Melody for Composers (Part1): how to Write a Strong Motif

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In this video, we'll kick start a new series on writing melodies. In it, we'll focus on figuring out what makes a strong and effective motif.
🎬 Harmony for Composers: Functional Harmony and Voice Leading | • Harmony for Composers:...
A motif is a short musical idea that can be used to build entire pieces of music. Lots of strategies for writing melodies rely on first having a strong motif. In this video, we'll cover a basic strategy for making sure your motifs are strong enough and interesting enough to support a full-length piece of music.
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Опубликовано:

14 сен 2021

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Комментарии : 49

@Trash-Beats 2 года назад

Watching from Zimbabwe I brought a couple of my friends with me subscribed

@TableTopComposer 2 года назад

Thank you, Trash Beats!

@staccatopeony 2 года назад

Woah, was not expecting this. Really looking forward to part 2!

@meis18mofo77 2 года назад

It's interesting how you can apply this even to dubstep basses, most of them use contrast in timbre and rythm. A lot of bass shots are basically motifs. Thanks, this helped me understand some stuff.

@athomesongwriting Год назад

This is amazing. The internal contrast concept is game changing!

@urijames_ 2 года назад

Man, you are hands down one of the greatest teachers that i Know! Thanks for being so helpful and improving my composing skills.

@SuperKirby_Gaming 2 года назад

Excellent video! I look forward to this series :)

@manofsound2408 2 года назад

This is my favorite music “reference” channel. Thank you.

@0711RC 8 месяцев назад

You simplify and explain so well. Thank you.

@musto7900 7 месяцев назад

This is Rad Man This is a gem right here🤟🏽🤟🏽

@nhchau 2 года назад

Thank you very much for your great channel!

@Nazzyyyy 2 года назад

Very good video to Create simple and effective melodies. Saved to screenshots. Thx again

@user-cx8qf1lb8n 8 месяцев назад

One of the best videos about writing music awsome thank you for your helpful videos

@eburone 2 года назад

Excellent presentation, well done sir!

@p9inq599 2 года назад

Exactly what I’m looking for😍

@SoraiaLMotta 7 месяцев назад

Thank you it was very well exemplifyed

@kenneth1767 2 года назад

Love it.

@govindoburdwan 2 года назад

Can't thank you enough for your help. Really helped me a lot to know orchestration better.

@TableTopComposer 2 года назад

I'm glad that I could help :)

@LYG1AN 2 года назад

Dude... I just only watched only this video of yours. And subbed already. Really, it is so qualified video and havent seen any other of your video but just justicing by this one. You have to keep it up man. Great work.

@TableTopComposer 2 года назад

Thanks, Lygian! Glad to have your support :)

@cfgbpentatonic5631 6 месяцев назад

This is one of the best today video for me) i don't have one of keys for my musician mind and now get. I understand that, when my mind give me new ideas when i listen examples. Good development for creativity 😊😊😊😊

@x2dk22 2 года назад

Brilliant

@nickjohnson398 2 года назад

Letsss gooooooooo

@SandNigah Год назад

Gem right here

@coreylapinas1000 9 дней назад

Credibility our the window when you talk about two notes from Hans Zimmer.

@Doty6String Год назад

Superb content

@TheRichardNixon 2 года назад

Hey! I love your content!!!

@TableTopComposer 2 года назад

Thank you :)

@iamchino5524 2 года назад

Oh yeah

@agent3273 2 года назад

Section AAA ABA AABA Motif Development Presentation Repeatation Variations Inversion Rythm Change Diminished Augmentation Motif Pitch Rythm Dynamics Articulation Going Inside Inside Inside

@lindichen50 2 года назад

I have been reading this book recently,yet I cannot really understand what internal contrast means,thanks for your explanation, very appreciate for your work !

@yoavshati 2 года назад

Alan Belkin just started a new series on his book

@TableTopComposer 2 года назад

Awesome! Thanks for letting me know, I'm definitely going to check this out!

@fyshman152 16 дней назад

Question: If I were to use a polyrhythm in my motif, would the fact that the motif's rhythm is different from the beat of the piece enough to create that internal contrast? Or not if I keep the note length the same?

@TableTopComposer 14 дней назад

excellent question! I think it would work :)

@Necromancer4267 2 года назад

How did you get Cubase to allow each note to be a different articulation? Is that doable with any VST?

@TableTopComposer 2 года назад

Cubase has something called "Expression Maps" Where I can tell it to use specific articulations, so long as the VST has them available (you have to make the maps yourself though). The basic premise is built on "key-switches" which are available already in most VST's. The basic idea is that by hitting a specific key outside of the instrument's usable range, you can switch the articulations used :)

@seanradford5766 2 года назад

Is this layout of articulation mapping something that is native to CuBase? It's so nice...

@TableTopComposer 2 года назад

Yes it is! You have to set up the maps yourself, but it isn't difficult. It makes things much simpler than having to remember key switches (in my opinion).

@TrackVibesJA 5 месяцев назад

Melody is the hardest thing for me. I can add drums but my chords and melody just dont match. I just want to learn to do catchy sumple melodies with with like 3 to 5 notes.

@TableTopComposer 5 месяцев назад

This playlist should help. If you're looking for something shorter, I have a video I released last week that can help :)

@Psylex801 9 месяцев назад

What software do you use??

@TableTopComposer 9 месяцев назад

I use Cubase :)

@UnknownUnknown-uq5rv 11 дней назад

I find you didn't explain the 6 aspects of motif enough. The pitch, tempo, ... I still do not know the difference between timbre and dynamics. Aren't timbre and articulation the same thing ?

@mr88cet 5 месяцев назад

Hmmm… “they just have to be good enough.” It seems to me that a motif needs to be far more than that; it needs to be memorable. It seems to me that that’s a fundamental requirement of a motif, or at least a very strong preference. Then again, maybe we’re saying the same thing two ways: Maybe being memorable is what makes it “good enough” (or at least part of that)?