Mixing With Saturation - Why You Need It 

jahva1O1 yeah, his paste is giving him a lot of saturation. Wonder if theres a free demo.

@@ffjaron lol

Y'all ain't got no sense lol 😂😂

True. To me Thicc definitely means the bottom end it's fuller and more round 👍🏿

Lmao

Patreon ;)

A beastcher.. Beacher... Beaster... Nvm it doesn't really work. He's a beast of a teacher.

You do!

@@d-rockanomaly9243 Teast?

@@prodbysaze2892 lol that'll have to do.

And Finally....☺☺☺

can u make a vedio about mixing and mastaring plugging comes with fl studio?

I know, I'm a little late, but you know It came out on "Satur-Day" (you know, because of "saturation" 😅

justin bieber cheap...no man

Thank you! I really appreciate that David

Ben Potts Thank you very much Ben!

@@inthemix Couldnt agree more.

👍

you can also make an IR of their effect.. so u can make an IR of your fav settings or whatever.. as long as the effect is linear as in not changing for the duration of the IR sample.. like half a second or something.. right?? u seem to have expertise.. and im just repeating something i heard :D

You are describing what is commonly called a Null Test - take an unprocessed audio signal (or file) and a processed version of the same signal, match the levels (rms or average), invert the polarity of one, then play or render them starting from the same sample position. To fully grasp this, take two identical audio files, invert the polarity of one, then play them together. They will cancel each other and you will hear nothing - silence. Be sure NO processing of any kind is applied to one or both - not even a miniscule gain change. Regarding your Null Test experiment between an unprocessed and processed signal: Yes, it is a good way to understand what these plugins are doing - what they are adding; but only if the applied saturation is static (doesn't change with the dynamics / level of the original signal), or if the plugin has complex non-linear interactions. With dynamic non-linear saturation plugins, it's better to adjust by ear - just don't overdo it (there is a reason engineers didn't add Aural Exciter to every track back in the 70s & 80s. Something has to be in the background, otherwise it's a wall of mush - piercing mush that will get fatiguing real fast.). Consider a few nonlinear analog systems: Tubes have a very smooth curve toward higher nonlinear saturation; transistors and op-amps tend to be more linear until they approach their clipping point with a smaller dB transition range to hard clipping; transformers vary with the given design topology and materials - their saturation type, amount and curve in relation to input fluctuations (level) vary greatly.. (they also exhibit EM field effect saturation); tape is a very complex non-linear system, between the input & output electronics, the magnetic heads, bias, tape formulation, particle domain concentration & polarization, etc.. Older plugins (and some recent ones) typically applied 'static' saturation to a signal, regardless of average level or fluctuations in amplitude (a cheap way of simulating tube, tape, transformer and other analog non-linearities). These can easily be nulled to expose the added saturation. But many new plugins have dynamic implementations of saturation - e.g. the amount of saturation will fluctuate in relation to signal amplitude. Even with non-saturating dynamic processors, it can be hard to make sense of the 'delta' from a null ('delta': what is leftover - the difference between the unprocessed and processed files). Some plugins distinguish between transients and average levels as well (check out Physion from Eventide and the Unfiltered Audio plugins for examples). Sophisticated tape saturation plugins (especially deeply modeled multi tube devices like a good guitar amp emu or the Thermionics Culture Vulture) and other 'end-to-end' emulations combine numerous techniques to interactively generate varying degrees and types of saturation: the UAD SSL Console has numerous clipping points; their Distressor emulation is also highly reactive; the Manley Vari Mu tube mastering compressor & the Voxbox both have extremely complex non-linear interactive circuit topology, including the Input & Output tubes & transformers, the program dependent compression behavior, the tube amplifier and, with the VoxBox, the EQ inductors. multiple nonlinear dynamic systems interacting with each other, making an analysis by 'Null Test' almost meaningless.

Kekka dake da

I make broccoli with this technique

Louis Jans But does it press the space-bar to start? ;)

Only a wizard knows the answer 😜

Lisa H Thank you, I've used it on countless distorted leads, it's definitely got something magic going on behind the simple one dial because it sounds great!

What a lovely thing to say. I really appreciate your comments :)

Street Lord Thank you! I'll keep trying my best :)

Kreate Yeah I want to make that happen. Let's do it.

looking forward to it

Do it!

he just wanna hear you moan...lmfao!

@Nobby Heads So warm it's heated up

Eliot Hantute Thanks Eliot :)