While I'm here shout out to Marcus Roberts too, Portraits in Blue was one of the first jazz albums I got as a kid, along with Monk in Paris and Michael Winston's December. Still a fan
Seiji Ozawa, distinguished and esteemed for his profound influence in the realm of classical music, solidified his status as an eminent conductor in the late twentieth century. His presence, characterized by a compelling gravitas, captivated orchestral performers. Under his baton, orchestras were seemingly entranced, coalescing around his artistic vision, thereby weaving performances of meticulous craftsmanship and nuanced interpretation. He has long been associated with orchestral works by American composers. His interpretations of pieces by composers such as Gershwin and Copland have left an indelible mark on the classical music world. This was indeed his sole specialty, a testament to his artistry and unwavering commitment to musical excellence. Yet, through his extensive discography, Seiji Ozawa’s legacy will endure beyond the podium, inspiring and resonating with future generations.
Mil veces me pongo de pie para ocasionar a Marcus Roberts y a Seiji Osawa con su orquesta por esta genial interpretación genial. Interpretaron Jazz con pureza original. Me rindo ante tanto talento...!!!
So there’s Bernstein’s 1959 performance with the Columbia Symphony Orchestra, the Dallas Symphony playing the original jazz band version and Roberts/Ozawa collaborating on this jazz improvisational version. Listen to them consecutively, marvel and sing Happy Birthday.
