Reminds me of the creative geniuses of Concrete Music and the BBC Radiophonic Workshop pre synthesisers who in the 60's era would create these sonic wonders. You are a genius of their kind more than 70 years later. 👏👏👌
That's awesome. I was wondering how to get a booooiiiinng sound in my song.. Now I just need to set up a little stage with little microphones for the frogs to get a real authentic Ribbit sound.
This is brilliant! The improvement could think of is to be able to feed the sound onto the platform, doze with potentiometers each spring and then pick up the resulting affected audio from an out jack on the platform.
What device is allowing the low frequencies to come through and to impedance match? Normally with a piezo contact mic, they sound tinny with diminished low frequencies. Are you using some kind of pre-amp?
This is great dude! I've been building a few of these myself but nothing this rad yet. What did you use for those spindly wires sticking up in the lower left corner?
You really dialed in some amazing effects here, Pedro. Can I ask, is the signal coming out of the box (from the contact mic) going direct to the Mooer Pure Boost or is it first routing through a mixer/interface then through the pedals? Thanks
@@pedromesquita5992 oh I see , yes I thought a preamp would be necessary. I’m about to start making one in a wooden box, I’m considering putting a little preamp circuit in the box before the jack out.
Dr Who, Tomorrow's World, Jodrell Bank, The Pink Floyd, Aldermaston, Telstar, Sputnik, Time Tunnel, The Invaders, Outer Limits, The Mysterons, anyone getting that vibe,
