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Max Reger - Variations and Fugue on a Theme by Mozart Op.132 (with score) 

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Johann Baptist Joseph Maximilian Reger (1873-1916)
Variations and Fugue on a Theme by Mozart Op.132 (1914)
Theme - Andante Grazioso 00:16
Variation I - L'istesso Tempo 03:03
Variation II - Poco agitato 05:41
Variation III - Con moto 07:41
Variation IV - Vivace 09:05
Variation V - Quasi Presto 09:49
Variation VI - Sostenuto 11:32
Variation VII - Andante grazioso 14:13
Variation VIII - Molto sostenuto 17:12
Fugue - Allegretto grazioso 24:15
Instrumentation :
Piccolo
2 Flutes
2 Oboes
2 Clarinets in A
2 Bassoons
4 Horns in F
2 Trumpets in C
Timpani
Harp
Strings
The Variations and Fugue on a Theme by Mozart, Op. 132, is a set of variations for orchestra composed in 1914 by Max Reger; the composer conducted the premiere in Berlin on 5 February 1915. He later produced a version for two pianos, Op. 132a, where the Variation 8 ("Moderato") is completely different.
The theme is drawn from the first movement of Wolfgang Amadeus Mozart's Piano Sonata in A, K. 331, and is first presented by the oboe and two clarinets before being repeated by strings. Its second part appears again in the oboe and clarinet supported by high strings, and then is again repeated by the string section. Eight variations follow; then the fugue, in which the subject appears first in first violins before being answered after eight bars by the second violins. The piece concludes with a final, forceful statement of the theme by trumpets.
Source : en.wikipedia.org/wiki/Variati...
Wikipedia
Berlin Philharmonic Orchestra
Karl Böhm, Conductor
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21 мар 2020

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Комментарии : 20   
@AnttiKujari
@AnttiKujari Год назад
The eighth variation is one of the most beautiful moments in Reger’s entire output, and perhaps the entire late-romantic orchestral repertoire. If only more people knew of his works…
@GUILLOM
@GUILLOM 3 года назад
Such a wonderful orchestration.
@frankstein9982
@frankstein9982 3 года назад
Those last two movements are so exciting, the way Mozart meets Wagner in in the last molto sostenuto variation and the titanic last pages of the fuge. Stunning.
@user-rb9pl6hq4l
@user-rb9pl6hq4l 3 года назад
Var.1
@mrtchaikovsky
It is possible to analyse the work as a two-movement symphonic fantasy:
@Lircking
best fugue in a symphony ever
@ekisyo9186
lovely🧡
@Listenerandlearner870
@Listenerandlearner870 Год назад
A very fine interpretation.
@Superphilipp
@Superphilipp 3 года назад
Delightfully mad
@sungjinlee2835
@sungjinlee2835 Год назад
That fugue…
@arturoromero951
@arturoromero951 4 года назад
That’s awesome! I love this. For more score recommendations even though some might be underrated, would be really cool! Even though you may not do some, it would at least be really cool.
@danielecastrizzini5476
Molto interessante
@Labratas123
Bravo😂😊😢
@virtuozlaboucledor9083
ads with classical music you are serious ? at least place it between mvt ...
@Labratas123
no.1001😂
@ilirllukaci5345
@ilirllukaci5345 2 года назад
Overengineering gets a bad rap.
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