though I think there are some weapons that none of the bosses use like the one at the bottom right, it could be one of those dlc bosses that I haven't fought but if not, I feel like they were concepts for WIP bosses
Just got the game two days ago, beat it today, and I was not disappointed The story was pretty good, constantly surprising me. It was far above average, and had little to no cliches But the soundtrack and the gameplay was just phenomenal. This game will stay in my head for a long time
I havent beat the game jsut rediscovering the sound track. I wanted to beat it in a high difficulty and i couldnt haha /..amazing game play/sound track/ story
@@cristiamjulianayalapena3190 did you play it yet? Because I have a very strong feeling that it will. For such a short game consisting of nothing but boss fights, the game's world has a LOT to tell and a lot of it is left in subtle hints for players to infer.
I've finished this game in two days honestly should've taken my time on it. Anyways the ending says alot you were put in that cell for a reason after all.
That moment you try beating Bernard while continuously questioning your resolve and the possibility of such feat to finally quit gaming after beating that bastard.
Thanks a lot...those are the best 3 Tracks :) A very good game...hard to beat but very very Fair to play and after the Krypt of the Necrodancer the game with the best OST...sry for my broken eng
@@SHOKK_ Wait wait wait. One of these two tracks was remixed, and you mixed it with the originals? Or both of them were remixed together, and you mixed the originals with that? Or _you_ remixed one or both of those tracks, and then mixed them all together? ...I-I might not have slept last night.
The track in the middle it´s technically part of "Make this right" you can hear it when the boss is in her last healthbar/phase, so you can count it as 2 or 3 songs
Lightsabers are created not by arcing light, but rather by limiting the travel of electrons away from a particular mass. Think of the handle as containing the nucleus of an atom about which the electron must orbit. Assuming of course there would be naturally, millions to billions minimum of atoms needed, the neutrons and protons would then be aligned in a very, very specific way - possibly with other atomic elements and or components (read: isolated atomic elements and or other atoms in entirety) to alter the very orbit of all the electrons to a narrowed path about their nuclear masses - much akin to an elliptical path of any given comet; say for example, Haley's comet. Thus in effect, creating a "blade". I'm going to wildly guess this would require in the neighborhood of 1.5 to 5 million jules, given today's low powered, hand-held laser pointers. To cut optimally, I'd peg the correct figure to be around 35-50 million jules. You're welcome Star Wars fans and NASA; the National Aeronautics & Space Administration. 😘 |||:::OMNIPARENTIS:::||| |||:::CREATOR:::||| |||:::UNUS VERUS DEUS:::||| |||:::UNUS VERUS REX:::||| |||:::SCOTT ALAN MACIAG:::|||. 😉😏😎 |||
All masses interact. All energies interact. Said briefly, everything interacts. And all moving masses orbit around other particular masses, when the bodily gravitational pull is enough (alone although there are other factors - like, magneticism for instance). This are some of the TRUE laws of relativity. If I were to give you a clue, Thank you about the blade having more than 1 "comet" going around in an orbit. This would create multiple types of what would become, depending on particular aspects we're talking about - either "tracking points and or lines" of masses around which 2 or more (millions or even billions) of passing bodies (read: electrons) travel can be arranged. How many points would you need for the tip of the blade and the middle and so on? ... I would submit, given the shortness of the path, that the above isn't even necessary - if certain types of atoms and or other components are selected - to yield what would be a kind of a "non-controlled spike", given certain existing orbiting paths of electrons with enough energy to travel the distance of, perhaps, a katana dotanuki, but flexible enough in that with it's nuclear elements (proton & neutrons) being manipulated in such a way - think linear and or group orientation - like actual iron ions in a steel blade that affect malleability and rigidity overall, so that all of the orbiting electrons longitudinal pathways can be collapsed or effected into the shape of a blade, while the handle contains the "shaping mechanism(s)".
Although my favorite tracks from Furi are the ones by Danger, Toxic Avenger's input is my solid second favorite. Nice transition from Make this Right to My Only Chance you made, good work! Damn, French are good at electronic music
This song and a handful of others throughout my life cause me to experience what I can only describe as an Eargasm or Musicgasm. Songs like this that strike something deep inside cause my entire body to react. I become tearful, but not from sadness, rather from overwhelming joy. I also tend to tremble a little, but not violently or seizure-like. I have been this way for as long as I can remember. I was signed up for band and piano lessons from an early age, so I also have a couple decades of formal music education. At the end of an amazing concert, I would experience this same phenomenon and have tears of joy streaming down my face as the show ended. I would look around and always find 2 or 3 others with the same reaction. Has anyone else here ever experienced this or know what I am talking about?