La gente que dice eso debería dejar de lavarse las orejas con puré. No se parece en NADA al timbre de Pavarotti. Quizás lejanamente a Gigli, o quizás Vanzo.
Lovely voice. No one will ever replace Tito Schipa for me doing this aria, but well done! ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-DnIe-hTXHNw.html
Absolutely can take over the World of Opera and sweep it back up to the days of Caruso, Pavarotti & Domingo!! It's amazing it took 30 years after Caruso's death to get Lanza, who died so quickly he never was able to perform on stage. About 10 years +/- later we got Pavarotti & Domingo. Since Pavarotti there hasn't been anyone I've truly loved until Spyres came along. He magnificent and will breathe new life into Opera & Solo Performances as Pavarotti did. He's incredibly talented and has a GORGEOUS Voice!! When they start to refer to one by last name only and others immediately know who one is speaking about, you know for sure you're going to the TOP!!
yeah .... a "long way to go" happens all da time at the VERAILLES OPERA HOUSE < > when he can belt out the singing frog via ONE FROGGY EVENING, THEEENNN ,he be jammin, maaaan
"A single secret tear from her eye did spring: as if she envied all the youths that laughingly passed her by. What more searching need I do? What more searching need I do? She loves me! Yes, she loves me, I see it. I see it. For just an instant the beating of her beautiful heart I could feel! As if my sighs were hers, and her sighs were mine! The beating, the beating of her heart I could feel, to merge my sighs with hers... Heavens! Yes, I could die! I could ask for nothing more, nothing more. Oh, heavens! Yes, I could, I could die! I could ask for nothing more, nothing more. Yes, I could die! Yes, I could die of love."
There are no similarity between this guy and Pavarotti. I don't usually like so easily. And also you can find me on the youtube comments easily, crushing people due to their stupid comments like yours. However I have to admit that he has a velvet voice that I like a lot but this is not even close to Pavarotti's any performance. He has long way to go.
I like him not or not overly covering the higher notes , like many other tenors do. Sounds more natural and exciting for me. How free as a singer he feels show the little Rossini elements he weaved in and are not part of the score.....😀
He's more suited to tenor roles despite him having good low notes. I love Michael Spyres and all, but he's imperfect of course. He could do fine in baritone roles if he didn't sing woofy when trying to sing baritone.
Es preferible que Spyres se decida a cantar como tenor y no incursione en otra cuerda porque los resultados pueden ser no deseados. En mi opinión empezó años atrás cantando en la cuerda de tenor ligero (algunas arias difíciles de Bellini, ópera francesa, etc) , pero la voz está volviéndose un poco más pesada y ya está cantando como lírico (causa posible: repertorio inadecuado o evolución natural de la voz?). Sí tengo una duda: canta sólo en recitales o también canta ópera? Saludos.
Un arte que llega hasta las fisuras del alma no sólo por su voz sino por su talento e ironías tan bien empastadas. Su último disco "Contratenor" es pura delicia. Sólo debe de adelgazar unos kilitos para ser un divo absoluto de la ópera.
Lo principal en el canto es la voz, el sentimiento y el talento interpretativo. Con estos elementos el artista nos puede hacer soñar hasta alcanzar la cima de la verdadera belleza haciéndonos olvidar el esplendor de lo aparente. Cordialmente 👌👍🇪🇸🌿
Hard to believe Michael also sings baritone roles superbly. This rendition of one of the most popular Tenor arias is comparable with renditions by any great tenor past or present. He has excellent vocal technique, effortless singing, with vocal quality consistent throughout his range. Comments I have made when listening to Jussi Bjorling, one of the greatest tenors of the 20th century. Michael may you continue to give audiences pleasure with your God given voice, combined with years of hard work to enable you to achieve such excellence as a Baritenor. Bravo !
Berta, etc.: una de las cosas que aprendí cuando estudié con un profesor de canto (aclaro que no soy cantante sino sólo aficionado) es que el aparato fonador o vocálico de un tenor es distinto al del barítono o del bajo; ésto incluye: laringe, cuerdas vocales, glotis, úvula, apertura del paladar blando, conformación de los pulmones, tamaño de la parte frontal de la bóveda craneana, etc etc. Dicen que Spyres empezó como barítono y de ahí su voz evolucionó a la de tenor lírico ligero o algo así. La emisión de la voz es posible considerarla como un elástico, si se fuerza más allá de las posibilidades normales del intérprete se va a "romper". Son muchos los tenores que arruinaron definitivamente sus posibilidades cantando "a lo Caruso". Es posible que Spyres vuelva a la cuerda de barítono mucho antes de lo que debiera. Con la voz cantada no se juega. Saludos.
He has a beautiful tone. This song is so strongly linked to Pavarotti's genius that it must feel incredibly intimidating for current artists to do. This was an incredibly competitive interpretation!
