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Minolta XE - The Minolta with Leica DNA 

Vintage Camera Digest
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#minolta #camerareview #filmphotography #filmcamera #film #35mmfilm #leica #manualfocus #1970s #carshow #carshowphotographer #carshows #georgia #mtzion #blackandwhite #vintagecamera #vintagecars #vintagecameras
In the early 1970s, Minolta and Leica entered into a partnership of sorts - sharing patents and general camera know-how. One of the first cameras to come out of that partnership was the Minolta XE (or XE-7 in the US). Tag along as I take it out to an auto show and take a closer look to see what makes it nearly effortless to use.
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13 сен 2023

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Комментарии : 88   
@Ravenbunny1220
@Ravenbunny1220 Месяц назад
I found this camera on Facebook Marketplace with a 50mm f1.7 lens for $80 and purchased it as my first ever film camera, beyond disposables. I’ve shot roughly 20-25 rolls since then (~8 months), and I’m grateful to have it as my starter shooter with its aperture priority, light but durable build and compatibility with cheap Minolta lenses. I hope to hold onto my XE-7 forever!
@vintagecameradigest
@vintagecameradigest Месяц назад
That’s a great deal for the camera and lens! It’s a really robust body and should serve you well for a long time. And yes, the Minolta lenses are quite reasonable in price compared to some others. But they’re great lenses, and there are a lot of them out there. Thanks for watching!
@thebendu33
@thebendu33 2 месяца назад
I have this camera and recently purchased the xd11, both are my go to cameras. I love the xe very much. I am selling my x700 and keeping my old srt 202. I'm also getting rid of my other cameras system. I have Pentax me super and a praktica MTL 5b. Will only keep my Minoltas and my digital camera. Tmax is one heck of a great film.
@vintagecameradigest
@vintagecameradigest 2 месяца назад
I have an XD11 that needs some work, so I’ve not been able to use it. But I’m looking forward to getting that done since it’s one of Minolta’s top bodies. I also admire you for your willingness to “thin the herd” so to speak. I am pathologically incapable of doing that. Hence, the existence of this channel, lol.
@henrysiegertsz8204
@henrysiegertsz8204 10 месяцев назад
Loved, liked and subbed. I have the XD-11, I bought it with the 135mm F1:3.5 lens for £23 from eBay UK., (it was of course not working) But after 25 hours of stripping, cleaning and lubricating its as good as new and what a joy these cameras are to use. I shoot Fujifilm digital X-E3 and X-T10, because I love the retro look, feel and kind of shooting ergonomics they had perfected in the 1970's and never surpassed in my opinion. Your images are stunning and this channel is one in a million! Thank you!
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Many, many thanks! Those XDs are like the Holy Grail for Minolta-lovers. It was such a perfect camera I'll never really understand why the models that followed (I'm looking at you, X-700) didn't offer shutter-priority AE. I got my hands on an XD-11 a few years back, but it's not operating at 100%. Shutter speeds are a bit erratic. It's earmarked for a CLA soon. Hope that'll cure all of its ills. And I agree with you regarding the Fuji cameras: retro feel - and paired with their film emulation presets - a very nice combo that recalls simpler times. Cheers!
@gavinstafford8173
@gavinstafford8173 10 месяцев назад
Your videos are very informative and just all around peaceful! Thanks for the great content
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thanks so much! And thanks for tuning in!
@swannmannbaggywaggy
@swannmannbaggywaggy 2 месяца назад
Excellent video. I loved the way you pulled the details off the old cars into your photographs too. Thanks!
@vintagecameradigest
@vintagecameradigest 2 месяца назад
Thank you very much! Vintage autos are one of my favorite subjects. Lot’s of design details, chrome, etc that just beg to be photographed!
@robertihargrave
@robertihargrave 2 месяца назад
Really appreciate these excellent videos. I don't need another film camera but the XE sure looks great. As I watched I wondered what sort of interaction you have with other folks during your shoots. You must attract some curiosity.
@vintagecameradigest
@vintagecameradigest 2 месяца назад
Thanks for watching! I do usually find a few folks who want to talk and ask questions. And I’m always happy to oblige :-))
@ingramdixon6473
@ingramdixon6473 2 месяца назад
Fantastic shoot and wonderful post. T-max 100 you say. I will definitely try that out. Honestly I bought an ex7, oh about 2or 3 years ago and haven't shoot with yet. But you certainly have shown me what I've been missing. I'm going to get some popcorn and watch this again and again. Thanks and happy shooting.
@vintagecameradigest
@vintagecameradigest 2 месяца назад
Thank you! Yes, the XE is a fine camera. And TMAX 100 is about as good as it gets, IMO. Ilford Delta 100 is also about the same. They can’t be beat for virtually grain-free negatives.
@realchinarealhongkong7510
@realchinarealhongkong7510 6 месяцев назад
Very nice pictures, composition and the B & W tone. While a lot of young people are crazy about creating digital black and while photos and videos in recent years, I haven’t seen such nice contrast and gradient of true black and while photography for a long time.
@vintagecameradigest
@vintagecameradigest 6 месяцев назад
Thank you! TMax100 and that particular subject are a really good match. Glossy, reflective surfaces really benefit from that fine grain.
@davidbalducci4312
@davidbalducci4312 4 месяца назад
i love Minolta cameras and lenses. I have several from the SRT102 - 202. Thank you for introducing me to this model. I'm gonna git me one !
@vintagecameradigest
@vintagecameradigest 4 месяца назад
I LOVE the SRT series - probably some of my favorite manually-controlled shutter bodies of all time. But the XE does them one better with the AE available. It hasn’t disappointed me at all.
@Franklin_Turner
@Franklin_Turner 10 месяцев назад
Excellent! Good job my friend.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thank you very much! And thanks for watching!
@rickyzagalo
@rickyzagalo 10 месяцев назад
Enjoyed a lot. Thanks for another very informative and entertaining video. I have a Leica R3 Mot and my younger son a Minolta XE5, a simplified version of the XE7. Indeed, they are and look familiar, but they feel a bit different. Both a joy to use and to look at :)
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thanks for tuning in again! I hope to get my hands on an R3 sometime just to see how different/same it is to the XE. I’m sure a big difference is the Leica glass, but this MC 50 1.4 continues to surprise and please me.
@nelsonm.5044
@nelsonm.5044 10 месяцев назад
I have my father Minolta SRT-101, a great camera especially from a mid-1960's camera. it has seen better days but it still work quite fine. I think Minolta are undervalued camera when it comes to film camera, they work great, lens are superb with a large choice. I even bought and adaptor to use those those lens on my Nikon Z and Fuji XT-20 and they still give great results.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Those SRT-series cameras are excellent choices for film photography. Simple. Solid. Reliable. And best of all - mechanical. They're definitely a good buy, even though the prices on those have been creeping up, as well. And I do love the MC/MD lenses. Lot's of great glass. Thankful that mirrorless systems now let us use those again!
@expiredfilmlunatics
@expiredfilmlunatics 9 месяцев назад
I have Minolta XE still my go-to camera
@vintagecameradigest
@vintagecameradigest 9 месяцев назад
It’s a great choice! I should shoot with it more often, myself.
@thomasfx3190
@thomasfx3190 10 месяцев назад
Really very good info on the XE-7! I just bought one & Im excited to get started shooting with a manual focus SLR after shooting with Nikon digital cameras for several years. I got tired of chasing after an old Nikon and having to pay a fortune for something that might not work. I read about the XE-7 and was able to find one at a reasonable price. I subscribed! Looking forward to more!
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Welcome to the wonderful world of Minolta! You’ll love the XE. Glad you found one at a good price. I recently was thinking about getting a second body, until I saw the current prices. Wow. But worth it, I think. If you can get your hands on the MC Rokkor 50 1.4, you won’t regret it. The MD version is newer, of course, but the MC has a superior build IMO. Thanks for the sub!
@ianhand5006
@ianhand5006 10 месяцев назад
An interesting and informative video. Thanks for sharing.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Glad you enjoyed it! And thanks for tuning in again!
@luisadrianlara5561
@luisadrianlara5561 5 месяцев назад
I owned a Minolta xe-7 that belonged to a photojournalist that covered the salvadorian civil war with it. I owned it for 19 years and it every aspect of it was ABSOLUTELY PERFECT until the day I left it on top of my car and rode away.
@vintagecameradigest
@vintagecameradigest 5 месяцев назад
That’s a sad story if I’ve ever heard one. Ouch. But indeed a fantastic camera.
@brentbrown51
@brentbrown51 10 месяцев назад
Enjoy your posts. Thank you! I’m a bit of a Minolta Fanboy. My first was an SRT-100. Now I have a 102, a 201, a Hi-Matic AF2, two 400si rigs and an a7. The 100 disappeared. No idea where it went. Stolen? That a7, BTW, is an amazing camera.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thank you! It’s great to hear from another Minolta fan as I’m sort of a fanboy myself. My first “real” camera was an X-700 and used it through college. Since then I’ve acquired more Minolta bodies than I care to admit. But I enjoy almost every one. And I very recently developed an appreciation for their AF bodies. I have been eyeing the a7 and a9. They seem to be excellent cameras. Cheers!
@mhc2b
@mhc2b 10 месяцев назад
In reference to your interest in Minolta's - Was just watching the old movie "The Jewel of the Nile," 1985. There was a couple of scenes where Kathleen Turner, the heroine, is photographing with a black Minolta X-700 - I never paid attention to the "Minolta" name plate before, but I did notice that the X-700 name plate is the more modern "Minolta" with all capital letters and the "O" represented by an image of the world. In another scene she has a small Minolta speedlite mounted in the shoe. It had the modern "Minolta" name plate also. First time I ever saw a Minolta used as a prop. Thought it was pretty neat. Made me think of your channel!!
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
It’s been a LONG time since I’ve seen that movie, and I probably didn’t even notice the camera when I saw it last. But it’s cool that it’s in there. I think Minolta modernized their logo around 1980. But, yes, I don’t think I’ve seen one as a prop, either. And I’m flattered that it made you think of this channel! Many, many thanks!
@---us7qf
@---us7qf 10 месяцев назад
My goodness! Those colours on the cars attending the show. Just arresting! I wonder what they would look like on a colour film stock, with high vibrancy, shot on the Hasselblad 503cx with the 80mm Carl Zeiss lens? I bet they'd look like "heaven."
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
I’d bet they’d look pretty darn good. Actually, when I’ve shot car shows before, overcast lighting seems to work better with color. It seems to add depth to those great paint jobs. I still prefer to use black and white for super sunny days. I like the touch of surrealism it provides. But man oh man would I love to shoot some cars with a Hassy!
@---us7qf
@---us7qf 10 месяцев назад
@@vintagecameradigest New to film, and I saved (high, low and in between), to get a mint condition Hasselblad, along with extra lens and film back. I also ordered film stock, and is just going on the once a week photo walk, to learn and learn some more. I hold a very high position at work, so I can't do more as I am soooo very busy, but the 1 that I can do, you bet I'll enjoy. Pretty soon, I'll be shooting Motorcycles at my local event.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Well, I don’t think you could do much better than the setup you’ll be using. I owned an old 500C with a 80T* lens at one time, and it was incredible. So I’m sure the 503 will be nothing less.
@equal___
@equal___ 10 месяцев назад
When you said car shot and bw film I was skeptical but wow these turned out so clean. I really need to revist tmax (and bw film in general) also loved the lens changes
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Glad you enjoyed it! Yes, great paint jobs in B&W wouldn’t immediately seem to be particularly impressive. But it’s something that, surprisingly, works quite well. Once, back in the mid-late 80s I paid a visit to one of the big photo stores in Atlanta. And they had this huge enlargement of a classic auto printed in B&W - and it was the most spectacular print I’d ever seen. Shadows, highlights, reflections…it was perfect. I don’t know if I’ve ever made a shot comparable to that one, but it still inspires me 35 yrs later. I do recommend revisiting T-Max. Its overkill for some subjects, but for others like this, it really shines.
@mhc2b
@mhc2b 10 месяцев назад
Beautiful, creative images throughout! Love your post processing on all these images. Very straight, clean, and nice contrast. What do you soup your T-Max in? What do you use to scan & post process your b&w images? Note - You were giving exposure and lens specs up to the red '78 Vette, around 13 minutes, using the Vivitar 135. After that you gave no more data. I, like most photographers, love knowing the specs. It looks like you changed lenses again from the white Firebird to the end? 50mm? What f-stops on these last few shots? Have to say, when I see videos like this, it inspires me to pack up a camera, and shoot somewhere like this, hand holding. Just walking around at events like this, camera in hand, has to be one of the purest forms of photography. Thanks for sharing.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thanks so much! As for the specs, mostly you hear them because I talk to myself out loud when shooting - well not TOO loud, lol. But yes, I should continue throughout. I ended up replacing the 135mm with the 50mm 3.5 macro for the shot of the hood ornament. And then just went back to the 50 1.4 for the last half of the roll. I knew I wouldn't get much use out of the 135, but I though I'd try. On this type of shoot I really find the 50mm does exactly what I need. One of the final shots of the sideview mirror I think I had the f/stop at 5.6 for one and maybe 1.4 for the other. My standard processing for just about everything is D-76 mixed 1:1. And I've been using an old Unicolor drum and roller base with a 15% reduction in dev time since it's continuous agitataion. Digitization is a Canon DSLR setup with an Nikkor Ai-s 55mm 2.8 - usually set at around f/8 with a short extension tube to make sure I fill the frame. Post-processing is Adobe Camera Raw and Photoshop (for B&W - Lightroom and Negative Lab Pro for color). Most tweaks are using Curves only and maybe getting rid of a dust spot here and there. And to finish it up I use a light Gradient Map adjustment to emulate Selenium toning. Thanks again for watching! Be sure to tune in again!
@cameraprepper7938
@cameraprepper7938 10 месяцев назад
Leica did a mistake with the Leica R3, because Leica insisted to make their own electronic in the Camera which often did malfunctions, that did not happen with the Minolta XE/XE-1/XE-7. Again later Leica did the same mistake with the Leica R4 which led to misfunction, that did not happen to the Minolta XD/XD-1/XD-7 Camera, so, do not get an early version of the Leica R4, even better, avoid the Leica R4 ! Leica started the cooperation with Minolta, because Leica lost money in production of making the Leicaflex Cameras which was all mechanical. So Minolta has quite a history which keep going on now with Sony who bought Minolta. The Minolta XD-7 was very popular among professional photographers in Europe. I like the digital Sony Cameras which is about the size of the analog Cameras from the late 1970´s to early 1980´s Cameras.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Good to know! Yes, Minolta does have quite the history - as well as continuing influence on modern cameras in the great Sony line-up. You only need look at Sony's offerings before and after the Minolta purchase to understand just how much they needed Minolta's know-how. I mourn the loss of Minolta, but I'm glad there's still a bit of Minolta DNA in the Sony's.
@cameraprepper7938
@cameraprepper7938 10 месяцев назад
@@vintagecameradigest There is a lot of Minolta´s DNA in Sony Cameras. I am very happy with my Sony Cameras.
@JorgeGarcia-oi4fy
@JorgeGarcia-oi4fy 3 месяца назад
No estoy de acuerdo en alguna parte. La electronica de la Minolta era superior, pero no susceptible que su placa de cerámica no sucumbiera a que fácilmente tuviera problemas de malas mediciones en su lightmeter.
@vedranr.glavina7667
@vedranr.glavina7667 3 дня назад
Nice pix ! Pls a comparison XD-7 vs XE-7. Thanx !
@vintagecameradigest
@vintagecameradigest День назад
Thanks! I do have an XD-11 (same as the XD-7) but it needs some work. Hope I get to that in the next few months. But it would make a good comparison episode. Thanks for the suggestion!
@johnsomers8269
@johnsomers8269 8 месяцев назад
90 degrees and you are wearing a black shirt and jeans? Sweet Minolta. They made their own lenses from along the glass to grinding the optics.
@vintagecameradigest
@vintagecameradigest 8 месяцев назад
Yeah, I’ve never been accused of dressing appropriately, lol. But that was a significant mis-judgement on my part. One day I’ll learn!
@artpeterson6667
@artpeterson6667 10 месяцев назад
Very enjoyable video and very beautiful photos! Thank you. My first decent camera was a Minolta, the Minolta AL, I believe it was called. When I moved on to more advance equipment, I always admired, was attracted to, and considered buying Minoltas, but somehow I never got back to them...except once, in a way, when I was on temporary duty in Japan and bought a Leitz Minolta CL, which was just a Leica CL rebadged for Minolta's home market. It was an absolutely superb, beautiful little gem of a camera, clearly in a different league quality-wise from anything I previously had owned, and I've always felt Leica made a mistake by discontinuing it rather than developing it further (as Minolta later did with its own Minolta CLE). It's too bad that Minolta is gone now, and I'm not a fan of Sony---too many buttons and dials all over the camera body and too complicated menus. Today my only remaining film camera is an Olympus OM-1, another little gem of a camera, but I hardly ever shoot film anymore. Film costs money to buy and money to develop, whereas digital is free; and with digital there's no disappointment afterwards, finding out the focus was off or the exposures were wrong or the framing wasn't the best; instead, you can see the results right away, fix any problems, and reshoot if necessary. So while I very much enjoy shooting film (and not least for its relative simplicity), its disadvantages (vis-à-vis digital) rule it out.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Glad you enjoyed the video! What you point out about film v digital can’t be argued against in any meaningful way, I think. Especially now when film costs are getting outright crazy. There’s no way I’d give up my digital gear with which I make my livelihood. With digital I can shoot in places and lighting conditions that would have been impossible with film. However wonderful digital photography is, though, I found myself missing the “process” of creating images on film. Something about the uncertainty of the results (to a degree) appealed to me. I’ll credit film photography for keeping my love for the craft alive. It is how I differentiate between my occupation and my passion. Film is certainly not the most efficient method of creating images. It defies logic. There are real costs - both financial and time. But it has reinvigorated my passion for the craft and put me back in touch with that 19-yr-old me experiencing a darkroom for the first time. Ah….the smell of fixer! Forgive me for such a sermon. I am in no way arguing against your point about digital. You are exactly right. And I’m thankful for the digital technology. But for some reason this evening, these words just fell out of my head, and well, here they lay. Many many thanks for your comment. And I hope you tune back in for other episodes! Peace ✌️
@artpeterson6667
@artpeterson6667 10 месяцев назад
Nothing to forgive!---it was a good "sermon," and I largely agree with you. There is SOMETHING about shooting film, but I don't know what it is. Maybe it's partly the uncertainty of results, as you say (I used to consider myself lucky to get 2 or 3 keepers out of a roll of 36), or maybe it has to do with the intentionality of having to crank the film winding lever for each shot (I wish digital cameras had wind levers, even if they merely served as thumb rests and on/off switches), which in a way made each shot a sort of event, or maybe it's the sweet allure of the purely mechanical as opposed to the entirely electronic (more than a few film cameras were objects of beauty and were a joy to hold and to use, whereas digital cameras seem not to be that, or at least not so much...except perhaps for some Leicas), or maybe there's a fair dose of nostalgia involved. Peace indeed!@@vintagecameradigest
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
I think you nailed it about an exposure being an “event”. I couldn’t agree more.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
And having a wind lever on a digital would be a welcome tactile experience. I do like the deliberate-ness of the old cameras. And the roll of film you know has a limited life span. I can shoot 1000 pics on digital and none of it seems like an “event”. That analogy is gold. I love it!
@Blackmind0
@Blackmind0 10 месяцев назад
i got a xe-1 last year, near mint, this is a brick with a smooth shutter which sound i like...a great old camera i like to use..
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Agreed! The shutter and wind-on are smooth as butter. It’s definitely a nice, tactile experience. And it’s much more refined than the SRT series that came before. Thanks for tuning in!
@thomaschamberlin2485
@thomaschamberlin2485 7 месяцев назад
If you are feeling lucky you could buy one of these cameras said to be non-functional because the mirror is locked up. It will lock up if there is no battery. But it will also lock up if the two magnets inside stick together and that is difficult to fix (we're talking removing leatherette). I am considering one, partly due to that 50mm f1.4 lens. The top shutter speed of 1,000 is a bummer. The pentaprism mirror is said to be prone to deterioration.
@vintagecameradigest
@vintagecameradigest 7 месяцев назад
Agreed. The first one I bought (years ago) was locked up like that when I got it. Put a new battery in, and presto - working again! I also have one of these where the pentaprism mirror is a mess. I didn’t realize they were prone to that, but yes, I can back that up.
@johnsomers8269
@johnsomers8269 8 месяцев назад
I agree, T-max is fantastic. I do miss Agfa, however!
@vintagecameradigest
@vintagecameradigest 8 месяцев назад
Years ago, i picked up a couple of rolls of the APX25 to run through an old folder. Photos were incredible. Never got around to shooting the second roll and I still have it. Will make for an interesting video soon!
@daveed4475
@daveed4475 9 месяцев назад
Wonderful camera. I have 3 of these, and unfortunately each needs a different repair. With the exception of my XG7, and XE7, all of my other Minolta have been bulletproof.
@vintagecameradigest
@vintagecameradigest 9 месяцев назад
I try not to be such a Minolta fan-boy, but I can’t help it sometimes. I really enjoy using their cameras. Hate that about your XEs though. I had Garry’s Camera in the US do a CLA on mine when I got it. It’s been good ever since. And reasonably priced.
@daveed4475
@daveed4475 9 месяцев назад
I may send all 3 to Garry’s and ask them to repair the most viable of the lot!
@photonfantastic
@photonfantastic 3 месяца назад
Great photos! Which developer do you prefer for TMax 100?
@vintagecameradigest
@vintagecameradigest 3 месяца назад
My go-to for just about anything Kodak is D-76 1:1. I did try the TMax developers many, many years ago when the film had just come out. But I haven’t tried any of that recently. Many users say that it’s the way to go, though.
@johnsomers8269
@johnsomers8269 8 месяцев назад
You used an Exakta in one of your shows, have you tried any other DDR cameras? The Werra, Praktina, and Certo might be fun. I could loan you a Werra.
@vintagecameradigest
@vintagecameradigest 8 месяцев назад
That Exakta is the only one, so far. But I’m up for any of them!
@algrano-fotografia4338
@algrano-fotografia4338 10 месяцев назад
👍
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thanks for watching!
@fernandoguerrero5333
@fernandoguerrero5333 10 месяцев назад
Great composition and exposure results with this camera and film stock. Did you use Dark Room for scanning?
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Thank you! I’m using a DSLR scanning setup then using Adobe Camera Raw to convert to positive with final tweaks in Photoshop.
@russellyoung2852
@russellyoung2852 9 месяцев назад
When you photographed the cars, did you keep it on the AUTO setting? Great self portraits (old timer talk for "selfie") after 14:00!
@vintagecameradigest
@vintagecameradigest 9 месяцев назад
I prefer “self-portrait” myself, lol! I did use the aperture priority mode for one entire roll of film. And i think it performed splendidly. The only time I made a conscious decision to override the metering was on the solid black car with the spare tire mounted in the fender. The automatic shot was overexposed, but not terribly and definitely still well-within workable latitude. So, I’d say it’s auto mode is pretty darn good!
@russellyoung2852
@russellyoung2852 9 месяцев назад
you missed my weak attempt at humor .... Auto for autos .... or in your wisdom, chose not to acknowledge it, lol. @@vintagecameradigest
@vintagecameradigest
@vintagecameradigest 9 месяцев назад
LOL! Sometimes I can be soooo dense!! And then I’m the one who wonders when folks don’t get MY sense of humor….too funny! Good one, though :-)
@johnvanna233
@johnvanna233 14 дней назад
What film do I need for this
@vintagecameradigest
@vintagecameradigest 12 дней назад
Thanks for the question! Any 35mm film will do the trick. Film used in this video was Kodak TMax 100, btw.
@musicmaestro88
@musicmaestro88 10 месяцев назад
Good call on the switch to 28 - my ROKKOR 28 and 58 are my favorites on my XE (and adapted to my A7iii as well). I see some familiar cars in this video (I'm from ATL and a car guy as well). Subbed!! Ever need a co-shooter ( film or digital ) look me up. I certainly need to get out more - haha. | @freshouttafocus
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
Ah! Good to hear from someone from the same stomping ground! I’ve seen a few of those cars at other shows, as well. If I had one as nice as some of these were, I’d be showing it off as many places I could, too. And, yes, that 28mm is a favorite of mine. I think I’d also really like a 24mm, but those are fetching higher prices than I’m willing to shell out at the moment. But as soon as a good deal appears, I’m there! Thanks for tuning in!
@musicmaestro88
@musicmaestro88 10 месяцев назад
@@vintagecameradigest get the 135f2.8 STF if you can. That thing changed my life. My 68 Datsun 510 is more drag car than show car but I suppose it shows okay. Haha. Also I have a super nice Rollei35S if you wanna feature it on your channel I'll get it to you to put some rolls through.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
A ‘68 510…now that’s some nice vintage. I’m trying to imagine it as a drag car and I’m impressed. Would love to see that in person. Let me know where you’ll have it out. I’m sure I could easily go through several rolls of film. I actually have a Rollei 35T that was gifted to me several years back. I don’t think it’s 100% working, and I’m ashamed to say I haven’t even tried with it. I do need to get it out and spend some time with it. If I can’t get it up to par, I’ll let you know. It’s definitely a good series to feature here.
@Atmosphere-ez3fx
@Atmosphere-ez3fx 10 месяцев назад
My minolta MD mount cameras(SRT101,XD11,X700,X570) still surviving, but AF mount cameras(a9000,a8000i,a707si,a600si) became rubbish......so sad.
@vintagecameradigest
@vintagecameradigest 10 месяцев назад
It is indeed sad. The Minolta auto-focus bodies are really nice as long as they hold up. I especially like the A-mount lenses. They're every bit as good as the MD/MC mount versions in my opinion. I actually have a few episodes on Minolta AF cameras in the planning stages. My biggest gripe with any of them - and this also applies to some Nikon and Canon bodies - is the poor choice of rubber for the grips. After a while they get sticky or just disintegrate. You're not going to see that kind of issue on a good old SRT, though!
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