit into the many characters she played and she made the audience HEAR their pain in her voice. That is a God given gift but she was a lousy singer who never bothered to learn a technique. It's like you give someone a brand new Mercedes and they crash it into a wall because they do not know how to drive properly.
@@ozzyozzy6172 you dont even know what you are talking about. This has got to be the most clueless text I have come across wtf. Its a TRILL not thrill. Do you have any idea of what you try to talk or u just took that out of ur ass and publish it here? Callas sang perfect trills even in 1972 during her master classes at Julliard you moronic clown. Good lord. While 99% of singers cant sing one simple trill, Maria Callas sang half trills, full trills, trills in pianissimo, trills in forte, trills in Messa di voce, trills in reverse messa di voce, ascending trills (cresciutos), even trino mordente. buahahaha you must have a certificate for being a clown. Its 100% clear you know ZERO about the topic. Im waiting for a list of things Callas "started to omit".. I dare you clown.
@laurabellisoprano La Stupenda is Dame Joan Sutherland La Divina is Maria Callas they pretty much own those adjectives in the opera world =) but, you're right, it's a great performance (albeit a bit dark for my tastes)
Certamente ma questo non significa che per elezione avesse quel repertorio... se un soprano non canta Verdi riduce le possibilirà di carriera, ma anche nel caso, a lei si confaceva il primo, non certo certo il tardo Verdi ed il "grand'opera" era al limite. Gencer aveva un timbro aristocratico, grande tecnica ma limiti di volume e potenza. Ha cantato un buon Macbeth, ma intelligentemente non ne ha fatto un ruolo abituale... Cordialità
.è stata un ottima voce verdiana quella della Gencer ,Aida ,Leonora di Vargas ,Lady Macbeth ,Lucrezia Contarini ,Maria Boccanegra ,Leonora nel Trovatore ....beccatevi la Netrebko è chiudete la bocca
