Insane... I am speechless. Despite he got tired in the course of playing 11 trancedendal etudes before that, he delivers it amazingly. Look at the emotions he exerts, I feel it as much as he does.
@@francheska404 Hello madam. Good afternoon. I would like to thank you for your message. Yes there is something. I do not u understand how mental illness is relevant in this case.
모든게 무로 돌아가도 상관없을 것 같은 날. 내 안과 밖이 모두 처참히 깨부서지고 짓이겨지게 하고 싶었다. 그래서 오랜 재생목록 중 심사숙고 끝에 이 영상을 틀었다. 첫 마디부터 뼈를 파고든다.. 섬세하고 날카롭게 갈린 마디마디가 파고들어 시리도록 아프다. 그렇게 아픈채로 내버려 두도록 했다. 짧지만 강렬한, 그가 만들어낸 이 소리가 내 모든 걸 산산조각 내줘서 감사하다... 그걸로 이제 됐다. 더는 깨뜨릴 게 없으니. 감사합니다.
Руки, как продолжение клавиш! Всё слито воедино! Целый оркестр, тем ни менее!! Браво гениальному исполнителю, даниилу! Нет слов, как всё это выразить мловами! Всё отработано до мелочей!! Слушаем, разинув рты! Браво! Брависсимо!!!
I can't believe this guy has just pumped out 11 other equally as difficult and exhausting etudes in a complete row and still smashes this one...indescribable performance
This is really one of my favourite etudes - of any composer. Liszt does an incredible job to perfectly create the image of a snowstorm or blizzard, with an amazing melody, and Trifonov does a splendid job at carrying all of that through with his brilliant playing.
This is my favorite interpretation. I feel like it is necessary that he played 11 études before it. The almost desperation sound to it like a lethargic man grudgingly stomping his way through a snow storm, fighting as this is his last burst of energy. Before he dies… that’s my take on it at least
He's so brilliant, so sensitive, so INSPIRING! Both the combo of Liszt ability to portrait such imagery in the score and Trifonov artistic dance on the piano! It's insanely beautiful. I can't but hold my tears with such art. If an image is equal to a thousand words, this music is equal to a thousand feelings. True poetry!
Musikalisch sehr schön interpretiert, technisch durchaus beeindruckend - Franz Liszt hätte beim Zuhören sicherlich seine Freude. Herzlichen Glückwunsch!
Berezovsky plays the infernal section much faster which creates a visual impact at least for me.. Daniil on the other hand doesn’t go crazy.. I respect that since the piece sounds more stable under his interpretation
Such flawless performances are almost impossible to find, in my opinion this is the best interpretation ever. I'm so grateful that I'm able to listen to this as many times as I want to.
The legendary Chilean German trained Orthodox philosophical prince of piano Claudio Arrau had also a great recording with the Philips label in the late seventies on this demonically difficult giant Liszt's Transcendental etudes...Lazar Berman the Russian Jew recording on this in 1963 is also bravura...Daniil is excellent and perfect in both techniques and spiritual emotional transcendence.
FRANZ LISZT CAME BACK !! LISZT wanted to bless the Hu garian Roma ethnic people for all the disrespect, humuliation and suffering they have gone through over many many centuries since they first migrated from India as the untouchables groups two thousand years ago. Those who settled in various europen nations and countries included Hungary as we call it today. Liszt honored the Roma peoples by incarnating in one of their own and that incarnation is known as Gyorgy Cziffra, one of the greatest exponents of Liszt piano works and all other Romantic era composers, one of them being Chopin. R.I.P. MAESTRO CZIFFRA.
These chords are kind of comfortable in the hand in my opinion. For me the octave part (before the cromatic scales enter) with the trills and tremolos was the hardest part (and also the entrance of these windy but wonderful cromatic scales)
Watched Lisitsa's version first before his. This really puts things into perspective how a feminine interpretation sometimes differs a masculine's. Both are excellent versions, but the ease and feel are different.
I would never call Valentina feminine - by her admission she was always a tomboy. That is probably why she is a great Lizst player but sometimes her Chopin interpretations fall flat.
True. Liszt was like a rock star. Women adored him and fainted at his concerts. He was meant to be an amazing performer as well as piano virtuoso. Can't frankly, I'm staggered by how good Danil Trifonov is. It's as if the ghost of Franz Liszt is playing with him. Just mind-blowing!
Сколько сиотрю, ну, Даниил слегка чекнутый!! Интересно, кроме музыки его в этой жизни ещё что нибудь интересует?! Этого понятно, и непревзойдённого гения исполнительного искусства?!
I have read that for a pianist of his stature he plays a lot of wrong notes, and that is probably what cost him the Chopin Contest First Prize. Is this still true of him?
He played already an hour before this etude. He played the other 11 transcendental etudes of franz liszt. It is a virtuosic repertoire and he nailed it. He was just very exhausted, physically but especially mentally
Honestly, I can’t blame him. The emotional and physical strength to play all Liszt etudes in a whole concert can very clearly take its toll on a person.
Rather too much emphasis on rubato for expression for my taste. I personally prefer a more steady pulse for this marvelous and very serious piece. For me, this work has a lot of pain and suffering in it - with moments of respite. It ends in a black morass of hell where there is finally no escape. He plays it like a whirl of romanticism...
I think he is playing it the same way like u described. It was such a tragic performance. It was also the best coda I ever heard, because it was just tragic. But I dont understand ur point, for me, its like u obviously misunderstood the emotion trifonovs. Maybe rehear the piece and watch the face of trifonov. Its important to understand his interpretation. For me the performance of the piece feels like a representation of winter depression.
