Man, that's really a traditional approach, and more power to you. MIght be the absolute best and most reliable way to go about it. Probably. But for a new medium like this where anything is possible, I think there might be more off-the-wall approaches that might work in new and unexpected ways. Hey, I love your example of using voice to voice instead of text to voice. I made that switch recently and it made a huge difference. Just an example of a kind of experimental approach I thought about BEFORE I discovered how goo AI animation has gotten: I think a film that just uses still images and audio could work, and is a "poor man's" way to make a short film. But I have a contemporary fine art background -- as in sheer lunacy -- so I like to do whacky experiments. Really appreciate your content. It's good to see people sharing tips and how to work with this exciting new medium.
Thanks very much indeed. I think your fine art background will give you a huge advantage, actually. The ability to think outside the box is the very core of creativity, and I think it'll be this humanity that will still give us the edge over AI. In other words, it's one thing to be wacky and "out there", and AI can certainly deliver surprise in bucketloads, but it takes a human to know which surprises will resonate with another human on most powerfully. For me, AI remains the tool, and it still requires a skilled human to make the most of the tool.
To get the right emotion of the situation. Even when we have AI be able to do it some what spot on. I can see a day where we do ai takes. Just like today we do it with actors we will have an ai actor and it does ai scene takes. We will need to choose the best run of it. There for beyond human director there would haft to be an AI director. This would be the hardest AI to create. The director is the most opinionated and hard to please chooser of exactly how the movie should be conveyed. Developing an ai to be that evolved is what we will have to wait on. For now we can be that director.
That's a really thought-provoking point. I suspect we will never truly remove humans from the filmmaking process, and I suspect actors, writers and directors will actually be the ones who are hardest to replace, just as you mentioned.
