Eugène Levinson Masterclass in which they work Bottesini's Capriccio di bravura. This masterclass held at the Auditorio Sony of the Escuela Superior de Música Reina Sofía, Madrid 25/01/2010.
Student: Luis Fernández de Garayalde Zurro
Accompanying pianist: Cameron Roberts
Venue: Escuela Superior de Música Reina Sofía (Madrid) 25/01/2010
G. Bottesini: Capriccio di bravura for double bass and piano
Abstract:
Professor Levinson focuses on introducing of the Capricio to comment on fingerings and shiftings that can improve the phrasing. They work natural positions of the fingers that do not generate tension in the hand and wrist, specifically, they work the position of the thumb. Levinson talks about the added difficulty of the double bass having such a long fingerboard and such enormous distances between tones. All our study must tend to facilitate these movements in a natural way in order to achieve an adequate tuning.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: escuelasuperiordemusicareinas...
www.escuelasuperiordemusicare...
/ escuelarein. .
/ escuelareina. .
/ escuelarsofia
/ escuelareinasofia
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
21 ноя 2021
