For more classes like this one, please visit the Benjamin Zander Center - www.benjaminza... Yoojin Jang, violin and Dina Vainshtein, piano Interpretations of Music: Lessons for Life with Benjamin Zander Dave Jamrog Audio/Video
The soloist found something extra; the accompanist was inspired; the audience added to their own pleasure and I loved Mendelssohn a little bit more. Inspiring.
Her original was absolutely phenomenal to begin with. I didn't think it could get better, but once she took Zander's suggestions her performance really stood out from many professional recordings I've heard. Especially loved the faster allegro appassionato tempo to help the music move in longer phrases. Great player, and great teacher! Thanks for posting :)
Some of the softer arpegios (not the stacatto ones) are a bit sloppy, and the huge crescendos are a bit rushed, like she's just getting the build up out of the way so she can ejoy the climax. I'd do it too. These critiscisms do not detract from the tears I've had streaming down my face listening. This song was brilliantly performed. One of the better stories I've heard in music. She has my grattitude and thanks.
Totally agree. I have listened to this Mendelssohn concert many times played by many world-class violinist and Yoojin made it interesting to listen to the concert again. Her interpretation is beautiful!
@@kehwa you could pick out a few recordings in history of better quality. I would say oistrakh, ray chen, and vengerov are of course superior, but what is the point of being critical in such a way. I heard this piece performed with the artosphere symphony live the other day and this performance is at least on the same level
@bassguitarlover 93 I've listened to Hahn's recording of this many times over the years and yes while she is good, there is a stark contrast. String crossings aren't always as clean and dynamics not as well refined. It's just not as polished as a performance
Master of None on the other hand, Hahn has a much better tone, intonation and a stronger overall technique. I agree with her lack of a wide dynamic range though.
When you leave technique behind and enter in the realm of interpretation, it´s another demension indeed. It takes decades to master the technique though, unfortunately this joy is not for everyone
This happens in electric guitar playing with players like Tony Macalpine where his improv is just mind melting. He feels the sound and his hands just go there giving texture and sound that is very unique.
It doesn't take decades. There are teens and many young adults who can play anything, technically speaking. They are already virtuosos. And many are already fine musicians. Of course they will always continue to learn and grow greatly, but their technique is flawless and fluent. It's what they do with it that matters most. And they become greater artists as the years go by.
@@djmotise Realistically, I'd say 10 years time is a good barometer for how someone who is dedicated can improve from when they first learn music to where they can be most comfortable with technical ability ("comfort" being relative to each individual musician, of course)
@@djmotise -- Technical ability is not all there is to music. As you say, even teens can master technique. It's interpretation, color and dynamics that are difficult to come by and some technically excellent players never have them.
Have loved this concerto for as long as I remember, but Ms Jang's playing stopped me in my tracks after only a few bars. She definitely has 'it' and I'm certain she has a brilliant career ahead of her. Zander brings out the nuances and his musicality makes this one of the best interpretations I've ever heard. I actually got goosebumps... Would love to hear her do the whole thing with an orchestra and Zander conducting. That really would be something to relish.
Seconded! This was just.... gorgeous... wonderful. I like Julia Fisher's interpretation too, but somehow this was more passionate. Is it the more intimate venue? I don't think so; I think it's the playing: just outstanding. OK, I'll admit it, I was in tears.
that’s almost entirely because of his demeanour and approach - he lets her know how much he values everything she is doing - establishes trust and confidence - and the response follows
👍 I think she has got it in herself! She was probably initially worried of making mistakes, so she decided to play it safely, but with more inhibition. Benjamin Zander has the power of making students relaxed and confident. With that, he frees her and allows her to show her own potential, even to herself! Absolutely amazing musician and educator!
One of the principal roles of a teacher - especially at this level - is to inspire and motivate his pupils and that is what Maestro Zander is quite able to do. Bravo!
Not only does this contain wonderful advice for her (wouldn’t think there was any after hearing her play in the beginning), but the way he shares his knowledge and advice is done them in the most heartwarming and respectful way possible. What a great time to live in, making it possible to see these masterclasses in good quality!
Paying attention just to the piano and I really value the virtuosity of the woman, she has a lot of work since she has to accommodate and adapt to the changing tempo of the violinist girl. That woman has and did a wonderful job.
She had a Hillary Hahn type of playstyle in the beginning and then it slowly developed into one that was more of her own. Great class and the player was not bad at all.
ive played as both cello soloist and pianist. It's definitely more pressure as the accompanist, personally at least. The whole time I was pooping bricks, my jaw was clenched so tightly. Since the accompanist usually tries to follow the soloist, since they like to add rubato, or things like ritardandos. Of course, the soloist isn't going to go too crazy, but god, I reeally don't like being the accompanist. It's like, well, onions kind of. If cooked right, they taste amazing and goes along with the main dish. If prepared poorly, GOD its horrible.
I love how Zander puts all his heart and soul into what he is doing. many are conductors just by name. many simply "conduct the music" with an absence of emotion
I swear, at least a thousand of those views are from me. She is such a pleasure to listen to and tells a story through her playing while Benjamin is such a master of his art. He doesn’t care much about playing anything perfectly, he just wants all the emotion and joy of playing to come out. Shoutout to the accompanist too, she was absolutely amazing.
Excellent lesson from Mr. Zander. Exquisite playing from Ms. Yang! She has all she needs to have a great career. Really impressive. She really grasps the musical ideas quickly and she is so flexible to let go of her interpretation and try something new that will for sure make her a much richer musician and player. Bravo to all!
Really extraordinary, best violinist I have seen in a Zander class. She's seriously good. See how quickly she gets and adapts to Zander's directions. Unsurprisingly she's now a professional artist and won a bunch of coveted prizes. Well done!
Mrs.Yoojin Jang is playing stars from heaven, it what a wonderful world we are living! We can go to heaven and return whenever we like to do, thanks to this wonderful beautiful young lady!
As a guy who doesn't follow classical music bigwigs as much as I used to, I'm probably speaking out of turn here. I think there was so little to be improved upon that even Maestro Zander started out by saying there was nothing to say. Ms. Jang's performance was stratospheric, both before, and after Zander's notes. He gave her some ideas to spice things up a bit more, which she ran with and made her own. The ability to do that so organically, especially under such pressure, speaks volumes. I think the Maestro captured the mood perfectly when he said in the end, "Nobody wants you to stop." She showed an openness to try new things, but I think she mostly showed that, with or without notes, she plays with her own voice.
16:45 his hand motions are exactly what I’m feeling, this guy has such a strong inward and outward connection to music, and people/composers, and life and everything
She plays AMAZING even before the subtle touches of the maestro. I listened to this piece countless times, it’s one of my favorites - and this performance is one of the best. It levels up to the greatest (Perlman for example). Magnificent!!
Watching this made made me so inspired and happy. Master classes are about pushing you to play something better than you thought you could in such a short amount of time emotionallu and musicallu! How inspiring! She sounded so much better with these interpretations. True mastery, that man. yayyyyy
Zander is so brilliant. Truly helped her transform this piece. I wasn't much of a fan of her initial interpretation of the piece, but the "final" product was so much more nuanced.
Mr. Zander is a true ambassador, who by his very presence has the ability to change the nature of these musicians playing into more closely what the composer intended. I love these classes!
I haven't visited your channel for a year. It does not seem that long. The young lady on the violin is doing such a wonderful job but with your positive ideas you make all your people even better. Not only in music but you help to develop character in them that they will carry with them the rest of their lives. I think of you as a PEOPLE BUILDER bringing the very best they have to the surface. Getting back to the young lady on the violin, she is amazing. I believe I can relate to the fact that what she is doing is a discipline that takes much persistence and of course many skills combined together to do what she does. Hope your doing well Benjamin, I know you are highly respected and loved. ❤
This man. Not only is he on a level entirely above all others', but he also elevates this girl-as he speaks, as she plays, and right where they stand-into the fucking stratosphere. What a treat.
One of the best and historical appointment by Mr. Chester Williams was to appoint B. Zander as a member of Faculty at NEC and Gunther Schuller starting Jaz Department. How much Boston Music society benefitted because of B. Zander is immeasurable.
Hearing this piece of music as a kid and also as an adult I did not have enough musical understanding to appreciate this amazing work. After stumbling upon this glorious event now, I finally resonate with and greatly appreciate this composition thanks to this phenomenal musician and her accompanist. Cheers!
What great teacher with a fun personality :-) I'll be happy to be able to play this piece from beginning to finish at all one day, never mind the way she ended up playing (the improved version) Wow, I have chills. I wish I'd have a teacher like this. Heck, I wish I'd have ANY teacher at all!!! LOL Bravo.
BEN IS SUCH AN INSPIRATION to any music enthusiast who is keen to get more value out of any piece! Let alone his love for life at the age of 76 or more! I cannot stop watching his masterclass videos!
OMG how intensive is the emotion! B. Zander is unique! I live with his masterclass. It's a delight to see him enjoying, he has his own space, he loves as he expresses his feelings out his breast, what a witty master! God keep him for a long time to us, for our young musicians on this Earth ! Let me propose to the Academy Nobel Prizes, as a teacher in music the most complete and qualified Professor that exists!
I am back 4 years later and as I am working for an Orchestra myself now, I am impressed by the violonist! Almost no scratching noises while playing this difficult piece as a learner... wow! Im sure she is playing for a big Orchestra by now :)
I know almost nothing about classical music and absolutely nothing about playing the violin, but this was truly touching and interesting. Wow, just wow! Fantastic guidance - and magnificent playing! Bravo, young lade, bravo!
The melodic lines of the piece are truly breathtaking, filled with so many beautiful tone colors. The violinist is so young but has such an extradentary talent, that I am sure comes with many hours of practice and one on one instruction.
Imagine Zander thanking you saying its a pleasure to hear you play. May be formalities and manners but receiving that from a maestro like Zander is just....
When i heard Yoojin play the first time through I thought it would be impossible to play it any better. Then Benjamin steps - my god - unbelievable. I have Yoojin play other things and she IS fantastic.
I'm trying to learn this piece at the moment and have loved it for years. I didn't think I'd watch all the way through but couldn't help myself! It was fascinating how he suggested upping the tempo. Some things to take away. 🎶
My mom once said... Everyone can play the notes... that does not mean it’s music I think this is such a good example of how much more a piece is than just what’s on the paper
It was the most wonderful performance that I’ve heard! I would like to say this is the perfection exemple of playing this magical concert. Congratulations Yoojin Jang! You make people reach the paradise with your performance! This is music !!! Fantastic!!!
I found something interesting on the ISMLP site about this Konzert. There is a facsimile where there is marked 'Allegro con fuoco' and NOT 'appasionato'. Who changed this ? Mendelsohn ? Who knows, but IF this has to be played 'con fuoco', then the second theme, which at the end of the first theme does not get a 'milder' marking ( on the contrary at some point later on it gets 'agitato' ), is indeed at the same speed as maestro Zander suggests. Fascinating ...
Dear Maestro, it is very clear to me that you simply must live forever! You take wonderful and help it become truly marvelous. ביז הונדערט און צוואַנציק
i know nothing about music but what i noticed was that yoojin's engagement with the music was singular. watching her play, i felt like the music was being conjured by her spirit rather than the violin and bow producing the sounds. seeing her expressions had me mesmerized and the music, i noticed, only secondary and as a complement to joojin's love of her art.
Forgive my ignorance, but this young lady is world class already, I think, and I was blown away by the first pass as it was. There's always room for improvement, but my goodness.
Excelente Nestor....Se me erizò el cuerpo....Casi lloro.....Formidable ejecuciòn: Digitaciòn....Perfecto dominio del arco..con gran confianza...Oportuno lenguage gesticular.....sentimiento...respiraciòn.....afinaciòn... dobles cuerdas perfectamente afinadas...... Es una gran violinista........me llegò al alma......Gracias por enviarmelo.......ha sido un gran alimento para mi espìritu..........Mi gran cariño por ti siempre està en mi mente........Fuerte abrazo.......
I´ve just heard her play through both movements and I am so moved that I couldn´t possibly imagine how anyone is going to teach and show her anything more with this piece!
This girl is marvelous! But Dina is incredible love her compromise to play the best for these performers. Zander is a blessing to the youth and of course to all of us. Bravo! But after the coaching she gets more exiting and her virtuosity gets to the next level, thrilling.
As a vocalist and not an instrumentalist, I too can glean some valuable insights from Maestro Zander. Technique is of course different as a vocalist - but the spirit is not so different.
Benjamin Zander loves this music so much and communicates that in the teaching. His compliments are sincere. The violinist is understanding the tips adapting so quickly!.( You need more practice like New York city needs more cars. All she needs are bits to think about) She is so good at taking in his tips polishing the small parts. If there is a recording like this I would buy it. In a flash I also didn't want to stop.
