Тёмный

Liszt Ferencz - Transcendental Etudes No.8 ‘Wilde Jagd’(Pogorelich)(1851)(with full score) 

PRoh Full score music
Подписаться 3,3 тыс.
Просмотров 41 тыс.
50% 1

Pf. Ivo Pogorelich
Transcendental Étude No. 8 in C minor "Wilde Jagd" (Wild Hunt) is the eighth étude in the twelve Transcendental Études by Franz Liszt.
The 1837 version of this piece is in sonata form, with a first subject in C minor, second subject in E♭ major, and a recapitulation of the first subject. It is monothematic (the second subject material is derived from the first subject material). Liszt removed the final recapitulation of the first subject in the 1851 version of the piece, along with an extended bravura passage preceding it.
The piece starts with a furious quick main theme, left hand playing the melody in octaves and the right hand playing the same melody one octave higher alternatively, quickly followed with chords. The furious main theme flows into the playful melody of the secondary subject. When actually played at the original speed that Liszt indicated ("Presto furioso", or fast and furious; at around ​4 1⁄2 minutes), the piece quickly becomes formidable. Wide jumps in the beginning span about three octaves in the right hand. The lyrical middle section involves some difficult left-hand jumps rapidly spanning over two octaves. The ending involves a difficult section of octave jumps in the right hand spanning three octaves. The piece ends in a flurry of descending chords.

Опубликовано:

 

30 сен 2024

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 85   
@PianoTechSupport
@PianoTechSupport Год назад
Pogorelic producing some fire recordings back in 1851
@Dusa_Piano
@Dusa_Piano Месяц назад
😂
@Justin-ou6gq
@Justin-ou6gq 3 года назад
he seriously gives no fucks about ripping through those quiet slower sections at blistering speed
@petergolding5733
@petergolding5733 4 года назад
I think this was the May 7th 1990 Carnegie Hall recital, which I was at. I've NEVER heard playing like it (and I've seen Horowitz, Richter, Gilels, Ashkenazy, Argerich and many more). This was mind blowing
@alexyedidia
@alexyedidia 2 года назад
This recording is unbelievable. Must have been amazing to hear it live
@petergolding5733
@petergolding5733 2 года назад
@@alexyedidia It is quite inhuman playing. I'd never heard anything like it. I have the whole recital (which is utterly astonishing) if you'd like to hear it. I don't post on RU-vid but am happy to upload it and email you a link if you'd like
@alexyedidia
@alexyedidia 2 года назад
@@petergolding5733 Wow, absolutely! Is it not already here on youtube? If not, I would love if you did that. Thanks very much 👍🏻 cheers
@petergolding5733
@petergolding5733 2 года назад
@@alexyedidia It's not here and I don't think many people have it (as I recorded it!!). It's amazing. Happy to email it to you
@petergolding5733
@petergolding5733 2 года назад
@@alexyedidia I've emailed you
@themobiusfunction
@themobiusfunction 8 месяцев назад
4:11 ah yes, p stands for "forte" (not complaining btw)
@techinoneminute
@techinoneminute 3 месяца назад
It's more likely to be ff
@Michachel
@Michachel 3 месяца назад
nah bro he butchered that part so bad
@alanleoneldavid1787
@alanleoneldavid1787 2 года назад
4:12 piano 🤣🤣
@techinoneminute
@techinoneminute 3 месяца назад
He played ff
@duartevader2709
@duartevader2709 Месяц назад
​@@techinoneminutehe 100% played more than ff
@gergelykiss
@gergelykiss Год назад
Wohohoho, this is the Wildest of Jagds for sure. I am grateful for such an individual interpretation - not my favourite, as I feel a lot is lost with ignoring so many dynamic markings, BUT having access to wildly different intepretations of masterpieces like this is invaluable. It is so interesting to come across something as unconventional as this recording (as long as the technique and musicianship is there, which is certainly the case here, even if it does get away from him in certain sections a bit, due to the breakneck speed and manic intensity). Thank you for the upload! Pogorelich is a force of nature. :)
@jackcurley1591
@jackcurley1591 Месяц назад
The absolute best interpretation of this etude that we’ll ever hear (and this is Pogorelich live!!) Absolutely no holds barred, no prisoners taken performance, bravo Ivo!
@szilike_10
@szilike_10 Год назад
1:56 feels like a Beethoven symphony, it's crazy.
@andreslka
@andreslka 5 месяцев назад
This is not the most perfect performance, but you won't listen to another performance with the same heart.
@kokoszka8416
@kokoszka8416 4 месяца назад
Listen to Danill Trifonov playing this one
@Piano_improvisations
@Piano_improvisations 4 месяца назад
@@kokoszka8416danill his recording is perfect
@Michachel
@Michachel 3 месяца назад
@@Piano_improvisations ive never heard a recording better than any one of the tracks in that album
@SeigneurReefShark
@SeigneurReefShark 3 года назад
So good aaaa, best interpretation ever. Finnaly some passion!
@albertomartin4812
@albertomartin4812 6 месяцев назад
I'm afraid that wasn't "some" passion. It was about the top passion a human is able to produce. 😂
@Mrncgntu
@Mrncgntu 8 месяцев назад
Crazy speed in the middle section holy shit i didnt think that was possible
@twistyspaghetti4860
@twistyspaghetti4860 3 месяца назад
4:12 Dumbledore Said Calmly
@rechitsapivo
@rechitsapivo Год назад
IN-FUCKING-SANE Although having read about Listz's style of playing I would say that's how he would play it.
@Isa-tn7ex
@Isa-tn7ex Год назад
It’s very Liszt-like, despite him breaking away from the notation, which is rather Lisztlike too, honestly-
@TheAluvisify
@TheAluvisify 9 месяцев назад
@@Isa-tn7ex Yeah, I'd be kind of surprised if Liszt ever played his pieces exactly according to how he wrote them (dynamics, tempo, etc.). I believe he often improvised during his performances and was known to be a pretty liberal interpreter of others' works as well.
@y29977
@y29977 9 месяцев назад
Is it just me or there is sound of him breathing?
@Mehrshad84
@Mehrshad84 Месяц назад
Yeah i think youre right
@athosrivera4160
@athosrivera4160 Год назад
Very nice discovery of this pianist, clear, lively, educational, magnificent. THANKS !
@CarloGinex
@CarloGinex Год назад
I think you should try to listen to his recording of chopin's preludes it won't dissapoint
@alainspiteri502
@alainspiteri502 Год назад
​@@CarloGinexchopin -Preludes for biginners lover-music in first with Alfred Cortot , it-s not my choice Alfred Brendei and Professional critics ( FM ) give Alfred Cortot first ; recording Cortot 1933 , what about Pogo in 2113 ; you are not pianist or Teacher to give advices .
@alainspiteri502
@alainspiteri502 Год назад
You discover a pianist known by a,mediatic fact in 2023 ? without Argerich in the middle of hundreds and hundreds pianists would he have a reputatupn ? it's necessary to known the scandal in international competition of Pogo with the intervention of Argerich in the,middle of it to understand the world of the piano
@CarloGinex
@CarloGinex Год назад
Who tells you I'm not a pianist (I'm a 15 years old boy using my mother's account). I've been studying piano for 5 years and I think I could at least give an adivice no?
@charlessmith263
@charlessmith263 Месяц назад
I played this Transcendental Etude. I am a bit of a Liszt scholar myself. This piece is symphonic in itself - you can transcribe this for orchestra. Now the final 7 measures - how would I play them? The first 4 measures should be held back in "vivace", then do an accelerando to the 4th measure on that Vii07 chord. Molto rubato on the Viio7 chords on measures 5 and 6. On the Ab-G-Gb-F notes in measure 6 - I would do a "molto sostenuto" here to set up the final "coup de grace" C chord in low register in both hands. The final chord aforementioned would be done "ffff" for obvious reasons - this is the dramatic ending of that concert showpiece!
@juansuran644
@juansuran644 6 месяцев назад
Liszt was really insaneee‼️😵😱😬🤣
@alainspiteri502
@alainspiteri502 Год назад
It's necessary to listen Cziffra-Clidat -Howard for understand the true Lizst , all others after !
@YTSeiyaGoFire
@YTSeiyaGoFire 10 месяцев назад
Wow, the first time i prefer the s.139 version to the s.137 version, pogolerich makes the revised versions sound more better than the old ones! (I liked the s.137 more compared to this originally)
@ΑγάπηΑθανασάκη
@ΑγάπηΑθανασάκη 10 месяцев назад
Amazing!! He is thousands times better from Richter,,Askhenazy ,Horowits.....
@Xzy_158
@Xzy_158 Год назад
Okay shit 😮🤯🤯
@carrotvevo
@carrotvevo Год назад
a favorite, I love this recfording so much
@golden-63
@golden-63 7 месяцев назад
*Ah...Pogorelich in his prime!*
@CatkhosruShapurrjiFurabji
@CatkhosruShapurrjiFurabji 3 месяца назад
Maybe he plays it at a modest speed but seriously it's so bold, clear and passionate.
@GBN_01
@GBN_01 4 года назад
Honestly, Pogorelich makes Liszt sound like Boulez sometimes... Jeez!
@oalfernandes
@oalfernandes 6 месяцев назад
I can't imagine anyone playing this etude live
@katttttt
@katttttt 8 месяцев назад
WOW
@Viflo
@Viflo 5 месяцев назад
It's Franz
@Michachel
@Michachel 3 месяца назад
why is the ossia part at 4:08 just the exact same thing
@acsaha8304
@acsaha8304 3 месяца назад
I always wondered that too. From what I found online, the 2nd and 3rd measures are slightly different. The highest octaves are replaced with a G instead of a Bb and B to account for the 85-key pianos back then. Cool to know after so long lol :)
@Michachel
@Michachel 3 месяца назад
@@acsaha8304damn I looked at it like 10 times and didn’t catch that. Also do you have any idea why he did that?
@acsaha8304
@acsaha8304 2 месяца назад
@@Michachel Not sure but I think the highest note of some pianos back then was a G. As for the extra 1st measure, some say it might just be easier to start reading from there. (Though, I don't sightread much to confirm yet lol)
@christopherpericolosi-king4979
@christopherpericolosi-king4979 2 месяца назад
I'm surprised he didn't slow down for the quieter moments and let us appreciate Lizst's own manic intensity. We'll played but will not be my favorite interpretation of this piece.
@vaultboy1488
@vaultboy1488 Год назад
Wow, so powerfull sound! Pure machine-gun
@bpat74
@bpat74 7 месяцев назад
How on earth?? .... Speechless..
@mr.countdown6018
@mr.countdown6018 Год назад
SUPREME
@Chrystalyon
@Chrystalyon 2 года назад
Stunning for some ? where is the interpretation ? frankly it's a piano TGV a bit like the train ^^ (and yet I love Pogorelitch)
@charlydramais5020
@charlydramais5020 3 года назад
A bit to fast
@mustysheep3977
@mustysheep3977 3 года назад
i listened to this first and i think others are too slow now(but its still very good), theirs are more beautiful but this is exciting.
@alanleoneldavid1787
@alanleoneldavid1787 3 года назад
Check It out others interpreters like Kissin. Pogorelich It a little slower than average but with more volume and more fortissimo that make the listener think that he plays faster
@null8295
@null8295 Год назад
pfff
@orb3796
@orb3796 8 месяцев назад
I don't think a piece called "wild hunt" or "feral chase" should be played any slower
@melodiousman
@melodiousman 11 месяцев назад
This was played way too quickly . As a result, the phrasing and melody line suffered.
@XBOX_MUSICxoxoxo
@XBOX_MUSICxoxoxo 9 месяцев назад
????Have u listened to Kissin? Hes playing slower than him
@TheAluvisify
@TheAluvisify 9 месяцев назад
You have no idea what you're talking about. This is actually played slightly slower than the tempo marking that Liszt wrote.
@Mrncgntu
@Mrncgntu 8 месяцев назад
He's probably talking about the middle part​@@TheAluvisify
Далее
Balakirev - Islamey, Op. 18 (Pogorelich)
8:28
Просмотров 115 тыс.
🛑самое главное в жизни!
00:11
Просмотров 48 тыс.
Катаю тележки  🛒
08:48
Просмотров 633 тыс.
Top 10 of SCARLATTI's Piano Sonatas
40:14
Просмотров 18 тыс.
Liszt: Transcendental Etude No.8, Wilde Jagd (Kissin)
4:44
Transcendental Etude No.8, Wilde Jagd (Berezovsky)
5:05
Top 10 Hardest Schubert Pieces for Piano
20:03
Просмотров 15 тыс.