0:00 Verdi, Luisa Miller, Quando le sere al placido 5:24 Verdi, Il Corsaro, Tutto parea sorridere 12:33 Verdi, La Forza del Destino, Qual sangue sparsi 16:30 Tchaikovsky, Eugene Onegin, Kuda kuda 22:17 Puccini, Turandot, Nessun dorma 25:12 Cilea, L'Arlesiana, È la solita storia
There is the voice and then there are interpretational and shaping skills. Part of those are the play with dynamics, the correct length of notes. Disciplines where he has to catch up. And surprisingly, the high notes were also not at its best.