Ludwig van Beethoven, Sonata No. 1 for Piano and Cello Op. 5/1 F Major 

Gràcies, Jordi.. Hi haurà més música de cambra en viu en juliol amb molts conjuncions interessants aquí: podiummatadepera.weebly.com/ facebook.com/podiummatadepera

Hi MD, the keys are: inclination of the hand; not too much, just so that the fingers point in the same direction and practicing double stops of fourths with half-tone and whole-tone steps; it will help not only to refine intonation but also to reorder the spacing mentally.

Wolf, that was to be the next performance I watch of this lovely piece by my favorite composer. I started with Opus 1 No. 1 and have moved forward from there.

it is the main part!

walti945 it's accompanying the cellist. This is not a chamber ensemble. The piece is a CELLO SONATA, the pianist is allowed to be heard, you can still hesr the cello since it does have many measures of rest since this is not a solo piece. When the piano does have more motion than the cellist, you are allowed to bring it out. The cellist in many spots either has a rest, or plays an unimportant part and the piano has tons of motion where the dynamic is marked to be played loud. If you would also be an educated listener the instruments have two totally different timbre's and are easy to discern from one another. This is a really good performance of this sonata. There are parts I would do differently, but that is my take on the piece. If thr cellist wants more, they can always tell the other instrument/s to speak up!

Most feel this is a piano sonata with some cello. The first two cello sonatas are that way.

There are parts that I would do differently... and I'm the performer. That usually happens with live recordings!

@@JackChessa no, just you