Miles Davis live in Stockholm 1973 

yeah man ! that's true...

the open ear

That's called 'adapting' Now you calling this fearless, that's called 'pandering'

@@mammontustado9680 totally incorrect..you clearly don’t understand Miles body of work. For a bebop legend to be playing funk rock at age 50 would’ve been like Sinatra wearing a tasseled leather shirt and blue sunglasses singing about the zodiacs with sitar’s in his band. Miles was truly fearless when it came to music, the fear of reinventing yourself and for it not to work plagues most musical acts....Miles didn’t have that he was a true visionary. Pandering is exploiting a weakness - try again

And even better is everyone else on stage is way younger.

And that guitarist, behind the percussion, amazing. Sounds like some odd effect, but this player can actually play horn licks more lyrical than J Maglaughlin(spelling wrong). Although Mac could certainly rule with the avant-garde stuff. Is it Reggie Lucas ? If so, he plays real well on the albums, but I never heard stuff like that.

lol..,.Well said. I think the same when the drummer is 'locked up' in the plexi-glass cube.

It’s Pete Cosey.

This is it. You have the jungle, you have voodoo, even vague European strains, and outer space. Not news for Davis buffs, but even if you’re stoned , or not, this lineup is in it’s own universe. Earth, fire, air, water are constantly shifting. Not all Davis’ 68’ and on gigs “worked”, but the creativity here is staggering. This is a huge part of Miles and his genius, he’ll be remembered for centuries for this.

This is about miles Right? He made others push to be great. It seems like Miles Davis is always overlooked. Big up Miles Davis he was a genius when it came to his talents.

@@elraywilliams4806when we talk about Miles, it goes beyond just how great a trumpeter he was. Part of his greatness was his choice of sidemen. This resulted in the music always being incredible even when Miles wasn’t playing. And Pete Cosey was indeed an incredible guitarist. There are plenty of other jazz greats where most of the interesting stuff happened while they played. When their sidemen play we usually just wait for the leader to come back and play. Not with Miles tho. He kept himself surrounded by players just as capable of keeping the music interesting as he was.

La deuxième partie de pangaea est totalement originale !! Information pour ceux qui pourraient être rebutés par le côté répétitif de beaucoup des concerts de miles de cette époque La dernière i intervention de miles de pangaea , c est comme l ouverture d une autre dimension. Et le blues de la deuxième partie d agartha , c est vraiment le rire des dieux....

@@olivierdrouin2701 tu descripción describe a la perfección está música

Merci à Orlando ! Le pouce baisse est évidemment une erreur de manipulation !😀

Dark Magus is the album for me from this era, despite the slight worse sound quality it's just so intense.

Id be scared shitless.

@@aaarauz1 😆

Microphone aided sound. Cosey is playing some of the most original guitar implanted in the annals of music. Everyone in this Band influenced the directions the other took. When a new vocabulary is .created the level of understanding and communications is predicated upon the degree of listening.

It's one of the best directed bits of concert footage I've seen of any group. It gives you a feel of how the group was interacting overall, has close-ups of individual musicians so you can see how they're responding, has a good variety of shots, and best of all it doesn't resort to that gimmicky stuff that's gotten popular, no long super-tight close-ups of the players' hands or weird camea angles shot from the floor, etc.

no

try this one. that whole 73 tour of europe is broken down on youtube it seems. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-wOA9_TdRFt4.html

Yup

Dennis Coffey?

the guitarist @@NigelPickering

you're right, it's Pete Cosey

epic stuff

Michael G. Partridge I know right? A MONSTER 🎸🔥🔥🔥🔥🔥

Indeed, a kaiju by anyone’s standard💪

Is it not called MR FOSTER, as per Complete On The Corner Sessions?, rather than FOR DAVE?

That "Untitled" is Prelude.

Al Foster is great.

@@GrandeCapo_PallaPesante One of the greats for sure ! His scope is amazing too.... you can hear him swinging his ass off just three years after this, along with Sam Jones and Barry Harris, in Dexter Gordon's awesome "Biting The Apple" !!

and he sure loved that hat!! @@GrandeCapo_PallaPesante

5:43

Damn , what a talent. What a loss.

Mr. Lucas died 3 years ago.

angel martinez me pasa igual

This moment is also amazing! 10:01

Agharta is such a fucking monster record

Can't bare Cosey, to be honest.

Absolutely. And I am stunned how close to a horn Pete gets. And yet he’s not interfering or mimicking the other horns there. This gig took place at a time that will likely never happen again. This whole cross breeding thing which Miles had, and the open mindedness of the audience, belongs to the 60’s and 70’s. You had heads of record companies wanting sales, but also very proud and supportive of much of their most artistic projects.

Is that a wah wah trumpet?

Cosey is cool as Antarctica,very unusual style

@@johnsmits2494 Great analysis. Why can’t you foresee another time like this occurring?

up!

he actually demanded his musicians to explore their limits, even Miles talked about this a lot, a mistake is only contextual if you see it as a mistake. it was about risking it all, and sometimes they'd fail a note or phrase, but that's what Miles looked for.

At this point I also noted how Cosey’s fretboard looks actually CHARRED with blackened areas around the lower strings. This would of course surprise no one…

Unquestionably

Was thinking the same, especially since he's the one driving the music.

holly heaven that's why you looked for it ;;) love

Nice.

Tell us more, please!

I played with Pete Cosey and Robert Robert III.🎹👀👏🏽 Also played with a lesser known Miles alumnus Warren Bingham 🎸all from Chicago! Pete Cosey was great bassist also he recorded the bass for the Fontella Bass pop hit “Rescue Me” and was Chess Records studio musician. He recorded for Muddy Waters and he was a great sight reader. I played with Pete Cosey in the Black Ensemble Theater pit band in the 90’s in Chicago. Robert Irving 3 played several gigs with me and told me a few stories about Miles too. Pete Cosey had a lot vintage guitar effects and equipment. I have lots stories about Miles Davis and other musicians Pete Cosey knew including Jimi Hendrix! Robert Irving 3 arranged and produce for Miles Davis . Robert Irving met Sting and John McLaughlin in the studio also. Too many stories for this thread though. Pete Cosey is on Grammy winning “Rocket” CD with Herbie Hancock..🎹 I used drive Pete Cosey to the rehearsals and gigs when we were playing on same gigs. Pete did not drive. He told me to do almost all the solos which I was reluctant to do FYI. There’s a story George Benson came to a Pete Cosey gig and sat in and used Pete’s guitar 🎸 which was allegedly tuned different and George Benson had a hard time playing it. I asked Pete about that and he said, “that’s a lie” loudly and that was it. I also played with Miles Davis alum Richard Patterson Chicago cat.

You were so lucky man!

Wrong, Miles considered Coltrane the best saxophonist he ever had. Miles cut out the band at random times for all of his soloists in this particular band. He did the same for the guitars and for Dave Liebman’s replacement Sonny Fortune (you can hear him on Agharta and Pangaea). Sonny was more consistently on fire and sure of himself in this band than Dave.

Yes you went out on limb, Train, was his best side man ever!

I'm pretty sure Miles knew Coltrane was a unique and original force that couldn't really be duplicated...

Train was the best period! With or without Miles you fell off your limb!

Let's imagine a duet with Miles and 'Trane electrified sax! Damn

I think its an octave doubler made by Maestro. I'm familiar with it from the Mothers of Invention's Uncle Meat. He's using it subtly so its hard to tell, but I know that sound.

Who's to say there isn't

There are lots of footage that aren't been released yet. In the last Miles Davis documentary "Birth of the Cool" there's a fragment of a concert at Fillmore east, with Steve Grossman

Yea the 75 version is highest version of this band. I hope so.