👑👑👑 I'm in the midst of releasing my dream miniature brush as well as some wonderfully sculpted miniature busts mid June 2020. It's something I'm really proud of and been working on for the better part of the last year. You can already pre register your interest on my Kickstarter page: bit.ly/3dKjmnz 👑👑👑
i dont mean to be so off topic but does anyone know a method to get back into an Instagram account?? I was dumb lost the login password. I love any assistance you can give me
@Deandre Kylo thanks for your reply. I found the site on google and I'm waiting for the hacking stuff now. Seems to take quite some time so I will reply here later with my results.
A great tutorial and superb painting examples and tips! Just a quick note about the human vision system - the rods don't perceive colour at all even though they are indeed more sensitive to blue wavelengths which leads to the common misconception of the Purkinje effect - it doesn't mean that you see more blue in low light but rather that blue appears brighter and red appears darker (but they both appear monochromatic since rods don't perceive colour).
The Marco insert actually had me laughing :D I watched his Gotrek video recently. I use effects like this when I do graffiti and its funny to see the difference between the way you guys build up colors. In this case, your sequence is very close to what I do on walls :D
Also if you want to emphasize brighter colours use a grolux fluorescent light bulb, the same trick is used in meat supermarkets to make the meat look more red and in fish aquariums to show brighter colours.
Just started the hobby. Really liking yours, Marco, and EOB’s channels. If the orb is inside the hammer, how is the hammer face reflecting light? Shouldn’t it be dark because it should be in shadow? Or is the hammer supposed glowing also?
Thank you. That was exactly my question, as he started to paint the metal-part of the hammer in red. Seems that the orb is the light-source, and it´s stuck in the hammer and has also a small "roof" in above. That´s why I thought the light could just went down , forth and back but not above - besides somethings reflecting this light. But I think it´s still a fantasy-figure , the videos are cool and so damn helpful, even if I don´t get tha basics of it to such results. :) Thanks Jason for letting me not stand alone with that big question mark! and Thanks so much Emil! Spending too much time these days, watching your vids and advices! ;)
Hi Emil. Can I first say, your videos are awesome! I think you are one of the few miniature painting you tubers who keeps me hooked during your entire videos. Secondly, keep up the great work. You are truly inspiring and you have helped me get back into miniature painting after a 15 year break. Thank you.
A more dedicated video to painting a night/moonlit scene would be really cool. There doesn't seem to be a lot of content on this. Painting different colours to appear muted and lit by a blue/green light seems really tricky and something I'd love to know more about.
Thank you so much for an awesome tutorial! OSL has always felt like a "boogieman" of my painting, but watching your process and seeing it applied as the centerpiece of the mini is so informative. It makes me feel like I can do this!
Man you cant challenge me like that, now i'll have to wear it in every video! Love that shirt! 😘 (ps, dont complain about what other people wear, even if said with good intentions, some will take it very personal) :)
I'm extremely new to the hobby so sorry if this is a dumb question. I'm slightly confused about why a yellow light source would cast orange and red light around it. You said you were stepping up in saturation and brightness, but why does that involve a change in hue as well? Really loving the videos, they've been awesome for a novice like me! :)
Hi.. Really awesome work.. May I ask you an advice? I ve to change my bad fengda airbrush but m confused about 2 option iwata Eclipse hp cs 0.35 or H&S evolution silverline 0.2 0.4.. Same price and m confuse about the dimension of the needle.. Really thx for you work💪💪 . 🙏🙏
Thank you Squidmar! You saved my Gorechosen model! I butchered it with just watered down orange and thought I would have to strip it, but your tutorial has not only saved it but made it look fantastic :D
In the grim DARKNESS of the far future.....its basically an eternally low-light environment. Oh, and dungeons tend to be dark too, unless its like the dungeon of a James Bond villain, full of evil high-tech machinery used to control the doomsday machine.
I’m definitely going to want some awesome blue or violet psychic lighting for my Grey Knight’s magicy bits and orange or red for the bolters! Awesome tutorial!!
Great stuff... but one frustrating aspect of night OSL is that it will only look its best in photography like in your display picture where the entire background is black hence highlighting the fire... But in normal light and on the game board this will always look funkier and dimmer because the rooms light will contradict the paint job.
Love the video, however it is strange that the upper parts of the hammer are painted as if cathcing light from the orb... The orb is hiddeninside the hammer, so it would probably look like a street light on the highway: light only going down and not up, where the visor is
Im surprised about how easy those effect actually seems to be to make. I thought it required alot more than that, time consuming for sure though. I do wonder why so few seems to be using spray booth with suction and filters?
can I make a little criticism? In the AoS model, light is emitted from the war hammer core; however the hammer has a prominent arched border around the core which should be in shadow. Just a note ... from someone who can't paint like you ... at all...
Given the placement of the light source, in this case the orb, the inside of the arch would actually be the most brightly lit area. To see this, you can conduct a simple experiment; grab a flashlight that's small enough for you to wrap the fingers of one hand around, hold the lens by cupping your hand and creating an arch with a lip, then turn on the flashlight. Something not a lot of people consider is that while light travels in a straight line, it also radiates outward in a cone, with the most concentrated light being the source and then diffusing outward. In this case, given the nature and placement of the light source if it were, just say, something like a flashlight the rest of the hammer head would be what has the most shadows. However, if the light source were something that gives off heat as well as light then you'd still have a colder, darker spot but it would the top of the lip of the arch.
If I patreon up will you buy a drill for that picture? ;) Brill vid as usual, I'm going to try to recreate one of your videos so will let u know how it goes :p
You've got a deal ;D (no but actually, i'll be borrowing a concrete drill next week to set up some lamps. I'll try to remember to drill for the painting too) 😉
thx you very much really enjoyed playing with the ligtes, you could try to go even deeper on this tutorial, there weren't really other out there i could find :)
Demonstrating Inverse Square is super-easy. Dark room, flashlight, lens on the wall. Slowly pull back and you can see how geometric spread affects the intensity of the light.
Common budy it's basics maths that kids learn at 12. :P The square is the number multiply by itself. On a graf, it's represented by an exponential. The lighting effect you've done here is amazing. Thx for the tips and keep up the great content!
Excellent tutorial! It wasnt an hour long, but I feel like I have a reasonably solid basis upon which to build and experiment. Also, the Marco bit was very funny indeed. Nicely done! Thanks for sharing this video.
Comes to learn mini painting... Emil explains light using math and words that I have to google the definition of. Now I've set my house on fire with my airbrush. 🤯😅
Thank u. This will help alot :)) First tutorial where I see the not so quick and dirty dry brushing way of doing a glow. And even though I work as an effect artist in the film industry, I learned abit about that, too! :D Thanks again
Great video, just a question, how would you paint a skeleton at night? I mean should I start painting as regular in bone colors and then "spread" the nigh with an airbrush, do it in reverse? I am looking for ways to make my skeleton army looks less boring. Thanks again for you great video
Cool. Been trying to paint a figure holding up a glowing symbol. I can see I've been too shy with the colours, so yeah, go for it with more yellow/orange for the light, more blue in the dark. Little tints of orange highlight. Just be braver with it. Thanks.
I really like your videos. This one on OSL is really good and helpful. I do have a question: Is there a method for painting reflections especially on larger models like vehicles? Would this be too real to be able to effectively accomplish? Thanks again for your videos. -Tom
Great video, but a question: How would you work in a light source that would simply bring out the natural colour of the object in question at night? Like a face that is hit by a light source that will give it back its skintone, instead of making it turn red? I mean specifically things like torches, which at its source are red/yellow but disperse quick enough to make the face look natural with a hint of yellow/ red.
