00:00 - 1. - Der Blutharsch
17:09 - 2. - Dragging the Dead Through Mountain Passes
24:21 - 3. - Cloaked in Silence
37:16 - 4. - Kaiserjägerlied
46:37 - 5. - Tiroler Edelweiss
51:12 - 6. - Withered Tombs
59:20 - 7. - MG 08/15
Copyright © Minenwerfer
Copyright © Osmose Productions
@osmoseproductions-official
Recorded and produced between Sept 2018 to May 2019 at Earthtone Studios.
The cover art is based off a World War I-era photograph taken by an unknown photographer from the German Empire's 10th Army (Armeeoberkommando 10) in 1916. It features an Austrian sniper on slope of the Gisnitz, a peak in the Karnische Alpen range.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
That third album, Alpenpässe, is arguably MINENWERFER’s grandest work yet. While seven years separated it from its full-length predecessor, Nihilistischen, the payoff was well worth it: its six songs in nearly an hour are towers of incomparable might. Everything here is free and flowing, with the bountifully rising/falling melodies pulling at the listener's heartstrings and casting an ominous (and eminently playable) spell that simply needs to be experienced to be believed. This is MINENWERFER at their most powerful and poignant.
Re-released December 31, 2021
osmoseproductions.bandcamp.com/album/alpenp-sse
"An unmatched beauty to behold"
Copyright © InzaGottGehenna, 28.12.22
Songs like "Der Blutharsch", "Cloaked in Silence" and "Kaiserjägerleid" replicate both of that feelings: with heavy parts, with strong sounds, simulating the shootings and charges, with many soldiers dying at the exit of their dirty and wet shelters, and serene parts, remembering the calm after the storm, when the enemies retreat and go back to their trenches, mourning the death of their brothers who fought alongside them. Der Blutharsch, for example, starts really calm, with a speech. In the background, two guitars: one with a really nice solo and the other with a slow melody. Then, it goes from zero to one hundred instantly, with a brutal and sharp scream. The blast beat punches you in the face and you end crying like a bitch. The lead guitar keeps going with the solo and it turns from a calm solo to a tremolo picking. After going through that intensity, the "calm" returns with a really beautiful melody on the rhythm guitar, the drum doesn't abuse of the hi-hat neither of the snare and we can still hear the lead guitar soloing, but slower than before. The vocalist starts singing and the song finally goes back to the blast beat and tremolo. More solos, of course. Then, the drummer brutally abuses of the double bass... And then, calm after the storm, again, with a guitar without distortion. The bass does his work really fine and the drums are smooth. At the end of that section, we go back to the distorted guitars and the lead one starts with one of the best solos that I ever heard. Seriously,it is mind blowing.At least for me.It gave me goosebumps.And we even have an acoustic guitar in Kaiserjägerleid.
Other songs like "Dragging the Dead Through Mountain Passes", "Withered Tombs" and "Mg 08/15", clearly replicates that feeling of horror that war has always brought to its combatants. The name of the song says it all. With exalted and aggressive sounds, with evil melodies and a fast blast beat, alongside those screams out of Hell, we can feel like the terrified privates during a battle, spectating their comrades die by firearms, or by bayonets, and then looking at their mutilated corpses falling down to the dirt and soiling the ground with their red blood. The lyrics talk exactly about that, about the enemy attacks and the dead soldiers. The intensity doesn't stop and the guitars keep screaming, the drums keep firing like a machine gun and the vocalist keeps... Suffering? But after every battle, there is a moment of peace, and the example of that is "Tiroler Edelweiss". An acoustic guitar with clean vocals and even a flute, I think. I don't know if it's a guitar with distortion and with some filter or an authentic flute. Anyways, the lyrics represent that feeling of nostalgia, that feeling of wanting to go back to a peaceful life.
Overall,this album,is more of an experience than an actual album.It has one of the most appreciated things in music:feeling.The feeling of the music has been lost over time, and the new music is mostly made only with intent to make money,really quick and easy.I strongly recommend listening to this album,with earphones with surround sound,and with the eyes closed for more immersion.It is worth a chance.
12 июн 2024