Mixing Colors with ArtRage 

Thanks... Richie.

@@orianelima Violet is also called purple.

Joey, thanks.

orianelima U are welcome

Grey may be a secondary color instead of green.

Learn2Draw, I’m not the owner of the video but do you see real color blending in the color options on the bottom right of the screen? Then when you mix the yellow and blue, you SHOULD get green when you turn “real color blending” on. When you mix the yellow and blue together you will get some greyish color, but when you do turn on the color blending mode, you will get GREEN!

Red and black will make maroon. Also, CMY are the real primary colors.

orianelima on who's color wheel-Munsells or everyone else's who do not hold to CYM? The dividing line of middle neutral RV is exactly where true optimal and available pigment "magenta" sits and it is not named as such but is named as a "violet" PV49. Purple, as defined by my dictionary, simply says, "a color intermediate between red and blue" which tells me that that is many-any where between middle neutral Red and middle neutral Blue. Many refer to these colors as "magentas", Orchids, Violets, Lavenders, Muaves, Purples, etc. What you describe as 3/4 between Red and "Magenta" (which does not actually exist in the color spectrum) is considered to be a RRV or RRP (very red purples OR violets as they are so aptly named in pigment codes which are PR's or PV's). Most professional artists that I know as well as most people that I know refer to Purple as colors more closely related to middle spectrum Violet-very RVV or BVV or just purple and violets (meaning any of these colors resultant in mixes between Red and Blue but more specifically closer to Middle Neutral zone mixes of a 1:1 mix of a more Neutral red Red and blue Blue. I and many other "professionals" refer to the range as violets as we tend to stick with the nomenclature of the visible light spectrum and pigment codes. No where do we find pigment codes of PP just PR, PV, and PB. The rest are considered PO, PY, and PG. In other words, Main primaries and secondaries. The rest is left for us to variously define, give inaccurate descriptive names to, and argue about. It is enough to know that "purple" is a Violetish HUE in color theory nomenclature and to what "purple" do you refer to exactly? Plum or Grape? But even that won't do since there is a variation in the species of each and each going through stages of development. Your "purplish" grape is far from my "greenish" grape. Most of us "professionals" make a distinction as to what we are talking about when we are talking to certain people (even among ourselves) like this is a violet or purple as you may know it or call it or we just talk in general and confuse everyone. Just like the obstinate artists who insist that CYM is THE PRIMARIES of physical matter pigment mixing. That is simply not true-not even in light mixing. They are only "primary" in the Printing Industry and even they do not hold to the truest pigments available for CYM or they are "primary" for those who use them as their main chosen RYB pigments and even then they will discover that they need other pigments to help them out with their dilemmas.

You got black.

Royal blue is a deep blue, often with a purplish tinge. Since royal blue is a shade of blue, all you need to do is darken the blue to make royal blue. Thanks

digitalArtform AND I can mix a red and a blue to get magenta. In fact I can mix several pigments in various ways to make magenta. Cyan is a mixed color between Y & B plus white. The yellow used Y3 can also be replicated in HUE from a number of yellows and greens and white if need be. You must be stuck on what Primary Theory of Physical Pigments Mixing really is or you are just being facetious. Just in case.... RGB are actually the primaries of our vision with White and Magenta being fictional colors made up by our brains to fill voids. The visible spectrum of light is made up of the primaries of the rainbow and scientifically speaking they are not "primary" either since colors do not mix in light. They mix only in the make up of our biology. No two people see color exactly the same and other creatures see differently than we do due to the make up of their biology. When we speak of the primaries of light mixing such as our vision, TV, and computers, then and only then are they RGB. When we speak of mixing physical matter pigments (and because our brains can not perceive the secondary yellow from a physical matter mix of red and green thus making us use Yellow as a primary to obtain greens etc) the primaries are RYB no matter what. When we speak of the physics of light itself (without which we would not see color at all) the "primaries" are that of the Rainbow since colors do not actually mix in light and maintain their own HUES and waves which are mixed in our brains after unabsorbed color waves are bounced off of objects and into our eyes which are then translated to our brains through RGB filters. It is due to all of this that we really need the highest saturated pigments in each Hue Family as possible. When we speak of CYM as "primaries" we are actually speaking about an industry of printing primaries used and those who obstinate that CYM are THE primaries of physical matter pigments (which is simply not true) Therefore, RYB is not just "artistically" speaking. It is just a fact (all things considered) in all physical pigment mixing as to what we "see" in our brains. This Palette of main HUES of all of the "primaries" of light are contained in every physical matter thing COUPLED by the way our vision works and if we want to "copy" them we best know how by simple physical matter pigment mixing and IT'S primary theory IF we are working in pigments. Working with Light and Coupled with our vision and brains then its RGB. In the physics of light there are many "primaries" and they do not include white or magenta or black (the absence of light). So this is why the primaries of RYB are the primary HUES in physical matter mixing. The only reason we see "magenta" is because of a total absence of Y&G and our eyes go R&B "overload" and our mind fills in what we know as "magenta". And I'm sure you can figure out what happens when you eliminate ALL influence of the other HUE primaries. Therefore, "magenta" is no more "primary" than any other pigment that we have. It's the HUES of RYB that are primary not which tube pigment is primary. They don't exist. The trick is to know the primary and secondary bias of the pigments you are using.

Thank you Alcid

Red-Violet and purple are not the sane thing!

Hi, kkkk

Jordan Baumann Official Channel, those are very similar colors to the ones that were introduced in the video

Jordan Baumann Official Channel, no!

In Teal, it can be Cyan too.

@@frankieallen0 because they ARE

orianelima just as one can make different magenta's etc. The primaries of CYM are entirely that of the Printing Industry adopted as THE PRIMARIES for physical matter paint mixing by those who do not actually understand color theory which makes those adherents of CYM entirely wrong. What makes them usable as "primary" variants is the fact of RYB contained within them. What makes the traditional examples held out to kindergarten children as a base learning tool is also the fact that they contain larger vibrant biases of RYB and seem to make a more joyous and attention grabbing tool of education holding the children's interest and is thus highly usable as a starting point to teaching theory. While CYM is actually secondary in RGB, and "primary" in the Printing Industry, they are no more "primary" in RYB than any other High Value/Chroma tube of paint. Almost everyone "forgets" or are just ignorant, that "magenta" is an Imaginary color in the human brain and does not appear anywhere in the actual visible light spectrum. Since light contains many visible "primaries" (seven) which can not be scientifically called primary since they do not actually mix themselves, it stands to reason that there is only 1 true primary-light energy itself. Our Human Biology does the mixing. We see in the RGB but can not isolate spectrum yellow from a mix of red and green matter pigments and thus Yellow becomes the primary in this realm along with Red and Blue. This has been scientifically shown time and time again and again. We do not have any pigment that is pure neutral middle spectrum RYB of such high Value/Chroma relationship that would fulfill the entire mixing spectrum.This does not negate the fact of RYB HUE as the matter mixing primaries. In fact, the mixing of known Hue bias pigments proves it. CYM is no more primary in physical matter pigment mixing RYB just as that combo of CYM is no more primary in RGB or that contained within light itself ROYGBIndigoV. They only become "primary" when someone chooses to start with them and use them as their primary pigments. But in those regards they are no more primary than any other combinations of pigments containing RYB.

lynzi, thank you.

orianelima using a tube black is not different (in essence) than mixing your own black and using it. You can control outcomes by various proportions and additional Hue additives to control bias and neutrality just as you can by mixing your own. Yes mixing your own black COULD bring more color harmony a bit easier but KNOWING your tube black is exactly the same thing OR just neutralize your Hue by adding its direct compliment. Any color that goes "muddy" is simply a color that you did not intend to mix. I'm tired of hearing people put down tube black as if its the plague when they still strive to mix it and use it. You just need to know that every black is biased and powerful just like Quinacridones and Phthalo's pigments. Black is not even a color to be avoided by Pure Colorists since they still strive for those "neutral gray's" and making "blacks" of their own. Hell, there is hardly a tube of pigment out there that most artists even want to use straight up and not desaturated. Don't be afraid of black, just KNOW your black whether you choose to buy it inexpensively or mix it entirely yourself and run through more of your expensive tube pigments. But you should know how to mix it from scratch just so you won't make a "muddy" color by mistake or you find yourself out of tube black and need a black. Those who study the Munsell System know how to adjust black to avoid a HUE shift when toning and shading and still make a Hue look good if one so needs it that way. DC's and over modified mixed blacks actually cause HUE shift as does our blue biased whites. Suffice it rather to say that a tube pigment black is not necessary on your Palette any more than any other tube pigment of convenience but it sure is convenient and cost effective. In the beginning when a person is learning how to mix pigments and the outcomes it is best to avoid black and other pigments of great tinting strength such as Phthalo's and Quin's. But on the other hand they have to know how to use them as well right away so they might as well just get started with them. So redundantly I say-just KNOW your pigments and don't fear to use them.

YuRi YuZi I studied that too

shit and fuck

Lana Bowie Cosmo was the one pregnant

Asuna Gumdrop yea wierd

Does someone what red , pink , and green?

Lol

Lana Banana OMG same

XD

@@MaiArtZ OwO

Blue and red dont give violet but purple

Hi! ArtRage is a computer program. My mixing colors were made in Windows.

Hi there! The soft is Artrage. Google it, OK!

okay thanks!

@Volgen West someone told me it should be makes, like "equals" in "one plus one equals two", so red plus yellow equals orange,that made me confused...

You can’t make yellow, it’s primary.

Good for you.

RGB is for the additive color principle which works in light while CMY is for the subtractive color principle which works in pigments. You're totally lost in the color world.

Joe, read the Artrage manual tools.

Ok, I’ll try it.

It’s the selection tool, now I got it. Thank you :)

Orange + Black = Brown