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MASTERCLASS: Ana Vidovic - Croácia (Parte 2)

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MASTERCLASS: Ana Vidovic - Croácia (Parte 2)
A violonista croata Ana Vidovic, que se se apresentou no 4º Festival Internacional de Violão Leo Brouwer, participa de uma masterclass em São Paulo. Nesta segunda parte, ela comenta o desempenho musical dos jovens estudantes Helder Veiga e Juliana Vasques, que interpretam respectivamente Sonata Op. 61 (J. TURINA) e Prelúdio em Mi Maior (MANUEL PONCE).

Опубликовано:

26 авг 2024

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Комментарии : 7

@christyknotz7606 8 лет назад

I really enjoy listening to her voice, it's very calm and she's not only a great and amazing guitarist, but also a good teacher ^_^

@6stringwood 9 лет назад

Ana is such an amazing guitarist. Her kindness and caring along with her master teaching skills put her at the top in my book. I was always amazed by how her tiny hands could reach those very difficult notes on that classical guitar.

@guitargeek1984 10 лет назад

Queen Ana !!

@StafferryWildlifeGallery 8 лет назад

Those articulations, lines, layers, cresc. & dim., dynamic shaping, deep tone, all need technique support, just similar as piano, if you don't play the scale articulately nice, you are doomed for every piece

@ArthursYoutubeChannel 9 лет назад

Feb 14 oh no Watch out for cupid I am in enough trouble

@VitalityMassage 8 лет назад

She's trying to teach them how to have better tempo and flow but it's not happening! These things are naturally WITHIN.

@musenji 8 лет назад

+VitalityMassage No, they just take longer than one session in front of an audience to practice and master. She may introduce concepts that they take home, practice, and improve upon. Flow is not "naturally" within. It comes with training. Maybe that training happened as a part of musical upbringing. Maybe it's learned later in life. It can't be imparted directly but it can be instructed and learned with due diligence.