Omri this is the one of most POWERFULL video ever...sooo many tricks in one video. It is 2 past months and i siting stil there and learn from it hehehe ...realy many Thanks !!!!!!!
Hi Omri i wanna ask you is it possible to make an ansamble that works like Morphagene ? that would be so nice !? maybe the future projekt idea !??😜 cheers @@OmriCohen-Music
This is great! I like how you are showing ideas of combining vcv with actual performance with instruments. I’d love a video on how you program your controllers, for example that Roland SPD. Thank you for sharing this!
Thanks so much! I just got the SPD recently, so I'm still experimenting with it, but there are already a few videos up with some of the Arturia controllers.
Hey Omri, loved the guitar sections! This video must have been a huge amount of work involved. PS if anyone else plays guitar, try patching the audio signal from the guitar input through a clock divider, it makes an absolutely filthy octaver!
Absolutely love this video! Thank you for all the work you are doing both to create beautiful music and instruct others in how to do it. I really enjoyed the patches in this one as well as you performing over them. Very well done, and extremely creative! Thank you, once again for all your work!
Use a bipolar mixer for even better variations when mixing clock divisions for sequences. This way you can subtract division values as well as add them. This is the basis of the Binary Sequencer.
@OmriCohen-Music I would like to see instruction on how to write a good composition in vcv rack, how to finalize it to a ready to release track. Maybe those reviews are in your paid patreon subscriptions?
Yes, that's a big one... I have it on my list for a long time, but I'm not so sure how to approach it because it will be different for each person depending on the type of music, workflow, etc. I guess that someone who produces hard techno will want to do things differently than someone who produces generative ambient...
@@OmriCohen-Music yes please this. I wish to learn about stacking audio tracks, freezing them with bypass and merging the results. Then making a mastering chain. The stuff that isn't so obvious is the question of resource management. I'm exploring the transport module with the polyphonic loop recorder the former has a video tutorial in the manual. But an efficient multi track playback module idk about.
Thanks. I can see what you mean, and yes, it might be confusing, but polymeters actually exist only in written music and if you let polymeters run long enough, they become polyrhythms. When needed, I use the term polymeter, but it's not 100% correct. For example, try setting a sequence of 3 steps with step one active, and a sequence of 4 steps with step one active. You will hear the famous 3:4 polyrhythm, even though you set it like you would set a "polymeter" with sequences with different lengths. In this case, I would call it a polyrhythm. If I have more steps active, I would call in a polymeter.
